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White Nights and Other Stories
White Nights and Other Stories
White Nights and Other Stories
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White Nights and Other Stories

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White Nights, a sentimental story from the diary of a dreamer, is told in first person by a nameless narrator who lives alone in St. Petersburg and suffers from loneliness and the inability to stop thinking.
LanguageEnglish
PublisherSovereign
Release dateOct 15, 2012
ISBN9781909438651
White Nights and Other Stories
Author

Fyodor Dostoevsky

Fyodor Dostoevsky (1821–1881) was a Russian author and journalist. He spent four years in prison, endured forced military service and was nearly executed for the crime of reading works forbidden by the government. He battled a gambling addiction that once left him a beggar, and he suffered ill health, including epileptic seizures. Despite these challenges, Dostoevsky wrote fiction possessed of groundbreaking, even daring, social and psychological insight and power. Novels like Crime and Punishment, The Idiot, and The Brothers Karamazov, have won the author acclaim from figures ranging from Franz Kafka to Ernest Hemingway, Friedrich Nietzsche to Virginia Woolf.

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    Book preview

    White Nights and Other Stories - Fyodor Dostoevsky

    Fyodor Dostoyevsky

    White Nights

    & Other Stories

    New Edition

    LONDON NEW YORK MELBOURNE TORONTO

    MOSCOW CAPE TOWN AUCKLAND

    New Edition, World Classics

    Published by Sovereign

    An imprint of Max Bollinger

    27 Old Gloucester St,

    London WC1N 3AX

    sales@interactive.eu.com

    www.interactive.eu.com

    This Edition

    First published in 2012

    Author: Fyodor Dostoyevsky

    Editor: Max Bollinger

    Translator: Constance Garnett

    Copyright © 2012 Sovereign

    Cover design and artwork © 2012 urban-pic.co.uk

    All Rights Reserved. Without limiting the rights under copyright reserved above no part of this publication may be reproduced, stored in or introduced into a retrieval system or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

    The greatest care has been taken in compiling this book. However, no responsibility can be accepted by the publishers or compilers for the accuracy of the information presented.

    British Library Cataloguing in Publication Data.

    A catalogue record for this book is available from the British Library.

    Library of Congress Cataloguing in Publication Data.

    A catalogue record for this book has been requested.

    ISBN: 9781909438644 (pbk)
    ISBN: 9781909438651 (ebk)

    Bref: WHN-03

    ABOUT FYODOR DOSTOYEVSKY

    A few words about Dostoyevsky himself may help the English reader to understand his work.

    Dostoyevsky was the son of a doctor. His parents were very hard-working and deeply religious people, but so poor that they lived with their five children in only two rooms. The father and mother spent their evenings in reading aloud to their children, generally from books of a serious character.

    Though always sickly and delicate Dostoyevsky came out third in the final examination of the Petersburg school of Engineering. There he had already begun his first work, Poor Folk.

    This story was published by the poet Nekrassov in his review and was received with acclamations. The shy, unknown youth found himself instantly something of a celebrity. A brilliant and successful career seemed to open before him, but those hopes were soon dashed. In 1849 he was arrested.

    Though neither by temperament nor conviction a revolutionist, Dostoyevsky was one of a little group of young men who met together to read Fourier and Proudhon. He was accused of taking part in conversations against the censorship, of reading a letter from Byelinsky to Gogol, and of knowing of the intention to set up a printing press. Under Nicholas I. (that stern and just man, as Maurice Baring calls him) this was enough, and he was condemned to death. After eight months’ imprisonment he was with twenty-one others taken out to the Semyonovsky Square to be shot. Writing to his brother Mihail, Dostoyevsky says: They snapped words over our heads, and they made us put on the white shirts worn by persons condemned to death. Thereupon we were bound in threes to stakes, to suffer execution. Being the third in the row, I concluded I had only a few minutes of life before me. I thought of you and your dear ones and I contrived to kiss Plestcheiev and Dourov, who were next to me, and to bid them farewell. Suddenly the troops beat a tattoo, we were unbound, brought back upon the scaffold, and informed that his Majesty had spared us our lives. The sentence was commuted to hard labour.

    One of the prisoners, Grigoryev, went mad as soon as he was untied, and never regained his sanity.

    The intense suffering of this experience left a lasting stamp on Dostoyevsky ’s mind. Though his religious temper led him in the end to accept every suffering with resignation and to regard it as a blessing in his own case, he constantly recurs to the subject in his writings. He describes the awful agony of the condemned man and insists on the cruelty of inflicting such torture. Then followed four years of penal servitude, spent in the company of common criminals in Siberia, where he began the Dead House, and some years of service in a disciplinary battalion.

    He had shown signs of some obscure nervous disease before his arrest and this now developed into violent attacks of epilepsy, from which he suffered for the rest of his life. The fits occurred three or four times a year and were more frequent in periods of great strain. In 1859 he was allowed to return to Russia. He started a journal—Vremya, which was forbidden by the Censorship through a misunderstanding. In 1864 he lost his first wife and his brother Mihail. He was in terrible poverty, yet he took upon himself the payment of his brother’s debts. He started another journal—The Epoch, which within a few months was also prohibited. He was weighed down by debt, his brother’s family was dependent on him, he was forced to write at heart-breaking speed, and is said never to have corrected his work. The later years of his life were much softened by the tenderness and devotion of his second wife.

