The Odyssey (The Samuel Butcher and Andrew Lang Prose Translation)

By Homer

Odyssey which in Greek literally means "the tale of Odysseus," has becomes synonymous with a great journey. "The Odyssey" follows Homer's "The Iliad" where we find all the surviving warriors of the great Trojan War have returned home except for Odysseus, who has been detained by the nymph Calypso for her sexual pleasure. Odysseus however wishes to return to his family and loved ones who await his return at home. The Gods send the fleet-footed Hermes to order Calypso to free him and in doing so Odysseus begins his journey. Along the way Odysseus must overcome many obstacles and battle mythical creatures. Contained in this volume is the prose translation of Samuel Butcher and Andrew Lang.

• Language: English
• Publisher: Digireads.com Publishing
• Release date: Feb 1, 2012
• ISBN: 9781596744400

Homer

Although recognized as one of the greatest ancient Greek poets, the life and figure of Homer remains shrouded in mystery. Credited with the authorship of the epic poems Iliad and Odyssey, Homer, if he existed, is believed to have lived during the ninth century BC, and has been identified variously as a Babylonian, an Ithacan, or an Ionian. Regardless of his citizenship, Homer’s poems and speeches played a key role in shaping Greek culture, and Homeric studies remains one of the oldest continuous areas of scholarship, reaching from antiquity through to modern times.

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THE ODYSSEY

BY HOMER

TRANSLATED BY SAMUEL BUTCHER

AND ANDREW LANG

A Digireads.com Book

Digireads.com Publishing

Print ISBN 13: 978-1-4209-2242-4

Ebook ISBN 13: 978-1-59674-440-0

This edition copyright © 2013

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CONTENTS

INTRODUCTORY NOTE

BOOK I. In a Council of the Gods, Poseidon absent, Pallas procureth an order for the restitution of Odysseus; and appearing to his son Telemachus, in human shape, adviseth him to complain of the Wooers before the Council of the people, and then go to Pylos and Sparta to inquire about his father.

BOOK II. Telemachus complains in vain, and borrowing a ship, goes secretly to Pylos by night. And how he was there received.

BOOK III. Nestor entertains Telemachus at Pylos and tells him how the Greeks departed from Troy; and sends him for further information to Sparta.

BOOK IV. Odysseus maketh himself known to Penelope, tells his adventures briefly, and in the morning goes to Laertes and makes himself known to him.

BOOK V. Odysseus maketh himself known to Penelope, tells his adventures briefly, and in the morning goes to Laertes and makes himself known to him.

BOOK VI. Nausicaa, going to a river near that place to wash the clothes of her father, mother, and brethren, while the clothes were drying played with her maids at ball; and Odysseus coming forth is fed and clothed, and led on his way to the house of her father, King Alcinous.

BOOK VII. Odysseus being received at the house of the king Alcinous, the queen after supper, taking notice of his garments, gives him occasion to relate his passage thither on the raft. Alcinous promises him a convoy for the morrow.

BOOK VIII. The next day's entertainment of Odysseus, where he sees them contend in wrestling and other exercises, and upon provocation took up a greater stone than that which they were throwing, and overthrew them all. Alcinous and the lords give him presents. And how the king asked his name, his country, and his adventures.

BOOK IX. Odysseus relates, first, what befell him amongst the Cicones at Ismarus; secondly, amongst the Lotophagi; thirdly, how he was used by the Cyclops Polyphemus.

BOOK X. Odysseus relates, first, what befell him amongst the Cicones at Ismarus; secondly, amongst the Lotophagi; thirdly, how he was used by the Cyclops Polyphemus.

BOOK XI. Odysseus, his descent into hell, and discourses with the ghosts of the deceased heroes.

BOOK XII. Odysseus, his passage by the Sirens, and by Scylla and Charybdis. The sacrilege committed by his men in the isle Thrinacia. The destruction of his ships and men. How he swam on a plank nine days together, and came to Ogygia, where he stayed seven years with Calypso.

BOOK XIII. Odysseus, sleeping, is set ashore at Ithaca by the Phaeacians, and waking knows it not. Pallas, in the form of a shepherd, helps to hide his treasure. The ship that conveyed him is turned into a rock, and Odysseus by Pallas is instructed what to do, and transformed into an old beggar-man.

BOOK XIV. Odysseus, in the form of a beggar, goes to Eumaeus, the master of his swine, where he is well used and tells a feigned story, and informs himself of the behavior of the wooers.

BOOK XV. Pallas sends home Telemachus from Lacedaemon with the presents given him by Menelaus. Telemachus landed, goes first to Eumaeus.

BOOK XVI. Telemachus sends Eumaeus to the city to tell his mother of his return. And how, in the meantime, Odysseus discovers himself to his son.

BOOK XVII. Telemachus relates to his mother what he had heard of Pylos and Sparta.

BOOK XVIII. The fighting at fists of Odysseus with Irus. His admonitions to Amphinomus. Penelope appears before the wooers, and draws presents from them.

BOOK XIX. Telemachus removes the arms out of the hall. Odysseus disburseth with Penelope. And is known by his nurse, but concealed. And the hunting of the boar upon that occasion related.

BOOK XX. Pallas and Odysseus consult of the killing of the wooers.

BOOK XXI. Penelope bringeth forth her husband's bow, which the suitors could not bend, but was bent by Odysseus.

BOOK XXII. The killing of the wooers.

BOOK XXIII. Odysseus maketh himself known to Penelope, tells his adventures briefly, and in the morning goes to Laertes and makes himself known to him.

BOOK XXIV. The Ithacans bury the wooers, and sitting in council resolve on revenge. And coming near the house of Laertes, are met by Odysseus, and Laertes with Telemachus and servants, the whole number twelve, and are overcome, and submit.

INTRODUCTORY NOTE

BY ANDREW LANG

By the ancient Greeks the authorship of their two great epic poems, the Iliad and the Odyssey, was ascribed to Homer. Tradition as to the birthplace of this poet varied greatly, but the place most favored was Smyrna in Asia Minor. It was related also that the poet was blind, that he made his home in the island of Chios, and that he died in Ios.

The siege of Troy, which forms the subject of the Iliad, and is the occasion of the wanderings of Odysseus, is unknown to history. Modern archaeological research has, indeed, unearthed in Asia Minor a site which may plausibly be identified with the Homeric city, and it is entirely possible that here there once occurred a struggle between two peoples inhabiting the shores of the Aegean Sea.

Whatever may be the truth as to the method of composition of the two epics, it may safely be surmised that they were preceded by a mass of legend that had in time gained a certain amount of cohesion and become in a sense national. But the constituent elements of this legend would have come together from a great variety of sources; and many incidents in both poems can be paralleled in the folk-tales of widely scattered peoples. Thus the story of the blinding of the Cyclops, Polyphemus, is found as a separate tale in several countries where no Greek influence can be traced; the adventure in the isle of Circe appears in an Indian collection of tales; the descent into Hades is told by the South Sea Islanders; and the central situation of the return of a far-traveled warrior to a wife who fails to recognize him occurs in stories all over the world. In the Odyssey, these and a hundred other incidents are combined into a single plot of the most admirable structure, with almost perfect unity of atmosphere, the whole being placed in the social setting of the kingly age of Greece.

