The Black Mate
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Joseph Conrad
Polish author Joseph Conrad is considered to be one of the greatest English-language novelists, a remarkable achievement considering English was not his first language. Conrad’s literary works often featured a nautical setting, reflecting the influences of his early career in the Merchant Navy, and his depictions of the struggles of the human spirit in a cold, indifferent world are best exemplified in such seminal works as Heart of Darkness, Lord JimM, The Secret Agent, Nostromo, and Typhoon. Regarded as a forerunner of modernist literature, Conrad’s writing style and characters have influenced such distinguished writers as F. Scott Fitzgerald, Ernest Hemingway, William S. Burroughs, Hunter S. Thompson, and George Orwell, among many others. Many of Conrad’s novels have been adapted for film, most notably Heart of Darkness, which served as the inspiration and foundation for Francis Ford Coppola’s 1979 film Apocalypse Now.
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The Black Mate - Joseph Conrad
The Black Mate
Joseph Conrad
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About Conrad:
Joseph Conrad (born Teodor Józef Konrad Korzeniowski, 3 December 1857 – 3 August 1924) was a Polish-born novelist. Some of his works have been labelled romantic: Conrad's supposed romanticism
is heavily imbued with irony and a fine sense of man's capacity for self-deception. Many critics regard Conrad as an important forerunner of Modernist literature. Conrad's narrative style and anti-heroic characters have influenced many writers, including Ernest Hemingway, D.H. Lawrence, Graham Greene, Joseph Heller and Jerzy Kosiński, as well as inspiring such films as Apocalypse Now (which was drawn from Conrad's Heart of Darkness).
A good many years ago there were several ships loading at the Jetty, London Dock. I am speaking here of the 'eighties of the last century, of the time when London had plenty of fine ships in the docks, though not so many fine buildings in its streets.
The ships at the Jetty were fine enough; they lay one behind the other; and the __Sapphire__, third from the end, was as good as the rest of them, and nothing more. Each ship at the Jetty had, of course, her chief officer on board. So had every other ship in dock.
The policeman at the gates knew them all by sight, without being able to say at once, without thinking, to what ship any particular man belonged. As a matter of fact, the mates of the ships then lying in the London Dock were like the majority of officers in the Merchant Service—a steady, hard-working, staunch, un-romantic-looking set of men, belonging to various classes of society, but with the professional stamp obliterating the personal characteristics, which were not very marked anyhow.
This last was true of them all, with the exception of the mate of the Sapphire. Of him the policemen could not be in doubt. This one had a presence.
He was noticeable to them in the street from a great distance; and when in the morning he strode down the Jetty to his ship, the lumpers and the dock labourers rolling the bales and trundling the cases of cargo on their hand-trucks would remark to each other:
Here's the black mate coming along.
That was the name they gave him, being a gross lot, who could have no appreciation of the man's dignified bearing. And to call him black was the superficial impressionism of the ignorant.
Of course, Mr. Bunter, the mate of the Sapphire, was not black. He was no more black than you or I, and certainly as white as any chief mate of a ship in the whole of the Port of London. His complexion was of the sort that did not take the tan easily; and I happen to know that the poor fellow had had a month's illness just before he joined the Sapphire.
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