The Yellow Wallpaper and Other Stories
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About this ebook
Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "Turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish shopkeeper whose sister-in-law, a doctor, persuades him to take a solo trip to Europe, with revivifying results; "The Yellow Wallpaper"; and three other outstanding stories.
These charming tales are not only highly readable and full of humor and invention, but also offer ample food for thought about the social, economic, and personal relationship of men and women — and how they might be improved.
Charlotte Perkins Gilman
Charlotte Perkins Gilman was born in 1860 in Connecticut. Her father left when she was young and Gilman spent the rest of her childhood in poverty. As an adult she took classes at the Rhode Island School of Design and supported herself financially as a tutor, painter and artist. She had a short marriage with an artist and suffered serious postnatal depression after the birth of their daughter. In 1888 Gilman moved to California, where she became involved in feminist organizations. In California, she was inspired to write and she published The Yellow Wallpaper in The New England Magazine in 1892. In later life she was diagnosed with breast cancer and died by suicide in 1935.
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Reviews for The Yellow Wallpaper and Other Stories
1,293 ratings32 reviews
- Rating: 5 out of 5 stars5/5I hadn’t any previous experience of this author. When reading the story I felt that it was the most horrifying piece of writing I had ever read, though when looking through it I didn’t feel that it was so bad. Reputedly, the story was based on the author’s own experience of her psychosis We’re not given the name of the woman recounting her experience, and I will call her the protagonist, or the P. Two of the first things that meet the eye are the protagonist’s negative comments about marriage, that the P’s husband John laughs at her (which is to be expected in marriage) and also negative comments about doctors. The P remarks that one reason she is not getting well faster may be because her husband is a physician. He does not believe she is “sick””, and what can one do? Both her husband and brother are doctors “of high standing” and both think there is nothing the matter with her except “a temporary nervous depression” or “slight hysterical tendency”. Perhaps at some level, then, the P feels obliged to prove them both wrong, that there really is something wrong with her; thus the need and “satisfaction” at some level to develop a full-blown psychosis. She is forbidden to work or write; but she is a woman with her own opinions and she herself feels that congenial work would do her good. She feels that if she had less “opposition” and “more society and stimulus”, she would feel better. We’re warned from the start that strange things are about to happen; she feels there is something queer, something strange, about the house. And otherwise, how had they been able to rent it so cheaply, and why would it have “"stood so long untenanted”? John is “very careful and loving” but he does not listen to his wife’s objections to the room he has chosen for them to sleep in. John is absolutely controlling; he chooses the house and the bedroom they’ve to sleep in and dictates what the P is permitted to do. When the P tells her left-brained husband what she feels about the house, he has so little understanding of what she’s talking about that he claims what she felt was a draught! She would have preferred to use as a bedroom a downstairs room with roses all over the window, but John wouldn’t hear of it. John has a “schedule prescription” for each hour in the day – the utnost control. Is this a general criticism of the control of all, or most, husbands of the times? At least the P is permitted to eat that which her appetite dictates, at any rate, “somewhat”. The room John chose for the bedroom was the former nursery that had bars on the windows. This is metaphoric for the P’s feeling of imprisonment when confined to the room. She had never seen worse wall-paper in her life. The colour of the wall-paper is a “smoldering unclean yellow”. John hates her to have to write a word. The P tells us that she is suffering, whereas logical John says there is no reason to suffer. (This is his subjective opinion.) She says her baby is “so dear” but she cannot be with him since it makes her so nervous. She supposes John was never nervous in his life. I will not cite any more details but will talk in a general manner. The author discloses in a gradual and subtle manner the start of the psychosis. First, she becomes convinced there is a woman or several women behind bars in the wall-paper, trying to get out. Later, she fails to distinguish between herself and the woman/women. She begins to display a slight paranoia, in that she gets a little afraid of John and Jennie (John’s sister), and feels they both give her strange looks. She projects her own problems onto John, and she thinks that he is getting queer now. She doesn’t like the look in John’s eyes and feels he is only pretending to be loving and kind. Now she. sees many creeping women outside, creeping so fast. Finally, she talks about she herself having to get back behind the pattern. She thinks she is the woman or one of the women behind the pattern. Eventually, John comes in the room and sees her creeping on the floor, realizes something is very wrong and faints. To sum up, I felt this to be an excellent and superbly written story and may read some of the author’s other stories.
