The House of the Broken Hands
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in Sacramento, California?
Why did his beauti ful wife, Velvulott a Gomez, hate him so much?
Why did the children born into this house have broken, shatt ered fi ngers?
Why, to this day, does the old mansion sit dark and empty?
The House of the Broken Hands is a frightening ghost story about the
people and the lives they lived in this mansion, and what happened
to them. Set in Sacramento in the 1990s, a journalist who lives in the
neighborhood becomes curious about the old house with no signs of life.
She is determined to learn its history, and aft er hearing the bare bones
of the story from an old woman who grew up in the neighborhood, she is
compelled to dig deeper into the houses past.
Barbara O’Donnell
Barbara O'Donnell is a great story teller who gets right to the heart of what makes people tick! She is a published author, writing teacher at Sacramento State College, and owner of Pusheen Press. She lives in Midtown, Sacramento in an old bungalow frequented by ghosts with stories to tell and a few discerning cats who help edit her work.
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Book preview
The House of the Broken Hands - Barbara O’Donnell
The
House
of the
Broken Hands
Barbara O’Donnell
iUniverse, Inc.
Bloomington
The House of the Broken Hands
Copyright © 2011 by Barbara O’Donnell
All rights reserved. No part of this book may be used or reproduced by any means, graphic, electronic, or mechanical, including photocopying, recording, taping or by any information storage retrieval system without the written permission of the publisher except in the case of brief quotations embodied in critical articles and reviews.
This is a work of fiction. All of the characters, names, incidents, organizations, and dialogue in this novel are either the products of the author’s imagination or are used fictitiously.
iUniverse books may be ordered through booksellers or by contacting:
iUniverse
1663 Liberty Drive
Bloomington, IN 47403
www.iuniverse.com
1-800-Authors (1-800-288-4677)
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Thinkstock.
ISBN: 978-1-4620-1484-2 (sc)
ISBN: 978-1-4620-1485-9 (ebk)
Printed in the United States of America
iUniverse rev. date: 4/19/2011
Also by Barbara O’Donnell – available at celticgirlswriteon.com or pusheenpress@saclink.csus.edu
Novels – adult:
Love in an
Irish Circle
Lost Soul Child
The Town
Dream Walker
The White Bone Harp
Punky Rose Bagley
Alphabet for H Street
St. Francis Book Project – children’s literature:
Eloise of St. Francis
Mary Alice, St. Francis, and the Wolf
Mrs. Mumble, Bumble, Grumble
Danny Dewberry and the Bully
Story Telling CD’s:
The Black Rabbit Bar
Dooley Fagan
Memories from the Wild
A Christmas at St. Francis
VHS/CD:
So You Want to be a Writer
Memoir of a Friend:
Bram
To
My Grandma, Ione, a great story teller
Special Thanks
To Janine and Alan Harrington for their typing, editing, and technical work, and also for their advice about format of this bookeen.
Contents
Chapter 1
Chapter 2
Chapter 2a
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 1
A Dark Old House
It is a beautiful 1900’s Italianate house sitting on Poverty Ridge in Sacramento, California. Poverty Ridge has nothing to do with poverty. The area got the name when in the 1870’s the rich began building their homes on this highest land east of the Sacramento River which flooded every year until the citizens built levees and weirs and dams. No. 10 is closed and empty. It’s been this way for at least ten years. I walk the neighborhood and wonder about it.
The house is a large, imposing gray stucco, rectangular, two stories high with wide plate glass windows downstairs and upstairs. Drapes are drawn at the windows. On the cornices to each side of the upstairs windows, there are female muse’s faces gazing down into the street. They smile as if contemplating a secret about the house. Wide brick steps lead to the front door which is massive. A small stone seat is built to one side of the door. A carefully manicured yard surrounds the house, not a blade of grass out of place, every flowering shrub carefully pruned and nurtured.
Other houses across the street are filled with families. People come and go. Lights are on at night, and cars are parked in driveways, but nothing moves at No. 10.
There is a similar mansion next door to No. 10 which is now the home of the McClatchy Library. I decided to consult the librarian. Yes, she said, the house was built about 1900 and had been empty for a long, long time, well as long as she could remember. Yes, this was Poverty Ridge, a joke produced by some wag when the expensive houses went up. And yes, she knew someone that could probably tell me about the house. That was Mrs. Gentry who had lived in the neighborhood all of her life. She resided, now, down the street at the Happy Retreat House, a euphemism for a convalescent hospital. Mrs. Gentry was as bright as a sapphire button, and if anybody could tell me about the house, she could.
I thanked the librarian and made my way to Happy Retreat House. I asked the receptionist if I could visit with Mrs. Gentry, and she called a nurse who listened to my request. She said that Mrs. Gentry would probably love company. She had few visitors these days since most of her friends had already gone to God, and her two sons lived in San Francisco. She ushered me into the parlor, and I was seated at a table. Eventually, the nurse wheeled Mrs. Gentry into the room. She was a bright-eyed, small chick of a woman. I introduced myself, and the nurse said she’d order tea for us.
I live in the neighborhood,
I told Mrs. Gentry. "I walk past No. 10 on 22nd Street, and I wonder about it. Nobody lives there. It’s been dark