Sparks-Tastic: Twenty-One Nights with Sparks in London
By Tosh Berman
()
About this ebook
Tosh Berman
Tosh Berman is a writer, poet, and publisher of TamTam Books. As a publisher, he focused on post-war French figures such as Boris Vian, Guy Debord, Serge Gainsbourg and French gangster Jacques Mesrine, as well as publishing Sparks (Ron Mael & Russell Mael) and Lun*na Menoh. His previous book Sparks-Tastic (2013) is a combination of travel journal and thoughts on the band Sparks. His book of poems The Plum in Mr. Blum’s Pudding (2014) came out recently through Penny-Ante Editions.
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Sparks-Tastic - Tosh Berman
This is a Genuine Barnacle Book
7870.pngA Barnacle Book | Rare Bird Books
453 South Spring Street, Suite 531
Los Angeles, CA 90013
abarnaclebook.com
rarebirdbooks.com
Copyright © 2013 Tosh Berman
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For more information, address: A Barnacle Book | Rare Bird Books Subsidiary Rights Department, 453 South Spring Street, Suite 531, Los Angeles, CA 90013.
Set in Goudy Old Style
Distributed in the U.S. by Publishers Group West
Photos used with permission from Ron Mael and Russell Mael
Publisher’s Cataloging-in-Publication data
Berman, Tosh.
Sparks-tastic : twenty-one nights with Sparks in London / Tosh Berman. p. cm.
ISBN-13: 9781940207018
1. Sparks (Musical group). 2. Sparks (Musical group)—Travel—England—London. 3. Sparks (Musical group)—Travel—France—Paris. 4. Rock musicians—United States. 5. Rock musicians—Travel—England—London. 6. Rock musicians—Travel—France—Paris. I. Sparks-tastic : 21 nights with Sparks in London. II. Title.
ML421.S664 B45 2013
782.42166—dc23
My wish is that you may be loved to the point of madness.
—André Breton
This book would not have happened without…
A special thanks to Amelia Cone for bringing her Sparks biography project to my attention. That book hasn’t happened (yet) but it led me to writing my own book, and that wouldn’t have happened without many long discussions between me and Amelia about Sparks.
Thank you Josephine Tran and Bethany Handler for reading and looking over the manuscript. Your comments were extremely helpful and kept me focused on the narrative of the book. Also, I treasure our long conversations and notes from the two of you.
Tyson Cornell, Julia Callahan, Alice Marsh-Elmer, Marina Dundjerski, and Chiwan Choi for their surgical skills in making this manuscript purr.
Thank you to Rosa and Oscar Brogden for taking care of me in Hampstead Heath and giving me the attic room to write. It was a beautiful room and your presence was a great joy and comfort. And a great thank you to Mark Webber, for allowing me to stay at his home in Kentish Town, as well as being great company. Bean…on toast? Imagine!
To my mother Shirley Berman and Uncle Donald Morand, who came with me to Paris. It truly was the saddest moment in my life when you left Paris to go back home. The hotel seemed vacant after you left.
I also want to thank two characters in the book: Paris and, especially, London. Individuals are important, but one cannot forget the weather, the architecture, and the citizens of the capital. The writings of Patrick Hamilton, Iain Sinclair, George Orwell, and André Breton’s Nadja for being very much part of my landscape while I was writing this book.
Special love to my wife Lun*na Menoh, not only for the front cover painting, but also for encouraging me to do the impossible.
And a special thank you to the fantastic musicians Steve Nistor, Jim Wilson, Marcus Blake, Steven McDonald, and Tammy Glover.
And, of course, to Ron Mael and Russell Mael for making great art to have in my life and others…
Sparks-Tastic
Twenty-One Nights with Sparks in London
Tosh Berman
A Barnacle Book 7729.png Rare Bird Books
New York | Los Angeles
Contents
Sparks-Tastic
Introduction
A Strange Obsession
Paris
Jardin Des Plantes
Twenty-One Nights
Halfnelson/Sparks (1972) May 16, 2008
Encore: England
A Woofer In Tweeter’s Clothing (1973) May 17, 2008
Encore: Arts & Crafts Spectacular
Kimono My House (1974) May 18, 2008
Encore: Barbecutie
Propaganda (1974) May 28, 2008
Encore: Lost and Found
Indiscreet (1975) May 21, 2008
Encore: Gone With The Wind
Big Beat (1976) May 23, 2008
Encore Tearing The Place Apart
Introducing Sparks (1977) May 24, 2008
Encore: Alabamy Right
No. 1 In Heaven (1979) May 25, 2008
Encore: Too Dangerous To Dance
Terminal Jive (1980) May 27, 2008
Encore: Singing in the Shower
Whomp That Sucker (1981) May 28, 2008
Encore: Go Crazy
Angst In My Pants (1982) May 30, 2008
Encore: Minnie Mouse
Sparks In Outer Space (1983) May 31, 2008
Encore: Sports
Pulling Rabbits Out Of A Hat (1984) June 1, 2008
Encore: Crime Awareness Week
Music That You Can Dance To (1986) June 3, 2008
Encore: Change
Interior Design (1988) June 4, 2008
Encore: Big Brass Ring
& Like The Movies
Gratuitous Sax & Senseless Violins (1994) June 6, 2008
Encore: Marry Me
Plagiarism (1997) June 7, 2008
Encore: Looks Aren’t Everything
Balls (2000) June 8, 2008
Encore: What Would Katharine Hepburn Say?