- Rating: 4 out of 5 stars4/5What a wonderfully creepy short story (novella?)! I had plenty of suspicions about what was going to happen, but wasn't even close...
- Rating: 4 out of 5 stars4/5I first read this piece for an English class a couple years ago and it’s been with me ever since. It’s a fairly short read but when it’s over it still haunts you and leaves you chilled to the bone. I think that this story depicts how someone with a mental illness could feel when their illness isn’t validated and properly cared for.
- Rating: 4 out of 5 stars4/5This is an interesting short story about the psychological disintegration of a woman, seeing images in the eponymous object around her as she lays in her sickbed. Too short to exert a really powerful impact, though, for me. 3.5/5
- Rating: 5 out of 5 stars5/5I think that The Yellow Wallpaper is a really good short story. The way that the plot unravels on it's way to the ending is really skillful. I'm also impressed by the fact that the author went through a similar situation and was able to find her way out of it! Knowing that the author wrote from experience added a lot of credibility to the story as a whole.
- Rating: 4 out of 5 stars4/5Wow, this is a great short story. Creepy, sinister and unbearably sad.
- Rating: 4 out of 5 stars4/5A short story chronicling one woman's descent into madness, poorly understood by those around her, and tormented by the ghastly yellow wallpaper in her bedroom. Very well told. I only wish it were longer.
- Rating: 4 out of 5 stars4/5It starts so simply...a couple is on vacation. She is ill and taking a rest in the country. But is that true? She is scared, and trapped, and not allowed to leave. Her fear is palpable. Or, maybe, she is an extremely unreliable narrator?
- Rating: 3 out of 5 stars3/5This was an okay short story about a woman’s decent into psychosis. It’s written in the form of a diary entry but there are no dates or times. Just a long stream of consciousness. Quick read.
- Rating: 5 out of 5 stars5/5This was shorter than I expected.. But interesting.. I loved the visuals I got from her description of the creeping woman behind the pattern in the wallpaper... And to learn ultimately that it was herself she saw trapped behind it.. Creepy.. And sad.. I enjoyed it!
- Rating: 5 out of 5 stars5/5** spoiler alert ** This is a fantastic insight into the mind of someone who has been suffering from undiagnosed post-partum depression. Her husband believes she just needs rest and confines her to a room with yellow wallpaper. The result of this isolation is a mental breakdown.
- Rating: 4 out of 5 stars4/5It's fascinating and also mystifying how people handled mental stress, or mental disorders years ago, what things helped some people, and drove others further into madness. From what I understand, this story is partially true, based on the author's experience and hallucinations, and the frustration from people who largely had good intentions. Of course, from a feminist point of view, it's terrible how little people listened to what she wanted, or worked to truly understand and help.
- Rating: 3 out of 5 stars3/5Read this short story in 1 sitting. It is the story of a woman's descent into madness following the birth of her child and the subsequent enforced rest. She is taken to a country house to recover and spends most of her time confined to a room with horrid yellow wallpaper. The description of the room makes me think what happens to the woman has happened in the past. A creepy, thought provoking read.
- Rating: 5 out of 5 stars5/5This is a classic of feminist literature. It tells of a woman suffering from depression which is made worse and worse by the paternalistic care of her "loving" husband who treats her as a child, manages every aspect of her life, discourages her writing career, and dismisses any concern she might have. His idea of a cure for depression seems to be that she sleep for 3 months and not trouble her pretty little brain. The result is a very moving, very creepy story.
- Rating: 4 out of 5 stars4/5I have been meaning to read this for such a long time and I finally did and it leaves me wishing I could read it again for the first time again, I really enjoyed this one
- Rating: 5 out of 5 stars5/5Brilliant work and I love how disturbing people thought it was when she wrote it. As if one would have to be insane to be able to write that brilliantly. Loved it and will read it again.