Until comparatively recent times it had been all but universally believed that both the Iliad and the Odyssey were the work of a single author, who conceived and executed the whole plan of each. But in 1795 F.A. Wolf argued that in the tenth century B.C., when he supposed the poems to have been composed, writing was not used by the Greeks for literary purposes, and that therefore they must have been handed down orally and so have undergone many changes. The unity which he perceived in both epics he conceived to have been due to the art of later revisers, working upon more or less detached poems by various authors. Since his time controversy has raged over this Homeric question and there is yet no prospect of agreement. The extreme view that the poems are mere aggregations of separate lays of different authorship is falling out of favor; no two scholars agreeing in their analysis of the epics into their supposed constituent lays. On the other hand, it is admitted that there are clear evidences that parts of the poems belong to different dates; and the tendency is to credit the composition of two shorter epics dealing respectively with the Wrath of Achilles and the Return of Odysseus to an author of great artistic genius, and to conjecture that episodes were added by imitators, now at this point and now at that, over a considerable stretch of time, bringing them finally to their present form and length.

The twenty-four books of the Odyssey fall naturally into six groups of four (though these are not to be regarded as involving breaks in the structure), and a short account of each of these groups will serve as a guide to the contents of the poem. The first four books are occupied with the adventures of Telemachus, the son of Odysseus.

(i) When the poem opens, it is the tenth year since the fall of Troy, and Odysseus has not yet returned to his home in the island of Ithaca, but is detained in Ogygia, an island in the west, by the nymph Calypso. Meantime, at home, his wife Penelope is beset by suitors who feast riotously in the house of the absent warrior.

(ii) Failing in an attempt to get the Ithacans to help him to assert his rights, Telemachus sets out for Pylus under the guidance of the goddess Athene, who is disguised as Mentor, a friendly chief.

(iii) Nestor, the aged king of Pylus, receives them hospitably; and while he is banqueting his guests the supposed Mentor vanishes and it is recognized that he was the guardian goddess of the family of Odysseus. From Pylus, Telemachus sets out for Sparta, accompanied by the son of Nestor, Peisistratus.

(iv) In Sparta they are received by Menelaus and the famous Helen, now restored to her husband, and learn that Odysseus is in Ogygia. Telemachus decides to return to Ithaca, where the suitors are plotting his death.

The second group treats of the wanderings of Odysseus between the island of Calypso and Phaeacia.

(v) The gods, persuaded by Athene, send Hermes to order Calypso to let Odysseus go; but at sea his enemy Poseidon, the sea god, wrecks his ship, and he is saved by a veil which the goddess Ino gives him, which buoys him up till he comes to the land of the Phaeacians.

(vi) While the exhausted hero is sleeping by the shore, the princess Nausicaa comes to the river mouth with her maidens to wash linen; and after their task they play ball and awaken the sleeper, who asks their pity and is directed to the city. This scene is one of the most charming in the poem.

(vii) Arrived at the city, Odysseus is received by the king Alcinous, and narrates his recent adventures.

(viii) The Phaeacians are called together, and offer the wanderer a ship to carry him to Ithaca; games and a feast are held; and at the feast the blind Demodocus sings of the siege of Troy and draws tears from Odysseus, who is persuaded to tell of his wanderings since leaving Troy.

—Nausicaa: Ulysses following the car of Nausicaa.]

In the third group the narrative is retrospective.

(ix) Odysseus tells of his visits to the Cicones, to the Lotus-eaters, and to the country of the Cyclopes, where he blinded the one-eyed Polyphemus;

(x) of his adventures with Aeolus, god of the winds, with the Laestrygonians, and with Circe, the sorceress;

(xi) of his descent into Hades, and his conversing with the spirits of the dead;

(xii) of his escape from the Sirens, and from Scylla and Charybdis, and of the eating by his comrades of the sacred kine of the sun, which caused them to perish and left him alone on Calypso's isle.

—Polyphemus: Ulysses deriding Polyphemus. Painted by Turner 1775-1851.]

The main narrative is resumed in the fourth group.

(xiii) The Phaeacians conduct the wanderer to his kingdom, but are punished by Poseidon, who turns their ship to stone. In Ithaca Athene disguises Odysseus as an old beggar, and directs him as to how to destroy the suitors.

(xiv) He finds his old swine herd Eumaeus, who fails to recognize him, and

(xv) in the hut meets Telemachus,

(xvi) to whom he reveals himself and his plans.

The fifth group deals with the return of Odysseus to his palace.

(xvii) Telemachus goes home first, but does not tell Penelope of her husband's return. The supposed beggar enters and is recognized by his old dog Argos, who gives him welcome and dies.

(xviii) In the midst of the revelry of the suitors Odysseus has a fight with Irus, a beggar supported by their alms.

(xix) Penelope, conversing with her lord, fails to recognize him, but tells him how she has baffled the suitors by the device of postponing her choice among them till the)completion of a web woven by day and undone by night. The old nurse, Eurycleia, washes her master's feet and knows him by a scar, but is told to keep the secret.

(xx) Athene comforts the hero by night; and the suitors are warned of their impending doom by a seer.

In the last group the dénouement is reached.

(xxi) Penelope proposes that the suitors should show their skill with the bow of her husband; and when all fail even to bend it, the disguised hero strings it easily and shoots an arrow through twelve axe-heads.

(xxii) The disguise is now cast off; Odysseus, Telemachus, and two faithful adherents turn on the suitors and slay them; and the unfaithful servants are hanged.

(xxiii) from the nurse Penelope hears the news, welcomes her lord home, and learns of his wanderings. Odysseus goes out to a farm to visit his father Laertes.

(xxiv) Hermes leads the shades of the suitors to Hades; while Odysseus makes himself known to his father; and later is reconciled to his subjects.

—Penelope And Ulysses: The return of Ulysses to Penelope.]

The Iliad and the Odyssey stand at the head of the literature of Greece and of the epic poetry of the world; and their influence in the country of their origin and throughout the European peoples has been commensurate with their artistic greatness. Historically, they give the earliest picture of Aryan civilization, describing a period of culture of which we should otherwise know almost nothing. Artistically, in spite of their early date, they are the product of a mature art, expressing with supreme nobility and grace permanent and varied yet simple types of human nature, in a language unsurpassed for its combination of directness, simplicity, and beauty. The capital distinction of Homeric poetry, says Jebb, is that it has all the freshness and simplicity of a primitive age, - all the charm which we associate with the 'childhood of the world'; while on the other hand it has completely surmounted the rudeness of form, the struggle of thought with language, the tendency to grotesque or ignorable modes of speech, the incapacity for equable maintenance of a high level, which belong to the primitive stage in literature.

As One That For A Weary Space Has Lain

Lulled By The Song Of Circe And Her Wine

In Gardens Near The Pale Of Proserpine,

Where That Aeaean Isle Forgets The Main,

And Only The Low Lutes Of Love Complain,

And Only Shadows Of Wan Lovers Pine,

As Such An One Were Glad To Know The Brine

Salt On His Lips, And The Large Air Again,

So Gladly, From The Songs Of Modern Speech

Men Turn, And See The Stars, And Feel The Free

Shrill Wind Beyond The Close Of Heavy Flowers

And Through The Music Of The Languid Hours,

They Hear Like Ocean On A Western Beach

The Surge And Thunder Of The Odyssey.

A. L.

THE ODYSSEY

BOOK I

In a Council of the Gods, Poseidon absent, Pallas procureth an order for the restitution of Odysseus; and appearing to his son Telemachus, in human shape, adviseth him to complain of the Wooers before the Council of the people, and then go to Pylos and Sparta to inquire about his father.

