White Heat
4/5
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About this ebook
Winner of the 2013 Shamus Award for Best Indie P.I. Novel!
P.I. Duke Rogers finds himself in a combustible situation in this racially charged thriller. His case might have to wait...
The immediate problem: getting out of South Central Los Angeles in one piece during the 1992 “Rodney King” riots and that’s just the beginning of his problems.
Duke finds an old “friend” for a client. The client’s “friend,” an up and coming African-American actress, ends up dead. Duke knows his client did it. Feeling guilty that he inadvertently helped the killer find the victim, he wants to track down the client/killer. He starts his mission by going to the dead actress’ family in South Central L.A.—and while there the “Rodney King” riots ignite.
While Duke searches for the killer he must also deal with the racism of his partner, Jack, and from Warren, the murder victim’s brother, who is a mirror image of Jack in that department. He must also confront his own possible latent racism—even as he’s in an interracial relationship with the dead woman’s sister.
Praise for WHITE HEAT:
“...taut crime yarn set in 1992 against the turmoil of the Los Angeles riots that followed the acquittal of the police officers charged with assaulting motorist Rodney King.... the author ably evokes the chaos that erupted after the Rodney King verdict.” —Publishers Weekly
“White Heat is a riveting read of mystery, much recommended.” —Midwest Book Review
“[White Heat] really caught early 90s’ LA, in all its sordid glory. And had me turning pages late into the night. I think WH is up there with the best of the LA novels, but has an air of authenticity that many lack.” —Woody Haut, journalist, author of Neon Noir: Contemporary American Crime Fiction; Pulp Culture: Hardboiled Fiction & the Cold War; and Heartbreak and Vine: The Fate of Hardboiled Writers in Hollywood
“Expect the unexpected...in an action-walloping award-winner of harrowing twists and turns...” —Gordon Hauptfleisch, Seattle Post Intelligencer and BlogCritics.org
“A gripping tale of prejudice and deceit, set against the tumultuous backdrop of the 1992 L.A. riots. White Heat is all the title promises it to be.” —Darrell James, award-winning author of Nazareth Child and Sonora Crossing
“Written in a staccato, noir style as intense as the 1992 LA riots, White Heat is a stunning debut novel. It grabs you with the intensity of the riots and keeps the anxiety and tension pushing full-throttle right up to the bittersweet ending. White Heat is a hard-hitting, noir detective thriller that also deals with tough issues like racism, the ‘diversity’ of racism, and the human condition.” —Andrew McAleer, bestselling author of 101 Habits of Highly Successful Novelists and Fatal Deeds
Paul D. Marks
Paul D. Marks is the author of the Shamus Award-Winning mystery-thriller White Heat. Publishers Weekly calls White Heat a “taut crime yarn.” And Midwest Book Review says “White Heat is a riveting read of mystery, much recommended.” His story Howling at the Moon is short-listed for both this year’s (2015) Anthony and Macavity Awards for Best Short Story. It was published in the November 2014 issue of Ellery Queen Mystery Magazine and came in #7 in their Reader’s Poll Award. His story Fade Out appears in the August 17, 2015 Akashic’s Mondays Are Murder. He is the co-editor of the anthology Coast to Coast: Murder from Sea to Shining Sea, coming in October, 2015 from Down & Out Books. His novella Vortex is available for pre-order now and will be released on September 1, 2015.Paul is the author of over thirty published short stories in a variety of genres, including several award winners. Five of his stories can be found in the collection LA Late @ Night. He also has the distinction, dubious though it might be, of being the last person to have shot a film on the fabled MGM backlot before it bit the dust to make way for condos. According to Steven Bingen, co-author of the well-received book MGM: Hollywood’s Greatest Backlot: “That 40 page chronological list I mentioned of films shot at the studio ends with his [Paul D. Marks’] name on it.”
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