Lil’ Beethoven (2002) June 10, 2008
Encore: Wunderbar
Hello Young Lovers (2006) June 11, 2008
Encore: Profile
Exotic Creatures Of The Deep (2008) June 13, 2008
Encore: Fourteen Song Set
Afterword: Los Angeles
Dear Readers and Lookie-Loos,
This is a book about Sparks, but filtered through my personal observations and obsessions. It is not a biography of a band, nor about the background of putting together a Sparks show. My main interest is my fixation with Ron Mael’s and Russell Mael’s music and what bounces from that medium to yours truly. Also, writing this book was a good excuse for me to spend time in London.
Introduction
A Strange Obsession
What is the meaning of this strange obsession? It’s said that a man is defined by his work and friends. To me, a man is defined by his record and book collection. And, of course, the appreciation of the right type of fabric at the right time and place—Levi’s button-up 501s with the cuffs up an inch (enough to see the sock)—that’s pretty much all that’s needed for a man in the twenty-first century, right? Well, that …and the twenty-one albums by Sparks.
So, when I hear that my all-time favorite group (or obsession)—Sparks—is doing a series of twenty-one shows in London, each night devoted to a different one of their twenty-one albums, I think there’s absolutely no way I can miss this. But when I sit down to see what the trip might cost, it’s obvious that there wouldn’t be any possible way to make it. Then, just to be sure, I check again. Then again to be triple sure. By now, I’m quite secure with the fact that I can’t possibly afford to go to London for this once-in-a-lifetime opportunity. I consider myself a responsible adult with a full-time job at a bookstore that my tax guy calls a hobby, and my publishing empire, TamTam Books. So, figuring my job and my additional career as a publisher of contemporary French literature that ninety-five percent of the population doesn’t care about, I realize that I really don’t make enough money to make this happen no matter how hard I try to convince myself that it could happen.
Have you ever worked at a bookstore? Not counting a time when you worked part time while you were in school or abstractly as a writer immersing yourself in the atmosphere of books—but as a professional bookseller working full time to support yourself because that’s the career path that you’ve chosen? It’s the kind of life that can be counted as seasons go by—literally—because that’s how professional booksellers go through life…by the catalog seasons that books are released. Valentine’s Day, Mother’s Day, Father’s Day, Fourth of July, Halloween, and then the ultimate season for the book buyers—Christmas. One measures the whole year and the four seasons when working full time as a professional bookseller. I really don’t have the time for twenty-one days in London to hear and see twenty-one nights of Sparks.
Aside from Sparks, though, the number twenty-one keeps me attached to the idea of going. It seems to be a magic number that is calling out to me. And it dawns on me all of sudden that I live in the twenty-first century. (For whatever reason, my head is really into the twentieth century.) In the U.K., the twenty-one gun salute is especially marked for royalty; for the city of London, it is always a twenty-one gun salute. There are so many songs and book titles that have the number twenty-one (hardly any with twenty or twenty-two). And when I think of Sparks having twenty-one albums and doing twenty-one shows, man, that really stands out. It just rolls off the tongue and seems impressive. And the truth is, it really is impressive for a group to have twenty-one albums in their career and still carry on as if there’s no end in sight.
I am also fascinated with the idea of writing about this experience of seeing Sparks. And it is obvious to me that I need to capture this experience on the page. A reasonable person, I guess, might fantasize about going to the shows, taking a few pictures, and jotting down a few notes. But I am an obsessed fan, and a book person. I need to explore all of this in words, book-length words. Sure, a picture can capture something that may take a thousand words to convey, but it can also be misinterpreted. Words expose the space between the letters and the joining of our careers as musicians (Sparks) and booksellers (Me).
There just has to be a way to make this happen. I need to sacrifice all, go into debt, and jeopardize the stability of my life. But it all slowly reveals itself as an inevitability. I speak to my wife, Lun*na. She says: "You have to go, Tosh. It’s a once-in-a-lifetime experience." Those were the exact words I needed to convince me that I am not delusional (even though I am). Lun*na knows me like she knows every cinema house that’s playing Yakuza flicks in Tokyo. And that phrase…once-in-a-lifetime. It’s dangerously similar to putting a red flag in front of an angry bull.
So, do I go? Or do I falter and shake in front of mommy/daddy faith? Again, I look at the calculations on paper that scream at me: No way you can afford to do this! You’re insane to even consider it! With that logic running through my head, I choose to do what any reasonable person should do in this situation: Go! To do otherwise would be non-participatory with the world of greatness.
The next morning, after a series of severe nightmares (my subconscious is always trying to tell me what to do), I realize I’ve made a huge mistake. But mistakes, at least in my life, always tend to lead to greater things. This is what I want to do with my life at the tender age of fifty-three (and a half). It’s now or never, and never
has never really been a Tosh Berman modus operandi when it comes to desire. This particular desire needs to be fulfilled: the desire to follow the Mael brothers—Sparks—and see all twenty-one of their miraculous shows in London. In other words, I am either a stalker or an overaged groupie.
You may ask what kind of madness makes one actually go to all these shows? But then again—what kind of madness would lead Sparks to remember over 253 songs and put on a somewhat elaborate stage show anyway? Who’s the real obsessive one, here?
The Sparks World vs. The Real World
The Sparks world is an obsessive group of individuals. Only a band like Sparks can conceive such a fan base that is willing to follow them to the edge of a cliff and back again onto solid ground. I don’t think my obsessive friend Brian could go see his God, Morrissey, for twenty-one shows in a row. (And he never shuts up about the wisdom of King Morrissey!) The bitter truth is that both Brian and I are compulsive types, and I think Morrissey and Sparks simply attract such fans. Not in a dangerous or