- Rating: 3 out of 5 stars3/5Never read this as a kid, realized I probably should. An interesting perspective on interior decorating.
- Rating: 5 out of 5 stars5/5I first came across this title when working on a project involving influential women. What little I heard about this story intrigued me, and now having read it, all I can say is "wow". This definitely has a mind-blowing quotient to it and begs discussion. I also loved how it felt gothic.
- Rating: 3 out of 5 stars3/5Interesting read from a different era. Not sure how I really feel even after 2 months. I like dark and books about insanity but this one was a bit out there.
- Rating: 5 out of 5 stars5/5This edition has a version "translated" into modern English, as well as the original in an appendix. There are also two scholarly essays, and some additional statements from the author about the women's right to vote and why she wrote The Yellow Wallpaper.
- Rating: 5 out of 5 stars5/5Excitingly creepy in every way.
- Rating: 4 out of 5 stars4/5A journalized descent into a woman's madness . . . brought on yellow wallpaper.A quick, rather creepy sort of read.
- Rating: 5 out of 5 stars5/5Chilling !A haunting tale of one womans descent into mental illness. Short but yet slightly eerie as you follow her decline into the madness. Loved it !
- Rating: 5 out of 5 stars5/5Wow! How is it I've never run across this before? Gilman's writing and characterization is superb. This is definitely one to go back to again and again.
- Rating: 4 out of 5 stars4/5This short story is one that took me a short time to read, but inspired days of thought. It's a wonderfully written way to dive into the complex issues of the way society viewed/views mental illness, particularly the way the medical profession views mental illness, and the consequences. Also inspiring me to think about the subtle mistreatment of women in this era, it was really one of the most thought-provoking works I've read despite the short length.
- Rating: 4 out of 5 stars4/5This is my favorite short story. It's a good look at the repression of women, the mistreatment of women by society and the medical profession, and sexual oppression. It's an interesting representation of how post-partum depression was completely ignored in the past. It's a creepy, short story about a depressed woman's descent into madness after her husband locks her away in an old nursery (windows barred, door locked). Very chilling read.
- Rating: 5 out of 5 stars5/5A re-read of a classic. ‘The Yellow Wallpaper’ is a spooky-as-hell ghost story which maintains a nice ambiguity all the way through – but it’s also a raw, effective protest against the infantilization of women and even a call to arms regarding awareness of mental illness. Gilman is great at leaving what doesn’t need to be said unsaid. There are no ‘morals’ stated here, but her stance is clear.
(And was that room ever a ‘playroom’ or ‘gymnasium’? Oh hell no.) - Rating: 4 out of 5 stars4/5A gradual descent into madness, as ‘journaled’ by a Victorian lady. Semi-autobiographical, and subtly written, this depression settling into something darker delivers chills along with the story.
- Rating: 4 out of 5 stars4/5Although this is a short story it is very powerful. You pick up on the slow deterioration of the main character, but like with the wallpaper it isn't that clear in the beginning.
What the attic room has been used for in the past is also up for discussion. I personally believe that although it might once have been used as nursery its previous function might be totally different. - Rating: 5 out of 5 stars5/5The Yellow Wallpaper is a dark and powerfully written tale, first published in 1892, about a woman's descent into madness. Her psychosis is brought on by the social restrictions of the time, a controlling husband and the deteriorating yellow wallpaper that covers their bedroom.
Book preview
The Yellow Wallpaper and Other Stories - Charlotte Perkins Gilman
The Yellow Wallpaper
Charlotte Perkins Gilman
Published: 1892
The Yellow Wallpaper
It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer.
A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate!
Still I will proudly declare that there is something queer about it.
Else, why should it be let so cheaply? And why have stood so long untenanted?
John laughs at me, of course, but one expects that in marriage.
John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures.
John is a physician, and PERHAPS—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—PERHAPS that is one reason I do not get well faster.
You see he does not believe I am sick!
And what can one do?
If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do?
My brother is also a physician, and also of high standing, and he says the same thing.
So I take phosphates or phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to work
until I am well again.
Personally, I disagree with their ideas.
Personally, I believe that congenial work, with excitement and change, would do me good.
But what