Tell me, Muse, of that man, so ready at need, who wandered far and wide, after he had sacked the sacred citadel of Troy, and many were the men whose towns he saw and whose mind he learnt, yea, and many the woes he suffered in his heart upon the deep, striving to win his own life and the return of his company. Nay, but even so he saved not his company, though he desired it sore. For through the blindness of their own hearts they perished, fools, who devoured the oxen of Helios Hyperion: but the god took from them their day of returning. Of these things, goddess, daughter of Zeus, whencesoever thou hast heard thereof, declare thou even unto us.

Now all the rest, as many as fled from sheer destruction, were at home, and had escaped both war and sea, but Odysseus only, craving for his wife and for his homeward path, the lady nymph Calypso held, that fair goddess, in her hollow caves, longing to have him for her lord. But when now the year had come in the courses of the seasons, wherein the gods had ordained that he should return home to Ithaca, not even there was he quit of labors, not even among his own; but all the gods had pity on him save Poseidon, who raged continually against godlike Odysseus, till be came to his own country. Howbeit Poseidon had now departed for the distant Ethiopians, the Ethiopians that are sundered in twain, the uttermost of men, abiding some where Hyperion sinks and some where he rises. There he looked to receive his hecatomb of bulls and rams, there he made merry sitting at the feast, but the other gods were gathered in the halls of Olympian Zeus. Then among them the father of gods and men began to speak, for he bethought him in his heart of noble Aegisthus, whom the son of Agamemnon, far-famed Orestes, slew. Thinking upon him he spoke out among the Immortals:

'Lo you now, how vainly mortal men do blame the gods! For of us they say comes evil, whereas they even of themselves through the blindness of their own hearts, have sorrows beyond that which is ordained. Even as of late Aegisthus, beyond that which was ordained, took to him the wedded wife of the son of Atreus, and killed her lord on his return, and that with sheer doom before his eyes, since we had warned him by the embassy of Hermes the keen-sighted, the slayer of Argos, that he should neither kill the man, nor woo his wife. For the son of Atreus shall be avenged at the hand of Orestes, so soon as he shall come to man's estate and long for his own country. So spoke Hermes, yet he prevailed not on the heart of Aegisthus, for all his good will; but now hath he paid one price for all.'

And the goddess, gray-eyed Athene, answered him, saying: 'O father, our father Cronides, throned in the highest; that man assuredly lies in a death that is his due; so perish likewise all who work such deeds! But my heart is rent for wise Odysseus, that hapless one, who far from his friends this long while suffereth affliction in a seagirt isle, where is the navel of the sea, as woodland isle, and therein a goddess hath her habitation, the daughter of the wizard Atlas, who knows the depths of every sea, and himself upholds the tall pillars which keep earth and sky asunder. His daughter it is that holds the hapless man in sorrow: and ever with soft and guileful tales she is wooing him to forgetfulness of Ithaca. But Odysseus yearning to see if it were but the smoke leap upwards from his own land, hath a desire to die. As for thee, thine heart regardeth it not at all, Olympian! What! did not Odysseus by the ships of the Argives make thee free offering of sacrifice in the wide Trojan land? Wherefore wast thou then so wroth with him, O Zeus?'

And Zeus the cloud-gatherer answered her, and said, 'My child, what word hath escaped the door of thy lips? Yea, how should I forget divine Odysseus, who in understanding is beyond mortals and beyond all men hath done sacrifice to the deathless gods, who keep the wide heaven? Nay, but it is Poseidon, the girdler of the earth, that hath been wroth continually with quenchless anger for the Cyclops' sake whom he blinded of his eye, even godlike Polyphemus whose power is mightiest amongst all the Cyclopes. His mother was the nymph Thoosa, daughter of Phorcys, lord of the unharvested sea, and in the hollow caves she lay with Poseidon. From that day forth Poseidon the earth-shaker doth not indeed slay Odysseus, but driveth him wandering from his own country. But come, let us here one and all take good counsel as touching his returning, that he may be got home; so shall Poseidon let go his displeasure, for he will in no wise be able to strive alone against all, in despite of all the deathless gods.'

Then the goddess, gray-eyed Athene, answered him, and said: 'O father, our father Cronides, throned in the highest, if indeed this thing is now well pleasing to the blessed gods, that wise Odysseus should return to his own home, let us then speed Hermes the Messenger, the slayer of Argos, to the island of Ogygia. There with all speed let him declare to the lady of the braided tresses our unerring counsel, even the return of the patient Odysseus, that so he may come to his home. But as for me I will go to Ithaca that I may rouse his son yet the more, planting might in his heart, to call an assembly of the long-haired Achaeans and speak out to all the wooers who slaughter continually the sheep of his thronging flocks, and his kine with trailing feet and shambling gait. And I will guide him to Sparta and to sandy Pylos to seek tidings of his dear father's return, if peraventure he may hear thereof and that so he may be had in good report among men.'

She spoke and bound beneath her feet her lovely golden sandals that wax not old, and bare her alike over the wet sea and over the limitless land, swift as the breath of the wind. And she seized her doughty spear, shod with sharp bronze, weighty and huge and strong, wherewith she quells the ranks of heroes with whomsoever she is wroth, the daughter of the mighty sire. Then from the heights of Olympus she came glancing down, and she stood in the land of Ithaca, at the entry of the gate of Odysseus, on the threshold of the courtyard, holding in her hand the spear of bronze, in the semblance of a stranger, Mentes the captain of the Taphians. And there she found the lordly wooers: now they were taking their pleasure at draughts in front of the doors, sitting on hides of oxen, which themselves had slain. And of the henchmen and the ready squires, some were mixing for them wine and water in bowls, and some again were washing the tables with porous sponges and were setting them forth, and others were carving flesh in plenty.

And godlike Telemachus was far the first to descry her, for he was sitting with a heavy heart among the wooers dreaming on his good father, if haply he might come somewhence, and make a scattering of the wooers there throughout the palace, and himself get honor and bear rule among his own possessions. Thinking thereupon, as he sat among wooers, he saw Athene - and he went straight to the outer porch, for he thought it blame in his heart that a stranger should stand long at the gates: and halting nigh her he clasped her right hand and took from her the spear of bronze, and uttered his voice and spoke unto her winged words: 'Hail, stranger, with us thou shalt be kindly entreated, and thereafter, when thou hast tasted meat, thou shalt tell us that whereof thou hast need.'

Therewith he led the way, and Pallas Athene followed. And when they were now within the lofty house, he set spear that he bore against a tall pillar, within the polished spear-stand, where stood many spears besides, even those of Odysseus of the hardy heart; and he led the goddess and seated her on a goodly carven chair, and spread a linen cloth thereunder, and beneath was a footstool for the feet. For himself he placed an inlaid seat hard by, apart from the company of the wooers, lest the stranger should be disquieted by the noise and should have a loathing for the meal, being come among overweening men, and also that he might ask him about his father that was gone from his home.

Then a handmaid bare water for the washing of hands in a goodly golden ewer, and poured it forth over a silver basin to wash withal, and drew to their side a polished table. And a grave dame bare wheaten bread and set it by them, and laid on the board many dainties, giving freely of such things as she had by her. And a carver lifted and placed by them platters of divers kinds of flesh, and nigh them he set golden bowls, and a henchman walked to and fro pouring out to them the wine.

