The Assembly of Fowls
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Geoffrey Chaucer
Geoffrey Chaucer (1340-1400) is considered to be the greatest English poet of the Middle Ages. He maintained a career in civil service for most of his life, working as a courtier, diplomat, and was even a member of Parliament, however, he is famed for his literary work. Best known for his book The Canterbury Tales, Chaucer normalized the use of Middle English in a time when the respected literary languages were French and Latin, causing a revolutionary impact on literature. Chaucer is regarded as the father of English Literature for his invaluable contributions and innovations to the art.
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The Assembly of Fowls - Geoffrey Chaucer
THE ASSEMBLY OF FOWLS
..................
Geoffrey Chaucer
KYPROS PRESS
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Copyright © 2016 by Geoffrey Chaucer
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TABLE OF CONTENTS
The Assembly of Fowls
Notes to The Assembly of Fowls
THE ASSEMBLY OF FOWLS
..................
[IN THE ASSEMBLY OF FOWLS
— which Chaucer’s Retractation
describes as The Book of Saint Valentine’s Day, or of the Parliament of Birds
— we are presented with a picture of the mediaeval Court of Love
far closer to the reality than we find in Chaucer’s poem which bears that express title. We have a regularly constituted conclave or tribunal, under a president whose decisions are final. A difficult question is proposed for the consideration and judgment of the Court — the disputants advancing and vindicating their claims in person. The attendants upon the Court, through specially chosen mouthpieces, deliver their opinions on the cause; and finally a decision is authoritatively pronounced by the president — which, as in many of the cases actually judged before the Courts of Love in France, places the reasonable and modest wish of a sensitive and chaste lady above all the eagerness of her lovers, all the incongruous counsels of representative courtiers. So far, therefore, as the poem reproduces the characteristic features of procedure in those romantic Middle Age halls of amatory justice, Chaucer’s Assembly of Fowls
is his real Court of Love;
for although, in the castle and among the courtiers of Admetus and Alcestis, we have all the personages and machinery necessary for one of those erotic contentions, in the present poem we see the personages and the machinery actually at work, upon another scene and under other guises. The allegory which makes the contention arise out of the loves, and proceed in the assembly, of the feathered race, is quite in keeping with the fanciful yet nature-loving spirit of the poetry of Chaucer’s time, in which the influence of the Troubadours was still largely present. It is quite in keeping, also, with the principles that regulated the Courts, the purpose of which was more to discuss and determine the proper conduct of love affairs, than to secure conviction or acquittal, sanction or reprobation, in particular cases — though the jurisdiction and the judgments of such assemblies often