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The Duchess of Padua by Oscar Wilde (Illustrated)
The Duchess of Padua by Oscar Wilde (Illustrated)
The Duchess of Padua by Oscar Wilde (Illustrated)
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The Duchess of Padua by Oscar Wilde (Illustrated)

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This eBook features the unabridged text of ‘The Duchess of Padua’ from the bestselling edition of ‘The Complete Works of Oscar Wilde’.

Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Wilde includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

eBook features:
* The complete unabridged text of ‘The Duchess of Padua’
* Beautifully illustrated with images related to Wilde’s works
* Individual contents table, allowing easy navigation around the eBook
* Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
LanguageEnglish
PublisherPublishdrive
Release dateJul 17, 2017
ISBN9781786561541
The Duchess of Padua by Oscar Wilde (Illustrated)
Author

Oscar Wilde

Born in Ireland in 1856, Oscar Wilde was a noted essayist, playwright, fairy tale writer and poet, as well as an early leader of the Aesthetic Movement. His plays include: An Ideal Husband, Salome, A Woman of No Importance, and Lady Windermere's Fan. Among his best known stories are The Picture of Dorian Gray and The Canterville Ghost.

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    Book preview

    The Duchess of Padua by Oscar Wilde (Illustrated) - Oscar Wilde

    The Complete Works of

    OSCAR WILDE

    VOLUME 2 OF 41

    The Duchess of Padua

    Parts Edition

    By Delphi Classics, 2013

    Version 6

    COPYRIGHT

    ‘The Duchess of Padua’

    Oscar Wilde: Parts Edition (in 41 parts)

    First published in the United Kingdom in 2017 by Delphi Classics.

    © Delphi Classics, 2017.

    All rights reserved.  No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.

    ISBN: 978 1 78656 154 1

    Delphi Classics

    is an imprint of

    Delphi Publishing Ltd

    Hastings, East Sussex

    United Kingdom

    Contact: sales@delphiclassics.com

    www.delphiclassics.com

    Oscar Wilde: Parts Edition

    This eBook is Part 2 of the Delphi Classics edition of Oscar Wilde in 41 Parts. It features the unabridged text of The Duchess of Padua from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of Oscar Wilde, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

    Visit here to buy the entire Parts Edition of Oscar Wilde or the Complete Works of Oscar Wilde in a single eBook.

    Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.

    OSCAR WILDE

    IN 41 VOLUMES

    Parts Edition Contents

    The Plays

    1, Vera

    2, The Duchess of Padua

    3, Lady Windermere’s Fan

    4, A Woman of No Importance

    5, Salomé

    6, An Ideal Husband

    7, The Importance of Being Earnest

    8, La Sainte Courtisane

    9, A Florentine Tragedy

    The Poetry

    10, The Complete Poems

    The Novel

    11, The Picture of Dorian Gray - the Original 13 Chapter Version

    12, The Picture of Dorian Gray - the Revised 20 Chapter Version

    The Short Stories

    13, The Portrait of Mr. W. H.

