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The Importance of Being Earnest by Oscar Wilde (Illustrated)
The Importance of Being Earnest by Oscar Wilde (Illustrated)
The Importance of Being Earnest by Oscar Wilde (Illustrated)
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The Importance of Being Earnest by Oscar Wilde (Illustrated)

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This eBook features the unabridged text of ‘The Importance of Being Earnest’ from the bestselling edition of ‘The Complete Works of Oscar Wilde’.

Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Wilde includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

eBook features:
* The complete unabridged text of ‘The Importance of Being Earnest’
* Beautifully illustrated with images related to Wilde’s works
* Individual contents table, allowing easy navigation around the eBook
* Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
LanguageEnglish
PublisherPublishdrive
Release dateJul 17, 2017
ISBN9781786561596
The Importance of Being Earnest by Oscar Wilde (Illustrated)
Author

Oscar Wilde

Oscar Wilde (1854–1900) was a Dublin-born poet and playwright who studied at the Portora Royal School, before attending Trinity College and Magdalen College, Oxford. The son of two writers, Wilde grew up in an intellectual environment. As a young man, his poetry appeared in various periodicals including Dublin University Magazine. In 1881, he published his first book Poems, an expansive collection of his earlier works. His only novel, The Picture of Dorian Gray, was released in 1890 followed by the acclaimed plays Lady Windermere’s Fan (1893) and The Importance of Being Earnest (1895).

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    Book preview

    The Importance of Being Earnest by Oscar Wilde (Illustrated) - Oscar Wilde

    The Complete Works of

    OSCAR WILDE

    VOLUME 7 OF 41

    The Importance of Being Earnest

    Parts Edition

    By Delphi Classics, 2013

    Version 6

    COPYRIGHT

    ‘The Importance of Being Earnest’

    Oscar Wilde: Parts Edition (in 41 parts)

    First published in the United Kingdom in 2017 by Delphi Classics.

    © Delphi Classics, 2017.

    All rights reserved.  No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.

    ISBN: 978 1 78656 159 6

    Delphi Classics

    is an imprint of

    Delphi Publishing Ltd

    Hastings, East Sussex

    United Kingdom

    Contact: sales@delphiclassics.com

    www.delphiclassics.com

    Oscar Wilde: Parts Edition

    This eBook is Part 7 of the Delphi Classics edition of Oscar Wilde in 41 Parts. It features the unabridged text of The Importance of Being Earnest from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of Oscar Wilde, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

    Visit here to buy the entire Parts Edition of Oscar Wilde or the Complete Works of Oscar Wilde in a single eBook.

    Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.

    OSCAR WILDE

    IN 41 VOLUMES

    Parts Edition Contents

    The Plays

    1, Vera

    2, The Duchess of Padua

    3, Lady Windermere’s Fan

    4, A Woman of No Importance

    5, Salomé

    6, An Ideal Husband

    7, The Importance of Being Earnest

    8, La Sainte Courtisane

    9, A Florentine Tragedy

    The Poetry

    10, The Complete Poems

    The Novel

    11, The Picture of Dorian Gray - the Original 13 Chapter Version

    12, The Picture of Dorian Gray - the Revised 20 Chapter Version

    The Short Stories

    13, The Portrait of Mr. W. H.

    14, The Happy Prince and Other Tales

    15, A House of Pomegranates

    16, Lord Arthur Savile’s Crime and Other Stories

    The Non-Fiction

    17, The Decay of Lying

    18, Pen, Pencil and Poison - a Study in Green

    19, The Critic as Artist

    20, The Truth of Masks

    21, The Rise of Historical Criticism

    22, The English Renaissance of Art

    23, House Decoration

    24, Art and the Handicraftsman

    25, Lecture to Art Students

    26, London Models

    27, Poems in Prose

    28, The Soul of Man Under Socialism

    29, Phrases and Philosophies for the Use of the Young

    30, A Few Maxims for the Instruction of the Over-Educated

    31, De Profundis

    32, Oscar Wilde’s Letter to Robert Browning

    33, Personal Impressions of America

    34, The Decorative Arts

    35, The House Beautiful

    36, The Truth of Masks

    The Journalism

    37, The Articles and Reviews

    Apocrypha

    38, Teleny

    The Biographies

    39, Oscar Wilde, His Life and Confessions by Frank Harris

    40, Memories of Oscar Wilde by G. Bernard Shaw

    41, Oscar Wilde: an Idler’s Impression by Edgar Saltus

    www.delphiclassics.com

    The Importance of Being Earnest

    A Trivial Comedy for Serious People

    This play is generally considered to be Wilde’s masterpiece in drama. First performed on 14 February 1895 at St. James’s Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious characters in order to escape burdensome obligations. Working within the social conventions of late Victorian London, the play’s major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways.

    After the success of Lady Windermere’s Fan and A Woman of No Importance, Wilde’s producers urged him to write more comedies. In July 1894 he proposed his idea for The Importance of Being Earnest to Sir George Alexander, the actor-manager of St. James’s Theatre, who was keen with the premise. Wilde summered with his family at Worthing, where he wrote the play quickly in August. His fame now at its peak, he used the working title Lady Lancing to avoid any speculation of its content. Wilde hesitated about submitting the script to Alexander, concerned that it might be unsuitable for the St. James’s Theatre, whose typical repertoire was relatively serious, and explaining that it had been written in response to a request for a play with no real serious interest.

    When Henry James’ play Guy Domville dismally failed, Alexander turned to Wilde and agreed to put on his play. Alexander began his usual meticulous preparations, interrogating the author on each line and planning stage movements with a toy theatre. In the course of these rehearsals Alexander asked Wilde to shorten the play from four acts to three. Wilde agreed and combined elements of the second and third acts. The largest cut was the removal of the character of Mr. Gribsby, a solicitor who comes from London to arrest the profligate Ernest (i.e., Jack) for his unpaid dining bills.

    Contemporary reviews all praised the play’s humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde’s artistic career so far. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde’s most enduringly popular play. The successful opening night marked the climax of Wilde’s career, but also heralded his downfall. The Marquess of Queensberry, father of Lord Alfred Douglas, Wilde’s lover, planned to present Wilde a bouquet of spoiling vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Soon afterwards the feud came to a climax in court and Wilde’s new notoriety caused the play, despite its success, to be closed after just 86 performances. Following his imprisonment, he published the play from Paris, but chose to write no further comic or dramatic work.

    A scene from the 1895 production with Allan Aynesworth as Algernon (left) and Alexander as Jack

    Allan Aynesworth, Evelyn Millard, Irene Vanbrugh and George Alexander in the 1895 London premiere

    Mrs George Canninge as Miss Prism and Evelyn Millard as Cecily Cardew in the first production

    John Sholto Douglas, 9th Marquess of Queensberry (1844–1900) was a Scottish nobleman, remembered for his role in the downfall of Oscar Wilde.

    CONTENTS

    THE PERSONS IN THE PLAY

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