Two Gentlemen of Verona

By William Shakespeare

William Shakespeare's "Two Gentleman of Verona" is one of the playwright's classic romantic plays. It is the story of two gentlemen from Verona, Valentine and Proteus and their competition for the love of two different women, Julia and Silvia. "Two Gentleman of Verona" is a light-hearted drama with a happy ending.

• Language: English
• Publisher: Digireads.com Publishing
• Release date: Jan 1, 2010
• ISBN: 9781596254183

William Shakespeare

William Shakespeare (1564–1616) is arguably the most famous playwright to ever live. Born in England, he attended grammar school but did not study at a university. In the 1590s, Shakespeare worked as partner and performer at the London-based acting company, the King’s Men. His earliest plays were Henry VI and Richard III, both based on the historical figures. During his career, Shakespeare produced nearly 40 plays that reached multiple countries and cultures. Some of his most notable titles include Hamlet, Romeo and Juliet and Julius Caesar. His acclaimed catalog earned him the title of the world’s greatest dramatist.

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THE TWO GENTLEMEN OF VERONA

By WILLIAM SHAKESPEARE

A Digireads.com Book

Digireads.com Publishing

Print ISBN 13: 978-1-4209-2633-0

Ebook ISBN 13: 978-1-59625-418-3

This edition copyright © 2012

Please visit www.digireads.com

CONTENTS

DRAMATIS PERSONAE.

ACT I.

SCENE I. Verona. An open place.

SCENE II. The same. Garden of JULIA's house.

SCENE III. The same. ANTONIO's house.

ACT II.

SCENE I. Milan. The DUKE's palace.

SCENE II. Verona. JULIA's house.

SCENE III. The same. A street.

SCENE IV. Milan. The DUKE's palace.

SCENE V. The same. A street.

SCENE VI. The same. The DUKE's palace.

SCENE VII. Verona. JULIA's house.

ACT III.

SCENE I. Milan. The DUKE's palace.

SCENE II. The same. The DUKE's palace.

ACT IV.

SCENE I. The frontiers of Mantua. A forest.

SCENE II. Milan. Outside the DUKE's palace, under SILVIA's chamber.

SCENE III. The same.

SCENE IV. The same.

ACT V.

SCENE I. Milan. An abbey.

SCENE II. The same. The DUKE's palace.

SCENE III. The frontiers of Mantua. The forest.

SCENE IV. Another part of the forest.

DRAMATIS PERSONAE.

DUKE OF MILAN, father to Silvia.

VALENTINE, one of the two gentlemen.

PROTEUS, one of the two gentlemen.

ANTONIO, father to Proteus.

THURIO, a foolish rival to Valentine.

EGLAMOUR, agent for Silvia in her escape.

SPEED, a clownish servant to Valentine.

LAUNCE, the like to Proteus.

PANTHINO, servant to Antonio.

HOST, where Julia lodges in Milan.

OUTLAWS, with Valentine.

JULIA, a lady of Verona, beloved of Proteus.

SILVIA, beloved of Valentine.

LUCETTA, waiting-woman to Julia.

Servants, Musicians.

SCENE: Verona; Milan; the frontiers of Mantua.

ACT I.

SCENE I. Verona. An open place.

[Enter VALENTINE and PROTEUS.]

VALENTINE. Cease to persuade, my loving Proteus:

Home-keeping youth have ever homely wits.

Were't not affection chains thy tender days

To the sweet glances of thy honour'd love,

I rather would entreat thy company

To see the wonders of the world abroad,

Than, living dully sluggardized at home,

Wear out thy youth with shapeless idleness.

But since thou lovest, love still and thrive therein,

Even as I would when I to love begin.

PROTEUS. Wilt thou be gone? Sweet Valentine, adieu!

Think on thy Proteus, when thou haply seest

Some rare note-worthy object in thy travel:

Wish me partaker in thy happiness

When thou dost meet good hap; and in thy danger,

If ever danger do environ thee,

Commend thy grievance to my holy prayers,

For I will be thy beadsman, Valentine.