Then in came the lordly wooers; and they sat them down in rows on chairs, and on high seats, and henchmen poured water on their hands, and maidservants piled wheaten bread by them in baskets, and pages crowned the bowls with drink; and they stretched forth their hands upon the good cheer spread before them. Now when the wooers had put from them the desire of meat and drink, they minded them of other things, even of the song and dance: for these are the crown of the feast. And a henchman placed a beauteous lyre in the hands of Phemius, who was minstrel to the wooers despite his will. Yea and as he touched the lyre he lifted up his voice in sweet songs.{1}

But Telemachus spoke unto gray-eyed Athene, holding his head close to her that those others might not hear: 'Dear stranger, wilt thou of a truth be wroth at the word I shall say? Yonder men verily care for such things as these, the lyre and song, lightly, as they that devour the livelihood of another without atonement, of that man whose white bones, it may be, lie wasting in the rain upon the mainland, or the billow rolls them in the brine. Were but these men to see him returned to Ithaca, they all would pray rather for greater speed of foot than for gain of gold and raiment. But now he hath perished, even so, an evil doom, and for us is no comfort, no, not though any of earthly men should say that he will come again. Gone is the day of his returning! But come declare me this, and tell me all plainly: Who art thou of the sons of men, and whence? Where is thy city, where are they that begat thee? Say, on what manner of ship didst thou come, and how did sailors bring thee to Ithaca, and who did they avow themselves to be, for in nowise do I deem that thou camest hither by land. And herein tell me true, that I may know for a surety whether thou art a newcomer, or whether thou art a guest of the house, seeing that many were the strangers that came to our home, for that he too had voyaged much among men.'

Then the goddess, gray-eyed Athene, answered him: 'Yea now, I will plainly tell thee all. I avow me to be Mentes, son of wise Anchialus, and I bear rule among the Taphians, lovers of the oar. And now am I come to shore, as thou seest, with ship and crew, sailing over the wine-dark sea, unto men of strange speech, even to Temesa,{2} in quest of copper, and my cargo is shining iron. And there my ship is lying toward the upland, away from the city, in the harbor of Rheithron beneath wooded Neion: and we declare ourselves to be friends one of the other, and of houses friendly, from of old. Nay, if thou wouldest be assured, go ask the old man, the hero Laertes, who they say no more comes to the city, but far away toward the upland suffers affliction, with an ancient woman for his handmaid, who sets by him meat and drink, whensoever weariness takes hold of his limbs, as he creeps along the knoll of his vineyard plot. And now am I come; for verily they said that he, thy father, was among his people; but lo, the gods withhold him from his way. For goodly Odysseus hath not yet perished on the earth; but still, methinks, he lives and is kept on the wide deep in a seagirt isle, and hard men constrain him, wild folk that hold him, it may be, sore against his will. But now of a truth will I utter my word of prophecy, as the Immortals bring it into my heart and as I deem it will be accomplished, though no soothsayer am I, nor skilled in the signs of birds. Henceforth indeed for no long while shall he be far from his own dear country, not though bonds of iron bind him; he will advise him of a way to return, for he is a man of many devices. But come, declare me this, and tell me all plainly, whether indeed, so tall as thou art, thou art sprung from the loins of Odysseus. Thy head surely and they beauteous eyes are wondrous like to his, since full many a time have we held converse together ere he embarked for Troy, whither the others, aye the bravest of the Argives, went in hollow ships. From that day forth neither have I seen Odysseus nor he me.'

Then wise Telemachus answered her, and said: 'Yea, sir, now will I plainly tell thee all. My mother verily saith that I am his; for myself I know not, for never man yet knew of himself his own descent. O that I had been the son of some blessed man, whom old age overtook among his own possessions! But now of him that is the most hapless of mortal men, his son they say that I am, since thou dost question me hereof.'

Then the goddess, gray-eyed Athene, spoke unto him, and said: 'Surely no nameless lineage have the gods ordained for thee in days to come, since Penelope bore thee so goodly a man. But come, declare me this, and tell it all plainly. What feast, nay, what rout is this? What hast thou to do therewith? Is it a clan drinking, or a wedding feast, for here we have no banquet where each man brings his share? In such wise, flown with insolence, do they seem to me to revel wantonly through the house: and well might any man be wroth to see so many deeds of shame, whatso wise man came among them.'

Then wise Telemachus answered her, and said: 'Sir, forasmuch as thou questionest me of these things and inquirest thereof, our house was once like to have been rich and honorable, while yet that man was among his people. But now the gods willed it otherwise, in evil purpose, who have made him pass utterly out of sight as no man ever before. Truly I would not even for his death make so great sorrow, had he fallen among his fellows in the land of the Trojans, or in the arms of his friends when he had wound up the clew of war. Then would the whole Achaean host have builded him a barrow, and even for his son would he have won great glory in the after days. But now the spirits of the storm have swept him away inglorious. He is gone, lost to sight and hearsay, but for me hath he left anguish and lamentation; nor henceforth is it for him alone that I mourn and weep, since the gods have wrought for me other sore distress. For all the noblest that are princes in the isles, in Dulichium and Same and wooded Zacynthus, and as many as lord it in rocky Ithaca, all these woo my mother and waste my house. But as for her she neither refuseth the hated bridal, nor hath the heart to make an end: so they devour and minish my house, and ere long will they make havoc likewise of myself.'

Then in heavy displeasure spoke unto him Pallas Athene: 'God help thee! thou art surely sore in need of Odysseus that is afar, to stretch forth his hands upon the shameless wooers. If he could but come now and stand at the entering in of the gate, with helmet and shield and lances twain, as mighty a man as when first I marked him in our house drinking and making merry what time he came up out of Ephyra from Ilus son of Mermerus! For even thither had Odysseus gone on his swift ship to seek a deadly drug, that he might have wherewithal to smear his bronze-shod arrows: but Ilus would in nowise give it to him, for he had in awe the ever-living gods. But my father gave it him, for he bare him wondrous love. O that Odysseus might in such strength consort with the wooers: so should they all have swift fate and bitter wedlock! Howbeit these things surely lie on the knees of the gods, whether he shall return or not, and take vengeance in his halls. But I charge thee to take counsel how thou mayest thrust forth the wooers from the hall. Come now, mark and take heed unto my words. On the morrow call the Achaean lords to the assembly, and declare thy saying to all, and take the gods to witness. As for the wooers bid them scatter them each one to his own, and for thy mother, if her heart is moved to marriage, let her go back to the hall of that mighty man her father, and her kinsfolk will furnish a wedding feast, and array the gifts of wooing exceeding many, all that should go back with a daughter dearly beloved. And to thyself I will give a word of wise counsel, if perchance thou wilt hearken. Fit out a ship, the best thou hast, with twenty oarsmen, and go to inquire concerning thy father that is long afar, if perchance any man shall tell thee aught, or if thou mayest hear the voice from Zeus, which chiefly brings tidings to men. Get thee first to Pylos and inquire of goodly Nestor, and from thence to Sparta to Menelaus of the fair hair, for he came home the last of the mail-coated Achaeans. If thou shalt hear news of the life and the returning of thy father, then verily thou mayest endure the wasting for yet a year. But if thou shalt hear that he is dead and gone, return then to thine own dear country and pile his mound, and over it pay burial rites, full many as is due, and give thy mother to a husband. But when thou hast done this and made an end, thereafter take counsel in thy mind and heart, how thou mayest slay the wooers in thy halls, whether by guile or openly; for thou shouldst not carry childish thoughts, being no longer of years thereto. Or hast thou not heard what renown the goodly Orestes got him among all men in that he slew the slayer of his father, guileful Aegisthus, who killed his famous sire? And thou, too, my friend, for I see that thou art very comely and tall, be valiant, that even men unborn may praise thee. But I will now go down to the swift ship and to my men, who methinks chafe much at tarrying for me; and do thou thyself take heed and give ear unto my words.'

