The Double-Dealer: A Comedy
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William Congreve
William Congreve was an English playwright and poet of the Restoration period. He is known for his clever, satirical dialogue and influence on the comedy of manners style of that period. He was also a minor political figure in the British Whig Party.
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Reviews for The Double-Dealer
5 ratings1 review
- Rating: 4 out of 5 stars4/5Young, handsome Mellefont is about to marry Cynthia, daughter of Sir Paul, and the couple is very much in love. Trouble happens because Mellefont's aunt by marriage, Lady Touchwood, is also in love with him and determined to keep the marriage from going through. She employs her lover, lower-born Maskwell, to ruin Mellefont's reputation with Cynthia's parents. Maskwell is the double dealer, claiming to be both Lady Touchwood's agent and Mellefont's friend, while scheming for himself.This is a comedic play first produced in 1693, yet it's still pretty sharp and easy to follow for a modern reader, and is still performed.
Book preview
The Double-Dealer - William Congreve
DRYDEN.
PROLOGUE
Spoken by Mrs. Bracegirdle.
Moors have this way (as story tells) to know
Whether their brats are truly got or no;
Into the sea the new-born babe is thrown,
There, as instinct directs, to swim or drown.
A barbarous device, to try if spouse
Has kept religiously her nuptial vows.
Such are the trials poets make of plays,
Only they trust to more inconstant seas;
So does our author, this his child commit
To the tempestuous mercy of the pit,
To know if it be truly born of wit.
Critics avaunt, for you are fish of prey,
And feed, like sharks, upon an infant play.
Be ev’ry monster of the deep away;
Let’s have a fair trial and a clear sea.
Let nature work, and do not damn too soon,
For life will struggle long e’er it sink down:
And will at least rise thrice before it drown.
Let us consider, had it been our fate,
Thus hardly to be proved legitimate:
I will not say, we’d all in danger been,
Were each to suffer for his mother’s sin:
But by my troth I cannot avoid thinking,
How nearly some good men might have ’scaped sinking.
But, heav’n be praised, this custom is confined
Alone to th’ offspring of the muses kind:
Our Christian cuckolds are more bent to pity;
I know not one Moor-husband in the city.
I’ th’ good man’s arms the chopping bastard thrives,
For he thinks all his own that is his wives’.
Whatever fate is for this play designed,
The poet’s sure he shall some comfort find:
For if his muse has played him false, the worst
That can befall him, is, to be divorced:
You husbands judge, if that be to be cursed.
DRAMATIS PERSONÆ.
MEN.
Maskwell, a villain; pretended friend to Mellefont, gallant to Lady Touchwood, and in love with Cynthia,—Mr. Betterton.
Lord Touchwood, uncle to Mellefont,—Mr. Kynaston.
Mellefont, promised to, and in love with Cynthia,—Mr. Williams.
Careless, his friend,—Mr. Verbruggen.
Lord Froth, a solemn coxcomb,—Mr. Bowman.
Brisk, a pert coxcomb,—Mr. Powell.
Sir Paul Plyant, an uxorious, foolish old knight; brother to Lady Touchwood, and father to Cynthia,—Mr. Dogget.
WOMEN.
Lady Touchwood, in love with Mellefont,—Mrs. Barry.
Cynthia, daughter to Sir Paul by a former wife, promised to Mellefont,—Mrs. Bracegirdle.
Lady Froth, a great coquette; pretender to poetry, wit, and learning,—Mrs. Mountfort.
Lady Plyant, insolent to her husband, and easy to any pretender,—Mrs. Leigh.
Chaplain, Boy, Footmen, and Attendants.
The Scene: A gallery in the Lord Touchwood’s house, with chambers adjoining.
ACT I.
SCENE I.
A gallery in the Lord Touchwood’s home, with chambers adjoining.
Enter Careless, crossing the stage, with his hat, gloves, and sword in his hands; as just risen from table: Mellefontfollowing him.
MEL. Ned, Ned, whither so fast? What, turned flincher! Why, you wo’ not leave