The Caxtons: A Family Picture — Volume 18
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About this ebook
In addition to being a politician, he wrote across all genres, from horror stories to historical fiction and action titles.
Edward Bulwer-Lytton
Edward Bulwer-Lytton, engl. Romanschriftsteller und Politiker, ist bekannt geworden durch seine populären historischen/metaphysischen und unvergleichlichen Romane wie „Zanoni“, „Rienzi“, „Die letzten Tage von Pompeji“ und „Das kommende Geschlecht“. Ihm wird die Mitgliedschaft in der sagenumwobenen Gemeinschaft der Rosenkreuzer nachgesagt. 1852 wurde er zum Kolonialminister von Großbritannien ernannt.
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The Caxtons - Edward Bulwer-Lytton
THE CAXTONS: A FAMILY PICTURE — VOLUME 18
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Edward Bulwer-Lytton
YURITA PRESS
Thank you for reading. In the event that you appreciate this book, please consider sharing the good word(s) by leaving a review, or connect with the author.
This book is a work of fiction; its contents are wholly imagined.
All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.
Copyright © 2016 by Edward Bulwer-Lytton
Interior design by Pronoun
Distribution by Pronoun
TABLE OF CONTENTS
PART XVIII.: CHAPTER I.
Chapter II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
The Caxtons: A Family Picture — Volume 18
By
Edward Bulwer-Lytton
The Caxtons: A Family Picture — Volume 18
Published by Yurita Press
New York City, NY
First published circa 1873
Copyright © Yurita Press, 2015
All rights reserved
Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
About YURITA Press
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PART XVIII.: CHAPTER I.
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ADIEU, THOU BEAUTIFUL LAND, CANAAN of the exiles, and Ararat to many a shattered ark! Fair cradle of a race for whom the unbounded heritage of a future that no sage can conjecture, no prophet divine, lies afar in the golden promise—light of Time!—destined, perchance, from the sins and sorrows of a civilization struggling with its own elements of decay, to renew the youth of the world, and transmit the great soul of England through the cycles of Infinite Change. All climates that can best ripen the products of earth or form into various character and temper the different families of man is rain influences
from the heaven that smiles so benignly on those who had once shrunk, ragged, from the wind, or scowled on the thankless sun. Here, the hard air of the chill Mother Isle,—there, the mild warmth of Italian autumns or the breathless glow of the tropics. And with the beams of every climate, glides subtle Hope. Of her there, it may be said, as of Light itself, in those exquisite lines of a neglected poet,—
Adieu, my kind nurse and sweet foster-mother,—a long and a last adieu! Never had I left thee but for that louder voice of Nature which calls the child to the parent, and wooes us from the labors we love the best by the chime in the sabbath-bells of Home.
No one can tell how dear the memory of that wild Bush life becomes to him who has tried it with a fitting spirit. How often it haunts him in the commonplace of more civilized scenes! Its dangers, its risks, its sense of animal health, its bursts of adventure, its intervals of careless repose,—the fierce gallop through a very sea of wide, rolling plains; the still saunter, at night, through woods never changing their leaves, with the moon, clear as sunshine, stealing slant through their clusters of flowers. With what an effort we reconcile ourselves to the trite cares and vexed pleasures, the quotidian ague of frigid impertinences,
to which we return! How strong and black stands my pencil-mark in this passage of the poet from whom I have just quoted before!—
We are here among the vast and noble scenes of Nature,—we are there among the pitiful shifts of policy; we walk here in the light and open ways of the Divine Bounty,—we grope there in the dark and confused labyrinth of human malice.
(2)
But I weary you, reader. The New World vanishes,—now a line, now a speck; let us turn away, with the face to the Old. Amongst my fellow- passengers how many