Then wise Telemachus answered her, saying: 'Sir, verily thou speakest these things out of a friendly heart, as a father to his son, and never will I forget them. But now I pray thee abide here, though eager to be gone, to the end that after thou hast bathed and had all thy heart's desire, thou mayest wend to the ship joyful in spirit, with a costly gift and very goodly, to be an heirloom of my giving, such as dear friends give to friends.'

Then the goddess, gray-eyed Athene, answered him: 'Hold me now no longer, that am eager for the way. But whatsoever gift thine heart shall bid thee give me, when I am on my way back let it be mine to carry home: bear from thy stores a gift right goodly, and it shall bring thee the worth the effort in return.'

So spoke she and departed, the gray-eyed Athene, and like an eagle of the sea she flew away, but in his spirit she planted might and courage, and put him in mind of his father yet more than heretofore. And he marked the thing and was amazed, for he deemed that it was a god; and anon he went among the wooers, a godlike man.

Now the renowned minstrel was singing to the wooers, and they sat listening in silence; and his song was of the pitiful return of the Achaeans, that Pallas Athene laid on them as they came forth from Troy. And from her upper chamber the daughter of Icarius, wise Penelope, caught the glorious strain, and she went down the high stairs from her chamber, not alone, for two of her handmaids bare her company. Now when the fair lady had come unto the wooers, she stood by the pillar of the well-builded roof holding up her glistening tire before her face; and a faithful maiden stood on either side of her. Then she fell a weeping, and spoke unto the divine minstrel:

'Phemius, since thou knowest many other charms for mortals, deeds of men and gods, which bards rehearse, some one of these do thou sing as thou sittest by them, and let them drink their wine in silence; but cease from this pitiful strain, that ever wastes my heart within my breast, since to me above all women hath come a sorrow comfortless. So dear a head do I long for in constant memory, namely, that man whose fame is noised abroad from Hellas to mid Argos.'

Then wise Telemachus answered her, and said: 'O my mother, why then dost thou grudge the sweet minstrel to gladden us as his spirit moves him? It is not minstrels who are in fault, but Zeus, methinks, is in fault, who gives to men, that live by bread, to each one as he will. As for him it is no blame if he sings the ill-faring of the Danaans; for men always prize that song the most, which rings newest in their ears. But let thy heart and mind endure to listen, for not Odysseus only lost in Troy the day of his returning, but many another likewise perished. Howbeit go to thy chamber and mind thine own housewiferies, the loom and distaff, and bid thy handmaids ply their tasks. But speech shall be for men, for all, but for me in chief; for mine is the lordship in the house.'

Then in amaze she went back to her chamber, for she laid up the wise saying of her son in her heart. She ascended to her upper chamber with the women her handmaids, and then was bewailing Odysseus, her dear lord, till gray-eyed Athene cast sweet sleep upon her eyelids.

Now the wooers clamored throughout the shadowy halls, and each one uttered a prayer to be her bedfellow. And wise Telemachus first spoke among them:

'Wooers of my mother, men despiteful out of measure, let us feast now and make merry and let there be no brawling; for, lo, it is a good thing to list to a minstrel such as him, like to the gods in voice. But in the morning let us all go to the assembly and sit us down, that I may declare my saying outright, to wit that ye leave these halls: and busy yourselves with other feasts, eating your own substance, going in turn from house to house. But if ye deem this a likelier and a better thing, that one man's goods should perish without atonement, then waste ye as ye will; and I will call upon the everlasting gods, if haply Zeus may grant that acts of recompense be made: so should ye hereafter perish within the halls without atonement.'

So spoke he, and all that heard him bit their lips and marveled at Telemachus, in that he spoke boldly.

Then Antinous, son of Eupeithes, answered him: 'Telemachus, in very truth the gods themselves instruct thee to be proud of speech and boldly to harangue. Never may Cronion make thee king in seagirt Ithaca, which thing is of inheritance thy right!'

Then wise Telemachus answered him, and said: 'Antinous, wilt thou indeed be wroth at the word that I shall say? Yea, at the hand of Zeus would I be fain to take even this thing upon me. Sayest thou that this is the worst hap that can befall a man? Nay, verily, it is no ill thing to be a king: the house of such an one quickly waxeth rich and himself is held in greater honor. Howsoever there are many other kings of the Achaeans in seagirt Ithaca, kings young and old; someone of them shall surely have this kingship since goodly Odysseus is dead. But as for me, I will be lord of our own house and thralls, that goodly Odysseus got me with his spear.'

Then Eurymachus, son of Polybus, answered him, saying: 'Telemachus, on the knees of the gods it surely lies, what man is to be king over

Reviews for The Odyssey (The Samuel Butcher and Andrew Lang Prose Translation)

[thefirstdark · Rating: 5 out of 5 stars]

One of the single greatest books, EVER. Written.!!! !!! !!!

#paganism_101

[nmele_4 · Rating: 5 out of 5 stars]

Wilson's translation of the Odyssey is excellent, but the real value is her introductory material and notes, including the three maps of the world of The Odyssey and of the actual classical Greek world. As for the translation, my Greek is not adequate to comment but it reads very well, lively and yet true to the Homeric conventions. The pace is brisker than that of the archaic translations I have previously read, and more like contemporary English than some of the more modern. I even found myself sympathizing with different characters as I read. And I noticed some character development, in Telemachus, for example.

[auntmarge64 · Rating: 5 out of 5 stars]

A wonderful translation, easy to read and to understand. But thank goodness for the intro.Hard to believe but I've never read this before. And rather than get lost in the lengthy introduction, I jumped ahead and just began the tale itself. It was hard to put down and I sped right through it, but by the end I was thinking, "Boy, these people were weird", so thank goodness for that intro, which I started after finishing the main work. One of the first things mentioned is that no one in the ancient world, at any time, acted or spoke like these people. So that was one question answered.

[narilka · Rating: 4 out of 5 stars]

I had attempted to read The Odyssey once before and failed miserably. Since then I've learned just how important the translator is when choosing to read ancient classics. I'm happy that I found a different translation to try which made this a much more enjoyable and engaging read. Given that the story comes from a time of oral tradition I decided to try out the audio book, which I think was the right idea but the wrong narrator for me. More on that below.For anyone who doesn't know, The Odyssey was written by Homer somewhere around 800 BC. The epic poem relates the story of Odysseus and his trials on his return journey home after the Trojan war. For such a simple premise, the scope is vast. It has a little bit of everything (magic, monsters, gods, suitors, shipwrecks, action) and touches on so many themes (violence and the aftermath of war, poverty, wealth, marriage and family, betrayal, yearning for ones home, hospitality) that is is easy to see why this poem is so important and how it has inspired many stories to this day. One of the best and worst parts about this version was the introduction to the poem. The intro goes into great detail about the controversies about the poem's origins and dives deeply into the poem's many themes. This was great for someone who already knows the story and wants to learn more before getting into Odysseus's tale. For those that don't like spoilers, it's best if you skip the introduction and read/listen to it after you're done with the poem. Fair warning for audio book listeners - the introduction is roughly 3.5 hours long and I was definitely getting impatient to hear the poem long before it was done.I listened to the audio book narrated by Claire Danes. This has really driven home that I need to listen to a sample of the narrator before choosing my audio books. Claire does an adequate job when reading the descriptive paragraphs but just didn't work for me when it came to dialog. All her characters, male and female, sounded the same and were a bit over done so it was a challenge to keep who was speaking apart. She is going on my avoid list for future audio books.