VALENTINE. And on a love-book pray for my success?

PROTEUS. Upon some book I love I'll pray for thee.

VALENTINE. That's on some shallow story of deep love:

How young Leander cross'd the Hellespont.

PROTEUS. That's a deep story of a deeper love:

For he was more than over shoes in love.

VALENTINE. 'Tis true; for you are over boots in love,

And yet you never swum the Hellespont.

PROTEUS. Over the boots? nay, give me not the boots.

VALENTINE. No, I will not, for it boots thee not.

PROTEUS. What?

VALENTINE. To be in love, where scorn is bought with groans;

Coy looks with heart-sore sighs; one fading moment's mirth

With twenty watchful, weary, tedious nights:

If haply won, perhaps a hapless gain;

If lost, why then a grievous labour won;

However, but a folly bought with wit,

Or else a wit by folly vanquished.

PROTEUS. So, by your circumstance, you call me fool.

VALENTINE. So, by your circumstance, I fear you'll prove.

PROTEUS. 'Tis love you cavil at: I am not Love.

VALENTINE. Love is your master, for he masters you:

And he that is so yoked by a fool,

Methinks, should not be chronicled for wise.

PROTEUS. Yet writers say, as in the sweetest bud

The eating canker dwells, so eating love

Inhabits in the finest wits of all.

VALENTINE. And writers say, as the most forward bud

Is eaten by the canker ere it blow,

Even so by love the young and tender wit

Is turn'd to folly, blasting in the bud,

Losing his verdure even in the prime

And all the fair effects of future hopes.

But wherefore waste I time to counsel thee,

That art a votary to fond desire?

Once more adieu! my father at the road

Expects my coming, there to see me shipp'd.

PROTEUS. And thither will I bring thee, Valentine.

VALENTINE. Sweet Proteus, no; now let us take our leave.

To Milan let me hear from thee by letters

Of thy success in love, and what news else

Betideth here in absence of thy friend;

And likewise will visit thee with mine.

PROTEUS. All happiness bechance to thee in Milan!

VALENTINE. As much to you at home! and so, farewell.

[Exit.]

PROTEUS. He after honour hunts, I after love:

He leaves his friends to dignify them more,

I leave myself, my friends and all, for love.

Thou, Julia, thou hast metamorphosed me,

Made me neglect my studies, lose my time,

War with good counsel, set the world at nought;

Made wit with musing weak, heart sick with thought.

[Enter SPEED.]

SPEED. Sir Proteus, save you! Saw you my master?

PROTEUS. But now he parted hence, to embark for Milan.

SPEED. Twenty to one then he is shipp'd already,

And I have play'd the sheep in losing him.

PROTEUS. Indeed, a sheep doth very often stray,

An if the shepherd be a while away.

SPEED. You conclude that my master is a shepherd, then, and I a sheep?

PROTEUS. I do.

SPEED. Why then, my horns are his horns, whether I wake or sleep.

PROTEUS. A silly answer and fitting well a sheep.

Reviews for Two Gentlemen of Verona

[birdie.newborn · Rating: 4 out of 5 stars]

Not your usual Shakespeare play, but worthy.

[alanwpowers · Rating: 4 out of 5 stars]

When I taught Shakespeare, I would often start with TGV, on the second class myself doingLaunce and his dog Crab, along with removable shoes, a cane--and for a couple years, our English Sheepdog Ugo. The first year he did okay, the second year he headed fro the classroom door, to leavefor a treat from my wife who drove him there. The Launce scenes really take a pro with the props and the stage business: taking off one's shoes,demonstrating the sad scene of parting by designating one of the shoes for each parent etc, meanwhile reprimanding the dog fro being unsentimental. An added tincture of interest for me was the play's MIlan references: Ugo came from Milan,where my daughter has lived for many years.