    In June 1880 he made his famous speech at the unveiling of the monument to Pushkin in Moscow and he was received with extraordinary demonstrations of love and honour.

    A few months later Dostoyevsky died. He was followed to the grave by a vast multitude of mourners, who gave the hapless man the funeral of a king. He is still probably the most widely read writer in Russia.

    In the words of a Russian critic, who seeks to explain the feeling inspired by Dostoyevsky : He was one of ourselves, a man of our blood and our bone, but one who has suffered and has seen so much more deeply than we have his insight impresses us as wisdom... that wisdom of the heart which we seek that we may learn from it how to live. All his other gifts came to him from nature, this he won for himself and through it he became great.

    Contents

    ABOUT FYODOR DOSTOYEVSKY

    WHITE NIGHTS

    FIRST NIGHT

    SECOND NIGHT

    NASTENKA’S HISTORY

    THIRD NIGHT

    FOURTH NIGHT

    MORNING

    POLZUNKOV

    MR. PROHARTCHIN

    WHITE NIGHTS

    A SENTIMENTAL STORY

    FROM THE DIARY

    OF A DREAMER

    FIRST NIGHT

    It was a wonderful night, such a night as is only possible when we are young, dear reader. The sky was so starry, so bright that, looking at it, one could not help asking oneself whether ill-humoured and capricious people could live under such a sky. That is a youthful question too, dear reader, very youthful, but may the Lord put it more frequently into your heart!... Speaking of capricious and ill-humoured people, I cannot help recalling my moral condition all that day. From early morning I had been oppressed by a strange despondency. It suddenly seemed to me that I was lonely, that every one was forsaking me and going away from me. Of course, any one is entitled to ask who every one was. For though I had been living almost eight years in Petersburg I had hardly an acquaintance. But what did I want with acquaintances? I was acquainted with all Petersburg as it was; that was why I felt as though they were all deserting me when all Petersburg packed up and went to its summer villa. I felt afraid of being left alone, and for three whole days I wandered about the town in profound dejection, not knowing what to do with myself. Whether I walked in the Nevsky, went to the Gardens or sauntered on the embankment, there was not one face of those I had been accustomed to meet at the same time and place all the year. They, of course, do not know me, but I know them. I know them intimately, I have almost made a study of their faces, and am delighted when they are gay, and downcast when they are under a cloud. I have almost struck up a friendship with one old man whom I meet every blessed day, at the same hour in Fontanka. Such a grave, pensive countenance; he is always whispering to himself and brandishing his left arm, while in his right hand he holds a long gnarled stick with a gold knob. He even notices me and takes a warm interest in me. If I happen not to be at a certain time in the same spot in Fontanka, I am certain he feels disappointed. That is how it is that we almost bow to each other, especially when we are both in good humour. The other day, when we had not seen each other for two days and met on the third, we were actually touching our hats, but, realizing in time, dropped our hands and passed each other with a look of interest.

    I know the houses too. As I walk along they seem to run forward in the streets to look out at me from every window, and almost to say: Good-morning! How do you do? I am quite well, thank God, and I am to have a new storey in May, or, How are you? I am being redecorated to-morrow; or, I was almost burnt down and had such a fright, and so on. I have my favourites among them, some are dear friends; one of them intends to be treated by the architect this summer. I shall go every day on purpose to see that the operation is not a failure. God forbid! But I shall never forget an incident with a very pretty little house of a light pink colour. It was such a charming little brick house, it looked so hospitably at me, and so proudly at its ungainly neighbours, that my heart rejoiced whenever I happened to pass it. Suddenly last week I walked along the street, and when I looked at my friend I heard a plaintive, They are painting me yellow! The villains! The barbarians! They had spared nothing, neither columns, nor cornices, and my poor little friend was as yellow as a canary. It almost made me bilious. And to this day I have not had the courage to visit my poor disfigured friend, painted the colour of the Celestial Empire.

    So now you understand, reader, in what sense I am acquainted with all Petersburg.

    I have mentioned already that I had felt worried for three whole days before I guessed the cause of my uneasiness. And I felt ill at ease in the street—this one had gone and that one had gone, and what had become of the other?—and at home I did not feel like myself either. For two evenings I was puzzling my brains to think what was amiss in my corner; why I felt so uncomfortable in it. And in perplexity I scanned my grimy green walls, my ceiling covered with a spider’s web, the growth of which Matrona has so successfully encouraged. I looked over all my furniture, examined every chair, wondering whether the trouble lay there (for if one chair is not standing in the same position as it stood the day before, I am not myself). I looked at the window, but it was all in vain ... I was not a bit the better for it! I even bethought me to send for Matrona, and was giving her some fatherly admonitions in regard to the spider’s web and sluttishness in general; but she simply stared at me in amazement and went away without saying a word, so that the spider’s web is comfortably hanging in its place to this day. I only at last this morning realized what was wrong. Aie! Why, they are giving me the slip and making off to their summer villas! Forgive the triviality of the expression, but I am in no mood for fine language ... for everything that had been in Petersburg had gone or was going away for the holidays; for every respectable gentleman of dignified appearance who took a cab was at once transformed, in my eyes, into a respectable head of a household who after his daily duties were over, was making his way to the bosom of his family, to the summer villa; for all the passers-by had now quite

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