[zoes_human · Rating: 5 out of 5 stars]

The Odyssey is well worth reading not only to experience a story that has so heavily influenced Western literature, but also because, as appalling of a hero as Odysseus may be, it's a fun story. In all its extravagance, it set the standard for epic adventures.I cannot recommend Emily Wilson's translation enough. It is beautiful and fluid. She maintains a poetic rhythm yet the language is modern and clear. It's worth the extra time to read it out loud so you can truly savor the language for both its flow and the way it captures the sentiments of the characters.For those with several Odysseys under their belt, I would still recommend this version, if for no other reason than to read her introduction. Her analysis of the story is brilliant.

[arkrayder · Rating: 3 out of 5 stars]

This was a book I decided to tackle with audiobook and I thought it came across better listening to a narrator. Will give the Iliad go to.

[auntieknickers · Rating: 4 out of 5 stars]

Still a classic translation although there are several more recent.

[jmoncton_1 · Rating: 4 out of 5 stars]

This was not at all what I expected. I had steeled myself to reading a long flowering epic poem that would be repetitive and impossible to understand. Instead, I found this to be surprisingly readable and even more surprisingly interesting. A few things really helped me on my journey. I was reading and listening to this book using the Fagles translation which is narrated by Ian McKellen - excellent! I also listened in parallel to Elizabeth Vandiver's lectures about The Odyssey. There are only 12 lectures, but she adds so much background to the story that it added the depth and perspective I needed to make this a very enjoyable read.

[silbchilin · Rating: 5 out of 5 stars]

Condensed version of the incredible epic, though Odysseus does not loose his luster even in Spanish. He continues to be a hero you wish to see home, but know he has many flaws that he needs to work on.

[steve6clason · Rating: 5 out of 5 stars]

I read the Odyssey in college (don't remember what translation) and even struggled through bits in Greek in a first-year language class, but I never got what the big deal was. I didn't like Odysseus--raised as I was in a cowboy ethos I took his celebrated cunning as a kind of weakness, believing that a true man delat directly and simply with everything.Some decades later, I am much more sympathetic. Scarred, bruised and broken in places with a head often barely screwed on, I've come to value a little forethought more than I ever did when younger, and come to sympathize with Odysseus' tormented wanderings and to celebrate his eventual triumph profoundly.Fagles' translation is true to the story, readable yet retaining the loftiness of spirit so crucial to the unfolding of the story. I'll be returning to this many times, I think.

[pondlife_1 · Rating: 5 out of 5 stars]

I read The Iliad shortly before reading The Odyssey. I found The Odyssey by far the better book: it's structure is clever, starting in medius res, and then giving the hero a chance to fill in the gaps later.It contains a lot of the classic episodes that are often retold in different settings: the sirens, the cyclops, scylla and charibdis, the beguiling woman who keeps the hero hostage.The only bit that I felt dragged a bit was when Odysseus returned to Ithaca as a beggar and stayed with the swineherd. But other than that, it was a surprisingly good read for a classic that dates back to ancient Greece.

[cuttoothom · Rating: 4 out of 5 stars]

The epic Grecian journey detailed in The Odyssey has appealed to all age groups for untold generations. Odysseus's desperate attempt to return home, despite numerous evils that beset his crew (such as Sirens and Cyclopes), is almost always required reading in High School courses.Not only does it grant students a glimpse into ancient culture and mythology.Note: Contains graphic violence, although it is in verse form

[lyzadanger · Rating: 4 out of 5 stars]

Having trouble getting through the more academic poetic translations? I totally recommend the modern prose tranlsation by Eickhoff. Reads more like a novel than an esoteric, long-ago epic. Not that he can erase Homer's overarching misogynism, but that's a story for another day ;).

[elizabeth5michele · Rating: 5 out of 5 stars]

How much more can possibly be said about this book?

[bell7_1 · Rating: 4 out of 5 stars]

Confession time: I managed to make it through high school and an undergrad degree in English without reading The Odyssey or The Iliad.I know... One of my professors was appalled too. The truth is, as I find verse difficult to being with, epic poetry scares me. If it weren't for a friend's encouragement to read it in tandem, I probably would have let this languish on my shelves even longer despite the fact that I'd purposely bought Robert Fagles' translation as one I could pretty much follow what was happening.Everyone knows the story the gist of the story, so I'll dispense with the summary. The story starts out slowly with Odysseus' son and what's going on in his absence; it wasn't until around Book 5 that the action started moving along for me. One moment I was moving along swimmingly and the next I was getting bogged down. One moment was boring and the next brutally violent. I knew the end of the story, but I was really surprised by how at once familiar and unfamiliar I was with how the journey played out. On the one hand, I recognized a lot of the characters and incidents. On the other, I had no idea they happened in this particular myth in this particular way. I usually read multiple books, and admittedly this was not the first book I was drawn to read when I had the time, but I kept moving along and - in the end - I'm glad I read it.

[bookworm12_1 · Rating: 5 out of 5 stars]

After the ten-year Trojan War ends the warriors return to their home lands. Odysseus’ journey is longer than most because he has angered Poseidon. He runs into one obstacle after another as he fights to return to his wife and son. He fights a Cyclops, travels to the land of the dead, narrowly misses the call of the sirens and spends years trapped on Calypso's island. When he finally returns to Ithaca his home is filled with suitors attempting to woo his wife. I first read The Odyssey in high school, rereading it a decade later was a very different experience. This time I paid much more attention to Penelope’s story. She is such an incredible character. Her loyalty and patience is remarkable. Even though her husband has been gone for 20 years she still holds out that he is alive and will return to her. It made me wonder how long someone would wait nowadays. Obviously there were fewer communication options back then, but still a couple decades is a long time to hang on to hope. Penelope is surrounded by suitors and keeps them at bay by telling them she’ll consider them once she finishes what she’s weaving. She weaves all day and then at night she undoes everything she’s woven. Margaret Atwood wrote an interesting novella about her story, The Penelopiad: The Myth of Penelope and Odysseus.I enjoyed his son Telemachus’ journey. When his father leaves he is only a baby, but he’s grown to become a man in Odysseus’ absence and he longs to find his father. He isn’t sure if he should search for his father or stay and protect his mother, it’s a difficult decision. For me, it’s important that Odysseus is not a god. He is just a mortal man. So many of the stories in Greek literature are about the gods or demigods. Odysseus is neither, he occasionally has help from the gods, like Athena, at other times he is persecuted by the gods, especially Poseidon, but he has none of their powers. He must rely on his intelligence and cunning to outsmart his captors. BOTTOM LINE: An absolute must for classic lovers. It’s also one of the most accessible pieces of Greek literature and a gateway drug into that world. p.s. This time around I listened to the Robert Fagles translation on audio and it was read by the magnificent Ian McKellen. I would highly recommend it!  

