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    The Caxtons: A Family Picture — Volume 17
    The Caxtons: A Family Picture — Volume 17
    The Caxtons: A Family Picture — Volume 17
    Ebook57 pages45 minutes

    The Caxtons: A Family Picture — Volume 17

    By Edward Bulwer-Lytton

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    LanguageEnglish
    PublisherArchive Classics
    Release dateJan 1, 1849
    The Caxtons: A Family Picture — Volume 17
    Author

    Edward Bulwer-Lytton

    Edward Bulwer-Lytton, engl. Romanschriftsteller und Politiker, ist bekannt geworden durch seine populären historischen/metaphysischen und unvergleichlichen Romane wie „Zanoni“, „Rienzi“, „Die letzten Tage von Pompeji“ und „Das kommende Geschlecht“. Ihm wird die Mitgliedschaft in der sagenumwobenen Gemeinschaft der Rosenkreuzer nachgesagt. 1852 wurde er zum Kolonialminister von Großbritannien ernannt.

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      Book preview

      The Caxtons - Edward Bulwer-Lytton

      The Project Gutenberg EBook The Caxtons, by Bulwer-Lytton, Part 17 #31 in our series by Edward Bulwer-Lytton

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      **Welcome To The World of Free Plain Vanilla Electronic Texts**

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      *****These EBooks Were Prepared By Thousands of Volunteers*****

      Title: The Caxtons, Part 17

      Author: Edward Bulwer-Lytton

      Release Date: March 2005 [EBook #7603] [Yes, we are more than one year ahead of schedule] [This file was first posted on January 10, 2003]

      Edition: 10

      Language: English

      *** START OF THE PROJECT GUTENBERG EBOOK THE CAXTONS, BY LYTTON, PART 17 ***

      This eBook was produced by Pat Castevens and David Widger

      PART XVII.

      CHAPTER I.

      The stage-scene has dropped. Settle yourselves, my good audience; chat each with his neighbor. Dear madam in the boxes, take up your opera- glass and look about you. Treat Tom and pretty Sal to some of those fine oranges, O thou happy-looking mother in the two-shilling gallery! Yes, brave 'prentice-boys in the tier above, the cat-call by all means! And you, most potent, grave, and reverend signiors in the front row of the pit, practised critics and steady old playgoers, who shake your heads at new actors and playwrights, and, true to the creed of your youth (for the which all honor to you!), firmly believe that we are shorter by the head than those giants our grandfathers,—laugh or scold as you will, while the drop-scene still shuts out the stage. It is just that you should all amuse yourselves in your own way, O spectators! for the interval is long. All the actors have to change their dresses; all the scene-shifters are at work sliding the sides of a new world into their grooves; and in high disdain of all unity of time, as of place, you will see in the play-bills that there is a great demand on your belief. You are called upon to suppose that we are older by five years than when you last saw us fret our hour upon the stage. Five years! the author tells us especially to humor the belief by letting the drop- scene linger longer than usual between the lamps and the stage.

      Play up, O ye fiddles and kettle-drums! the time is elapsed. Stop that cat-call, young gentleman; heads down in the pit there! Now the flourish is over, the scene draws up: look before.

      A bright, clear, transparent atmosphere,—bright as that of the East, but vigorous and bracing as the air of the North; a broad and fair river, rolling through wide grassy plains; yonder, far in the distance, stretch away vast forests of evergreen, and gentle slopes break the line of the cloudless horizon. See the pastures, Arcadian with sheep in hundreds and thousands,—Thyrsis and Menalcas would have had hard labor to count them, and small time, I fear, for singing songs about Daphne. But, alas! Daphnes are rare; no nymphs with garlands and crooks trip over those pastures.

      Turn your eyes to the right, nearer the river; just parted by a low fence from the thirty acres or so that are

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