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The Ten Best Bond Movies...Ever! #9 - On Her Majesty's Secret Service
The Ten Best Bond Movies...Ever! #9 - On Her Majesty's Secret Service
The Ten Best Bond Movies...Ever! #9 - On Her Majesty's Secret Service
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The Ten Best Bond Movies...Ever! #9 - On Her Majesty's Secret Service

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The countdown continues! It’s #9 in The Ten Best Bond Movies...Ever! series. 

The Top Ten Bond Movies...Ever? 

It doesn’t get much more subjective than this. Or much more fun! 

Come and join international bestselling author Mark Williams on a James Bond odyssey as he continues to explore the phenomenon that is James Bond, this time with the Bond film that made # 9 on the list: On Her Majesty’s Secret Service

The Ten Best Bond Movies...Ever! # 10: Thunderball is available now! 

Watch out for The Ten Best Bond Movies...Ever! # 8: Live And Let Die coming soon to an ebook retailer near you!
LanguageEnglish
PublisherOdyssey
Release dateApr 8, 2017
ISBN9788826072456
The Ten Best Bond Movies...Ever! #9 - On Her Majesty's Secret Service
Author

Mark Williams

Mark S. Williams (PhD, Ateneo de Davao University, Philippines) served in ministry to Muslims for twenty years (1990–2010) with SIM in the Philippines. He published articles in the Journal of Asian Mission and Missiology and was a contributing author in Missionary Methods: Research, Reflections, and Realities (William Carey Library).

Read more from Mark Williams

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    The Ten Best Bond Movies...Ever! #9 - On Her Majesty's Secret Service - Mark Williams

    newsletter!

    This never happened to the other fellow

    When it comes to love it or hate it movies, it doesn’t get much more divisive than On Her Majesty’s Secret Service.

    It’s probably caused more arguments than any other film made. Is it the best Bond movie ever, or the devil’s spawn, beside which even the hapless A View To A Kill can be considered tolerable?

    Come to that, is it really a Bond film at all?

    Seriously, if we changed the names of the key characters Bond and Blofeld, and the MI6 characters M, Q and Moneypenny, would it even be a Bond film?

    Where are the death-defying stunts? The pool of sharks? The falling from an airplane without a parachute? The impossible-to-escape-from grisly fate that the captured Bond escapes from anyway?

    And where’s the Bond title theme song?

    Come to that, where’s James Bond himself? Sean Connery?

    Who is this imposter from Down Under muscling in on the role that belongs to, and only to, Scotland’s finest actor? And how did said imposter get to wear a kilt and play the Scot when Connery did not?

    And yet, after indeterminable pondering and more rewinds and replays than any film should have to endure, I finally slotted On Her Majesty’s Secret Service at a respectable number nine on my list of The Ten Best Bond Movies...Ever!

    That’s pretty impressive. Just eight films rated higher. So what gives?

    It’s a good question.

    On the one hand we have my favourite Avenger, Diana Rigg, in a film with one of the most powerful love songs ever, holding the show together for the new Bond face, and with what at the time was no doubt wonderfully exotic Swiss mountain scenery.

    On the other hand we have a story that lacked the pace and punch of the earlier Bond films, and that had abandoned the de rigeur madman set to take over the world or die trying, for a rather mundane threat to kill cows, involving the lollipop-sucking bald-headed detective Kojak with his ears pinned back, obsessing over his family tree.

    As for the gadgets... What gadgets?!

    The venerable Q makes a couple of fleeting appearances, but there’s not en ejector seat, Geiger-counter watch or jet-pack to be seen. All the Bond bang and bluster we had come to expect in a Bond movie had been set aside in favour of telling the story Fleming told in the book.

    Which is fine for the books. But this is not what we go to the big screen to see when it says James Bond on the ticket. And the box-office takings screamed their protest at this flagrant breach of the Bond producers’ unwritten contract with cinema-goers.

    There was never a Bond film like this before, and there would never be again.

    Bottom line is, On Her Majesty’s Secret Service is a love story that just happens to be about James Bond, and just happens to have Bond arch-villain Blofeld hanging around, and just happens to have the other key members of the Bond cast putting in a token appearance.

    And yet here it is at #9 on my list. And no, not because of some adolescent infatuation with Diana Rigg. It was by no means Diana Rigg’s finest role. Give me the wonderful Mrs. Emma Peel alongside fellow Avenger John Steed any day of the week.

    But what On Her Majesty’s Secret Service does is to reveal a human side of the James Bond character we had never been exposed to before, and likely never will be again.

    As for the ending... 

    Whatever we may think of the rest of the film, this has to be the best ending to any of the Bond movies.

    And when you throw in Louis Armstrong and that song...

    Was there a dry eye anywhere in the house?

    The macho boys might have been explaining to wives and girlfriends they were in tears over how bad Lazenby had been, but seriously, this wasn’t just the most powerful Bond ending of the series. This was up there with the most powerful film endings of all time.

    For that ending alone, On Her Majesty’s Secret Service warrants a place in The Ten Best Bond Movies...Ever!

    George who?

    Lazenby never stood a chance.

    Roger Moore must have thanked his lucky stars that he was already contracted elsewhere when the offer came, and someone else landed the poisoned chalice job of being the first successor to Sean Connery.

    By the time Moore finally took the reigns he had already established himself as an action hero, first in the TV series The Saint, and then in the TV series The Persuaders, alongside Tony Curtis.

    Roger Moore was a name. And by the time Live and Let Die was released the public were in absolutely no doubt that Sean Connery was finished with the Bond role. Connery himself had said so.

    Although of course one should never say never again.

    But for the public, the Connery Bond era was over, and the Lazenby interlude meant Roger Moore was onto a winner simply because George Lazenby had been so bad.

    Or had he?

    In fact, history has been kind to Lazenby.

    Forget the laughter that met his appointment to the role, and the despair that met his final performance. For all the bad press at the time, retrospective reviews have ranged from sympathetic to outright adulation.

    Many a critic has, with hindsight, called On Her Majesty’s Secret Service the finest Bond film ever made. At Bond conventions Lazenby is mobbed by adoring fans, and in 2012 a poll of Bond fans by 007 Magazine has On Her Majesty’s Secret Service voted the best Bond film of all time.

    You couldn’t make it up.

    When George Lazenby accepted the role,

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