[lmeza-1 · Rating: 3 out of 5 stars]

I read this book as an assignment in school so ... it's was not necessary my like or my choice, but I think it was a goodread ( :) ), isn't it a classic after all? I get confused between the Illiad and the Odyssey - that's how concentrated I was but I have always thought and made a mental note to read it later in my life. It is later in my life now ... mmm

[jnwelch_1 · Rating: 5 out of 5 stars]

Emily Wilson's translation of The Odyssey is my third; I read Robert Fagles' and Stanley Lombardo's before this. You can't go wrong with any of them - Fagles' is lyrical but modern, Lombardo's is admirably plain-speaking and fast-paced, and Wilson's is swift, smart and exciting. But Wilson's is my favorite now, and the one I'd recommend to someone dipping in for the first time.Caroline convinced me to read Wilson's introduction, and I'm glad I did. It's a corker. She explains The Odyssey this way:"We encounter a surprising range of different characters and types of incident: giants and beggars, arrogant young men and vulnerable old slaves, a princess who does laundry and a dead warrior who misses the sunshine, gods, goddesses, and ghosts, brave deeds, love affairs, spells, dreams, songs, and stories. Odysseus himself seems to contain multitudes: he is a migrant, a pirate, a carpenter, a king, an athlete, a beggar, a husband, a lover, a father, a son, a fighter, a liar, a leader, and a thief. He is a man who cries, takes naps, and feels homesick, but he is also a man who has a special relationship with the goddess who transforms his appearance at will and ensures that his schemes succeed."As she says, this isn't the usual hero who saves the world or "at least changes it in some momentous way"; instead, "for this hero, mere survival is the most amazing feat of all". The story raises"important questions about the moral qualities of this liar, pirate, colonizer, deceiver, and thief, who is so often in disguise, absent or napping, while other people - those he owns, those he leads- suffer and die, and who directly kills so many people."This complexity is what continues to fascinate me, and has led me through three translations and re-reads.What is so outstanding about this translation?"The Odyssey is a poem, and it needs to have a predictable and distinctive rhythm that can be easily heard when the text is read out loud. The original is in six-footed lines (dactylic hexameters), the conventional meter for archaic Greek narrative verse. I used iambic pentameter, because it is the conventional meter for regular English narrative verse - the rhythm of Chaucer, Shakespeare, Milton, Byron, Keats, and plenty of more recent anglophone poets . . . my translation sings to its own regular and distinctive beat.My version is the same length as the original, with exactly the same number of lines. I chose to write within this difficult constraint because any translation without such limitations will tend to be longer than the original, and I wanted a narrative pace that could match its stride and Homer's nimble gallop."I can't speak to the original, but hers certainly has stride and nimble gallop. She also leans toward simplicity of language, "in a style that echoes the rhythms and phrasing of contemporary anglophone speech." She notes that "stylistic pomposity is entirely un-Homeric". Occasionally (rarely, really) this results in what to me is an odd word choice, e.g. carrying weapons in a "hamper" - really? But overall it succeeds beautifully.Some examples:At a light touch of whip, the horses flew,Swiftly they drew toward their journeys' end,on through fields of wheat, until the sunbegan to set and shadows filled the streets.Helen, on the events in Troy:The Trojan women keened in grief, but Iwas glad - by then I wanted to go home.I wished that Aphrodite had not made mego crazy, when she took me from my country,and made me leave my daughter and the bedI shared with my fine, handsome, clever husband.Circe confronting Odysseus:"Who are you?Where is your city? And who are your parents?I am amazed that you could drink my potionand yet not be bewitched. No other manhas drunk it and withstood the magic charm.But you are different. Your mind is notenchanted. You must be Odysseus,the man who can adapt to anything."Odysseus and Athena are natural partners. As she says,"To outwit youin all your tricks, a person or a godwould need to be an expert at deceit.You clever rascal! So duplicitous,so talented at lying! You love fictionand tricks so deeply, you refuse to stopeven in your own land. Yes, both of usare smart. No man can plan and talk like you,and I am known among the gods for insightand craftiness."He is such a liar! And it's so deeply engrained that he lies even when he doesn't need to. But his lies always carry a greater message: "His lies were like the truth/ and as she listened, she began to weep."If you haven't read The Odyssey before, you probably know the basics of the story by osmosis. But that's nothing like experiencing this ancient yet so modern story. Emily Wilson has brought an intelligence, rhythm and excitement to it that to me is the best yet. Have some fun reading an old classic; it's a treat.

[akbibliophile · Rating: 5 out of 5 stars]

Everything classic Greek literature should be.

[helenliz_1 · Rating: 4 out of 5 stars]

What else could you select while sailing the Med if not a previous voyage across a similar sea? I thought this was going to be a hard read, but it really wasn't. In part, I think, that is because there is a part of knowing the outline of the story and it's elements already. It is such a well known story that you can't really come it it without knowing something of it already. It's not told in real time, that is reserved for Odysseus' son, Telemachus' journey to try and find news of his father and his dealings with his mother's suitors. The tale of Odysseus' journey back form the Trojan wars is told in order, but in retrospect. It's an interesting way of combining the two strands of the tale, the traveller and those left behind. The impact the traveller's absence has on those left behind is well illustrated, and how things are difficult for both sides in that instance - it's not just the traveller that has to endure trials. I was pleasantly surprised at how much I enjoyed this.

[julie10reads · Rating: 5 out of 5 stars]

