The Crocodile

By Fyodor Dostoyevsky

A true story of how a gentleman of a certain age and of respectable appearance was swallowed alive by the crocodile in the Arcade, and of the consequences that followed.

• Language: English
• Publisher: Interactive Media
• Release date: Apr 15, 2014
• ISBN: 9781910343029

Fyodor Dostoyevsky

Fyodor Dostoyevsky was born in Moscow in 1821. He died in 1881 having written some of the most celebrated works in the history of literature, including Crime and Punishment, The Idiot, and The Brothers Karamazov.

Book preview

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Reviews for The Crocodile

[mathmaverick-1 · Rating: 4 out of 5 stars]

A humorous read bordering on (and into) the absurd. A man is eaten by a crocodile and lives in his stomach. He communicates with the outside world freely (via voice only). His life continues on, but one wonders how long he can maintain such an existence. It reminded me of something that Kafka would have written, but only more humorous. As I read, I wondered if The Crocodile influenced the writing of Metamorphosis by Kafka. A good book (very short, only 78 pages with notes and appendix), not life changing, but worth the read.

[Carel Kuun · Rating: 3 out of 5 stars]

Not quite what I expected from a literary master.
Don't really know what to make of it.
Will go ahead and read another one of his books to see if it improves.

[gbill_7 · Rating: 3 out of 5 stars]

It’s not that I didn’t like this short story from Dostoevsky, it’s just that it’s incomplete, and comes across as a fragment of an idea. The period in which Dostoevsky wrote this was one of great personal and economic strife, and he was finding an outlet for his increasing dislike of progressive European ideals. Clearly, the crocodile that swallows a man only to have him continue philosophizing within its belly is meant to be an absurd satire on these ideals, but it isn’t all that well developed. Dostoevsky himself said that it was the first part to a comic story that he never finished, and it shows. Frankly, it was more interesting to me to read his rebuttal to the claim that the man represented Nikolai Chernyshevsky, which he did years later in ‘Diary of a Writer’ and which was excerpted in the afterward. That would have been rather heartless indeed, despite their ideological differences, since Dostoevsky knew first-hand just how cruel and unfair imprisonment for political reasons was, but his account, which includes personal anecdotes with Chernyshevsky, seems believable. Regardless, this work is for Dostoevsky diehards only.