[amerynth · Rating: 3 out of 5 stars]

While "The Two Gentlemen of Verona" is not considered one of William Shakespeare's greatest works, I still found it to be a pretty enjoyable play. It was one of the bard's earlier comedies so much of it is used again later in this other, stronger works.The story follows Proteus and Valentine, two gentlemen who fall in love with ladies and troubles ensue. There is the typical Shakespeare disguise thrown in for good measure too.This play is pretty readable and was fairly amusing. The ending was kind of forced and wrapped everything up a little too prettily, but other wise I liked this one.

[dinadansfriend · Rating: 3 out of 5 stars]

One rates Shakespeare plays to acknowledge that in art, there are varying responses to the same work. For the drama, "Is this the right director and cast, are the costumes correct, did the spirit of the author's original intent come through?" there's a different set of criteria for single poems, or paintings. Some modest thoughts follow. This is early Shakespeare, and quite readable, but a test bed for a lot of better stuff that came later. Not many famous quotes/clichés in this one, but a workable script.Read seven times.

[bookworm12_1 · Rating: 4 out of 5 stars]

This is an interesting play in the world of Shakespeare, though not one of his strongest. It is assumed to be one of his first plays. It has one of his smallest casts and it contains one of the biggest jerks in the whole of Shakespearean literature. The two gentlemen of the title are Valentine and Proteus, best friends living in Verona. One of the two, Proteus, is deeply in love with a woman named Julia. The other, Valentine, is sent to Milan at his father’s bidding, where he falls in love with the Duke’s daughter, Silvia. The horrid Proteus follows Valentine and despite swearing his undying love to Julia, he quickly falls in love with Silvia. Not only is he betraying Julia with this infatuation, he is betrays his best friend. He is a selfish and horrible man and it’s hard to understand why Julia would remain true to him. My favorite scene in the play is between Julia and Silvia. The women find common ground where Silvia expresses her disgust with Proteus for abandoning the woman he swore to love. She had no idea that she was telling this to that same woman and it touches Julia deeply. The play shares a dozen similarities with Shakespeare’s later work. It has a woman following the man she loves and meeting him in disguise when he falls for someone new from All’s Well That Ends Well. It has Thurio, a useless lover picked by the girl’s family ala Paris from Romeo and Juliet. It also has a bit from Twelfth Night with a woman pretending to be the male servant of the man she loves. These elements don’t work well together to make a great play, but each bit is an interesting plot point that is used more successfully in a later play. BOTTOM LINE: This play is definitely a precursor to some of the great work that came later, but it doesn’t have the strongest plot. It contains hilarious puns and beautiful lines. Unfortunately the flip-flopping Proteus’ happy ending is not satisfying to audiences and the play is rarely preformed live. “She is mine own, And I as rich in having such a jewel As twenty seas, if all their sand were pearl, The water nectar, and the rocks pure gold.” 

[mariannem85-1 · Rating: 4 out of 5 stars]

One of my favorite comedies.

[girl_detective · Rating: 4 out of 5 stars]

It’s easy to see it’s one of Shakespeare’s earliest. The prose and poetry aren’t as polished, and it prefigured many of his later, better plays in some of the phrasing, and the cross-dressing of a female character in love. Its ending is neatly tied up, though surprising in some of the particulars, like a threat of rape and an overquick, overgenerous forgiveness. For completists, or in anticipation of a production, which is why I read it.

[audreya2 · Rating: 3 out of 5 stars]

Though it seems rather presumptuous to criticize Shakespeare, The Two Gentlemen of Verona is not one of the Bard's greatest works. Though an enjoyable read with some truly humorous moments and one particularly beautiful bit of verse (III.i.170-187), the end is hastily tied together and the characters very unbelievable. Still, as one of Shakespeare's earliest works, it is an interesting look at his development as a playwright.

[therebelprince · Rating: 4 out of 5 stars]

Essential scholarly edition of this early Shakespeare play.