Just finished listening to the unabridged audiobook of The Odyssey, translated by Samuel Butler (no relation to Gerard Butler) and read in rich, rotund diction by John Lee. Who is, of course, English. I don’t remember when I first heard the story of Odysseus’ journey home to Ithaca; seems as if I’ve always known it.In my 20s,I heard and fell in love with Monteverdi’s Il Ritorno d’Ulisse in Patria (which sounds inestimably more luscious in Italian than English:The Return of Ulysses to his Country) from the Met with baritone Richard Stilwell as the wily hero and mezzo-soprano Frederica von Stade as Penelope. The joyful babbling of their ecstatic reunion duet brought out the humanity of the characters.And I used to read Tales from the Odyssey by Mary Pope Osborne to my youngest daughter. She is still the only one who shares my enthusiasm for this classic.End of long intro…..The Odyssey can be enjoyed on many levels. It’s a great yarn about a shrewd soldier/king making his perilous (and tardy!) way home after the Trojan War (by the way, it was Odysseus who thought up the Trojan horse). It’s also a wide-ranging allegory about the often perilous journey of life. It abounds in psychological and spiritual archetypes. There’s something for every kind of reader.As for Odysseus himself, he seems to lie for the sake of lying, is boastful and reckless. His very name means “he who causes pain or makes others angry.” Early on in the story, having outwitted the cyclops Polyphemus, Odysseus and his men make their escape by boat. When he judges them to be out of danger, Odysseus does a “nyah-nyah” boasting chant to the cyclops who of course tears the top off a mountain and hurls it at the boat. This causes an enormous wake whose waves draw Odysseus’ boat back to shore! The sailors row like mad to get away from the shore. When they are at a safe distance, our wily hero starts up with the “nyah-nyah” chant again! His poor men beg him to stop.In the Iliad, it was all manly soldiers fighting other manly soldiers to recover the prize trophy wife, Helen. Conservative, stylistic, a time already ancient when Homer sang of it . By contrast, the Odyssey looks to the future, reflecting a new culture currently stable enough to become introspective. Odysseus’ journey home is populated by women/goddesses and monsters. No all out war any more, army against army, face-to-face combat. Rather the enemy becomes singular, hidden in caves or in the bodies of beautiful women or “lotus-eaters”. While completely enjoyable on a literal level, the story is also leading the listener, as all good stories do, into the realm of the inner life. It seems to me that few could identify with Achilles or Hector or Helen. However, we are all Odysseus and Penelope and Telemachus in one way or another. Homecoming can be almost anything: love,death, faith, consciousness. Likewise waiting. Back to the story…..The women want to sleep with Odysseus and the monsters want to eat him. The monsters ultimately succeed in devouring his crew leaving the ageing soldier to finish the journey alone. Polyphemus, Calypso, Circe, Scylla and Charibdis, the eponymous Mentor, Poseidon, and Athena make this a mythological all-star story. But for me, none of them can rival Penelope in character and depth. She is the other half of the “wily” Odysseus and I think that we can extrapolate much about her from what is said about him. She is the modern “Helen”:the kidnapped trophy wife appropriate for the old militaristic nation becomes the faithful wife and mother who waits 20 years (!) for the return of her husband. It only requires one man, Paris, to steal Helen away (she seems to have been agreeable to the idea). Yet an invading mob of suitors cannot coerce Penelope into abandoning her absent husband. Helen’s is “the face that launched a thousand ships”; Penelope holds herself in readiness for one ship only. Her waiting is not in the least passive however. Her husband’s goal is to reach home; Penelope’s goal is to keep her property and marriage intact until Odysseus returns. This demands skill and cunning equal to her husband’s. I felt entertained and enriched as I listened to The Odyssey on my drive to and from work (for about 2 weeks). Narrator John Lee brings a virile sound to Homer’s lines. You can almost hear him enjoying the story as he reads. I highly recommend this way of experiencing The Odyssey; it is an oral work designed to arouse the intellect through the sounds of precisely chosen words. I can’t think of a better way to enjoy it!10 out of 10!

[josearcadio_1 · Rating: 5 out of 5 stars]

Robert Fagles once again preserves the timeless nature of the human spirit in Homer's The Odyssey. Odysseus portray the the endurance of the human spirit against all odds. Although Odysseus is favored by the gods for his wit and courage, he is damned by Poseidon to roam the seas for 10 years before reaching his beloved home of Ithaca. During these ten years Odysseus encounters many entertaining conflicts and characters. The Odyssey accounts for the greek heroes famous journey and struggle to finally have peace at his home.

[clothingoptional · Rating: 5 out of 5 stars]

Don't read this book - listen to it. Epic poetry is meant to be recited...

[tcarter_77 · Rating: 4 out of 5 stars]

How do I meaningfully review a piece of work that has been around so long and is part of the foundation of all western literature? If you've read it, you'll know how great it is, and if you're thinking about reading it, then do so. Don't be afraid. It is great literature, but it's also a great read. It's deep but it's readable, it's tragic and it's comic. What strikes me is that you can imagine meeting the characters today, despite them having been written thousands of years ago, in another language, in another place. Sheer, accessible, genius.

[ameliaiif · Rating: 2 out of 5 stars]

if only circe had turned the men into guinea pigs...i might have liked this more

[bookwallah · Rating: 5 out of 5 stars]

Experienced an unplanned event while traveling? Or feel like you are living through an epic of misfortune that will not end? Or just having a really bad day? If you answered yes to any of these questions then rush to your shelves and re-read a chapter of Odysseus’ travails on his way home. [Pause for you to finish reading chapter]. OK, deep breath, now your problems don’t seem so bad, do they? Recommended for all adventurers who need more perspective.

[hankiii · Rating: 5 out of 5 stars]

I finally completed it, and what a long strange trip it's been.Before beginning my trek, I was somewhat familar with The Odyssey as a major work in Western Literature, one that has spawned influences in other literary works and drama.It was slow going at first, what with the whole medias res thing and trying to get a bead on the characters and time placement. and Telemachus's search,and of course, Odysseus's trails and tribulations. I was struck by the violence, most especiallythe staggering unmerciless detailed killing of the suitors and servants upon Odysseus'sreturn to Ithaca. I would read it again; a work of this magnitude should be read more than once if only to grasp the continual width and panorama of it. Just the encounters with thecreatures alone make my mind boggle at the imaginative creativity involved to envision such a thing.

[coach_of_alva · Rating: 4 out of 5 stars]

Audible didn't mention who the translator was but when I input the first line into Google I found it linked to Augustus Taber Murray on Wikipedia.I have been trying to find for years a version of the Odyssey that I liked as much as I do most translations of the Iliad. In this reading of an obscure translation, which I listened to while I was working, I finally found what I wanted. I love action and fantasy and I had always thought that was the best reason to read this work. This time, I was more impressed by the character of the heroes and their women: their code of honor, their hospitality and generosity, their adaptability to the decrees of fate or the operation of chance, their competitiveness, their cruelty to men, women, and children, their loyalties and betrayals. I've read that the Odyssey was the first great adventure story but I think one could say that it was the first psychological novel. Charlton Griffin was terrific when he read the narration and the men's voices. I always imagined that Homer's warriors spoke like this. He wasn't at all convincing when doing the women's voices. I wish Audio Connoisseur had used a woman narrator.

[dawnpen · Rating: 4 out of 5 stars]

The sea repeats. The day repeats. The night repeats. And home, home is the ultimate repetition.

[antao-3 · Rating: 5 out of 5 stars]

I humbly declare this book to be the greatest literary work of mankind. If you don't learn Greek (worth it just to read this Meisterwerk, never mind the rest of the immortal trove of Greek literature) you can read it in so many translations that have become classics in their own use of the English language, Fagles and Murray, just to mention two. Oh, what the Hades, let's throw in a third, not just for its brilliant translation, but also owing to the exotic character behind it: no less than Lawrence of Arabia. The Homeric poems were sung in a less-enlightened time, in comparison with the later Greek tragedies, and with the later epics too. Apollonius' Argonautica was composed, post Greek Tragedy, and his audience would have been, no doubt, familiar with Euripides' Medea. Questions such as how justice and revenge affect societies were addressed by Aeschylus in the Oresteia; likewise, the reception of the anthropomorphic gods, and their pettiness, was raised by Euripides in Hippolytus and the Bacchae. Furthermore, the real nature and brutality of warfare was also raised in the Trojan Women. Throw in how one state views another state, and questions of racial identity, and you have The Persians by Aeschylus, and Medea by Euripides. Additionally, if you include Philoctetes by Sophocles, and the issue of how youth should conduct themselves is also raised. If you consider, too, Ajax by Sophocles, and you find that the bloodthirsty myths of an earlier age are filtered through questions that C5 Athenian society faced. What is better, the brute force of an unsophisticated Ajax, or the sophistry and rhetorical arguments of Odysseus in Ajax? By the time we arrive at Virgil, and The Aenied, brutal events such as the death of Priam by Neoptolemus in Aeneid Book II, are tempered with a more enlightened approach. Neoptolemus is condemned for killing Priam, and rightly so, as mercy is important, and exemplifies the Romanitas of 'Sparing the humble, and conquering the proud'. However, Aeneas doesn't show mercy in his killing of Turnus at the end of Book XII. If you're into Greek Literature, read the rest of this review on my blog.