    14, The Happy Prince and Other Tales

    15, A House of Pomegranates

    16, Lord Arthur Savile’s Crime and Other Stories

    The Non-Fiction

    17, The Decay of Lying

    18, Pen, Pencil and Poison - a Study in Green

    19, The Critic as Artist

    20, The Truth of Masks

    21, The Rise of Historical Criticism

    22, The English Renaissance of Art

    23, House Decoration

    24, Art and the Handicraftsman

    25, Lecture to Art Students

    26, London Models

    27, Poems in Prose

    28, The Soul of Man Under Socialism

    29, Phrases and Philosophies for the Use of the Young

    30, A Few Maxims for the Instruction of the Over-Educated

    31, De Profundis

    32, Oscar Wilde’s Letter to Robert Browning

    33, Personal Impressions of America

    34, The Decorative Arts

    35, The House Beautiful

    36, The Truth of Masks

    The Journalism

    37, The Articles and Reviews

    Apocrypha

    38, Teleny

    The Biographies

    39, Oscar Wilde, His Life and Confessions by Frank Harris

    40, Memories of Oscar Wilde by G. Bernard Shaw

    41, Oscar Wilde: an Idler’s Impression by Edgar Saltus

    www.delphiclassics.com

    The Duchess of Padua

    Wilde’s second play is a five act tragedy set in Padua and composed in blank verse. It was written for the actress Mary Anderson in early 1883. After she turned it down, it was abandoned until its first performance at The Broadway Theatre in New York under the title Guido Ferranti on the 26th January 1891, where it ran for three weeks. Like Wilde’s first play Vera, it is rarely revived or studied.

    The Duchess of Padua tells the story of a young man named Guido, who was brought up by a man he believed was his uncle.  Guido receives a notice to meet a man in Padua concerning his parentage and when he arrives he is convinced by the stranger Moranzone to abandon his only friend Ascanio in order to dedicate himself to revenging his father’s death at the hands of Simone Gesso, the Duke of Padua.

    Wilde, c. 1885

    CONTENTS

    THE PERSONS OF THE PLAY

    ACT I

    ACT II

    ACT III

    ACT IV

    ACT V

    THE PERSONS OF THE PLAY

    Simone Gesso, Duke of Padua

    Beatrice, his Wife

    Andreas Pollajuolo, Cardinal of Padua

    Maffio Petrucci,

    Jeppo Vitellozzo,

    Gentlemen of the Duke’s Household

    Taddeo Bardi,   

    Guido Ferranti, a Young Man

    Ascanio Cristofano, his Friend

    Count Moranzone, an Old Man

    Bernardo Cavalcanti, Lord Justice of Padua

    Hugo, the Headsman

    Lucy, a Tire woman

    Servants, Citizens, Soldiers, Monks, Falconers with their hawks and dogs, etc.

    Place: Padua

    Time: The latter half of the Sixteenth Century

    Style of Architecture:  Italian, Gothic and Romanesque.

    ACT I

    SCENE

    The Market Place of Padua at noon; in the background is the great Cathedral of Padua; the architecture is Romanesque, and wrought in black and white marbles; a flight of marble steps leads up to the Cathedral door; at the foot of the steps are two large stone lions; the houses on each aide of the stage have coloured awnings from their windows, and are flanked by stone arcades; on the right of the stage is the public fountain, with a triton in green bronze blowing from a conch; around the fountain is a stone seat; the bell of the Cathedral is ringing, and the citizens, men, women and children, are passing into the Cathedral.

    [Enter GUIDO FERRANTI and ASCANIO CRISTOFANO.]

    ASCANIO

    Now by my life, Guido, I will go no farther; for if I walk another step I will have no life left to swear by; this wild-goose errand of yours!

    [Sits down on the step of the fountain.]

    GUIDO

    I think it must be here.  [Goes up to passer-by and doffs his cap.]  Pray, sir, is this the market place, and that the church of Santa Croce?  [Citizen bows.]  I thank you, sir.

    ASCANIO

    Well?

    GUIDO

    Ay! it is here.

    ASCANIO

    I would it were somewhere else, for I see no wine-shop.

    GUIDO

    [Taking a letter from his pocket and reading it.]  ‘The hour noon; the city, Padua; the place, the market; and the day, Saint Philip’s Day.’

    ASCANIO

    And what of the man, how shall we know him?

    GUIDO

    [reading still]  ‘I will wear a violet cloak with a silver falcon broidered on the shoulder.’  A brave attire, Ascanio.

    ASCANIO

    I’d sooner have my leathern jerkin.  And you think he will tell you of your father?

    GUIDO

    Why, yes!  It is a month ago now, you remember; I was in the vineyard, just at the corner nearest the road, where the goats used to get in, a man rode up and asked me was my name Guido, and gave me this letter, signed ‘Your Father’s Friend,’ bidding me be here to-day if I would know the secret of my birth, and telling me how to recognise the writer!  I had always thought old Pedro was my uncle, but he told me that he was not, but that I had been left a child in his charge by some

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