Sightlines from the Cheap Seats: Poems
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About this ebook
Joseph Di Prisco
Joseph Di Prisco is the acclaimed author of prize-winning poetry (Wit’s End, Poems in Which, and Sightlines from the Cheap Seats), bestselling memoirs (Subway to California and The Pope of Brooklyn), nonfiction, and novels (Confessions of Brother Eli, Sun City, All for Now, The Alzhammer, Sibella & Sibella, and The Good Family Fitzgerald). He taught for many years and has served as chair of not-for-profits dedicated to the arts, theater, children’s mental health, and schools. In 2015, he founded New Literary Project, a not-for-profit driving social change and unleashing artistic power, investing in writers across generations from neglected, overlooked communities. He also directs NewLit’s annual Joyce Carol Oates Prize, awarded to mid-career authors of fiction, and is Series Editor of the annual anthology Simpsonistas: Tales from New Literary Project. Born in Brooklyn, he grew up in Greenpoint and then in Berkeley. He and his family now live in Lafayette, California.
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Sightlines from the Cheap Seats - Joseph Di Prisco
Also by Joseph Di Prisco
Poetry
Wit’s End
Poems In Which
Memoir
Subway to California
The Pope of Brooklyn
Novels
Confessions of Brother Eli
Sun City
All for Now
The Alzhammer
Nonfiction
Field Guide to the American Teenager (with Michael Riera)
Right from Wrong (with Michael Riera)
Table of Contents
PART ONE
My Last Résumé
More Elements of Style
The Ringling Bros Barnum and My Family Circus
Adventures in Language School
Reasons Nobody Ever Called a Good Book
of Poems a Page-Turner
Sleep Is/Is Not A Lost Cause
Lady, with Hippopotamus
Eulogist On Call
My Pornography Problem
Napoli, Napoli
There Comes a Time There Comes a Time
Or: Go Forth
Defense of Poetry?
The End of an Age
The Punctuation of Life
Symptomatology
I Was Just Leaving
PART TWO
Brief Biography of an Imaginary Daughter
#1 [College]
#2 [Puppy]
#3 [Fish]
#4 [Birds…]
#5 [Bond]
#6 [Sorrow]
#7 [Career]
#8 [Gift]
#9 [Rain]
#10 [ ]
#11 [Conception]
#12 [Home]
#13 [Paradise]
#14 [Memory]
#15 [Time]
#16 [Sisters]
#17 [History]
#18 [Plums]
PART THREE
Neighborhood Clean-Up Ode:
the Municipal Directives
The Satrap Will See You Now
Wedding Season
Emperor with No Clothes
Talk
Observations of a Failed Therapist
Hear Ye, Hear Ye, Listen Up
My Contributor’s Notes
Things I Never Said I Said
The Bar at the End of Some Other Road
Read Directions First
No Animals Were Harmed in the Making of This Poem
The Obsessive-Compulsive Attends
A Costume Party
Someday I’ll Go Back
Hedonic Adaptation
Anthro Apology Field Notes
Beethoven’s, Fifth, San, Francisco,
Deepak and Secrets of the Universe
My Mission Statement
Acknowledgments
PART ONE
My Last Résumé
When I was a troubadour
When I was an astronaut
When I was a pirate
You should have seen my closet
You would have loved my shoes.
Kindly consider my application
Even though your position is filled.
This is my stash of snow globes
This is my favorite whip
This is a picture of me with a macaw
This is a song I almost could sing.
When I was a freight train
When I was a satellite
When I was a campfire
You should have seen the starburst
You should have tasted my tomato.
I feel sorry for you I’m unqualified
This is my finest tube of toothpaste
This is when I rode like the raj on a yak
This is the gasoline this is the match.
When I was Hegel’s dialectic
When I was something Rothko forgot
When I was moonlight paving the street
You should have seen the roiling shore
You should have heard the swarm of bees.
More Elements of Style
I forgive everyone and ask forgiveness of everyone. OK? Don’t gossip too much.
Perdono tutti e a tutti chiedono perdono. Va bene? Non fate troppi pettegolezzi.
—Cesare Pavese’s suicide note, 26 August 1950
Hopefully
is an adverb meaning full of hope.
You may write You hopefully received the thousand red roses
If you’re dating the New Year’s Day Parade in Pasadena.
Omit needless words except for susurration and gash
Gold-vermilion. Hold nothing back. Spend every cent.
Next morning, look hard at what you have left behind.
You’ll be surprised—if you’re like me, and you’re not—
At the missed opportunities and water marks on the page.
Avoid inert gasses and verbs. Having is over-rated,
And being only goes so far, not that I need tell you.
There’s no such thing as re-writing, you know,
Only writing. That’s about as helpless as I can be.
Don’t be discouraged when the piano tuner stops to eat
His hero sandwich over the keys. It’s all part of the process,
A messy fugue. You are in this way one with
Everyone who ever penned a word. Sometimes,
Words like loved ones fail you, it’s not their fault.
Sometimes you fail them, and it is.
Before long you may hear the piano chords played
In a far-off room, and you may feel a sadness
That lights within, a candle inside a carved pumpkin
All Hallow’s Eve. This is normal. You’re not, and no one is.
Sometimes the best writers break all the rules,
They make comma splices sing, they don’t know they are
The best writers, and they just can’t wait around to find out.
May I commend you on your use of concrete language
And your personal voice, petals on a wet black bough.
Read your work out loud, to others, or