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Acting and Performance in Moving Image Culture: Bodies, Screens, Renderings. With a Foreword by Lesley Stern
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This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body in analog and digital film, animation and video art. The volume includes classical case studies and essays devoted to acting history and acting and genres, but its particular emphasis is on introducing a wide range of groundbreaking theoretical approaches - from continental and analytic philosophy to new media theory and cognitivist research - all of which interrogate the fundamental conceptions of »act« and »actor« that underwrite both popular and academic notions of performance in moving image culture.
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Titles in the series (25)
Raum und Gefühl: Der Spatial Turn und die neue Emotionsforschung Ein Riss geht durch den Autor: Transmediale Inszenierungen im Werk von Peter Weiss Rating: 0 out of 5 stars0 ratingsLogik des Bildlichen: Zur Kritik der ikonischen Vernunft Rating: 0 out of 5 stars0 ratingsGame over!?: Perspektiven des Computerspiels Rating: 0 out of 5 stars0 ratingsmedium macht mode: Zur Ikonotextualität der Modezeitschrift Rating: 0 out of 5 stars0 ratingsFreeze Frames: Zum Verhältnis von Fotografie und Film Rating: 0 out of 5 stars0 ratingsKraft der Alterität: Ethische und aisthetische Dimensionen des Performativen Rating: 0 out of 5 stars0 ratingsSignaturen der Alterität: Zur medialen Reflexivität der Kunst Yasumasa Morimuras Rating: 0 out of 5 stars0 ratingsActing and Performance in Moving Image Culture: Bodies, Screens, Renderings. With a Foreword by Lesley Stern Rating: 0 out of 5 stars0 ratingsRaumdeutung: Zur Wiederkehr des 3D-Films Rating: 0 out of 5 stars0 ratingsTarkowskijs Gehirn: Über das Kino als Ort der Konversion Rating: 0 out of 5 stars0 ratingsGlobal Images: Eine Studie zur Praxis der Bilder. Mit einem Glossar zu Bildbegriffen Rating: 0 out of 5 stars0 ratingsMediale Reflexivität: Beiträge zu einer negativen Medientheorie Rating: 0 out of 5 stars0 ratings»The Power of Love«: Heteronormativität und Bürgerlichkeit in der modernen Liebesgeschichte Rating: 0 out of 5 stars0 ratingsMythos und Kulturtransfer: Neue Figurationen in Literatur, Kunst und modernen Medien Rating: 0 out of 5 stars0 ratingsCrux Scenica - Eine Kulturgeschichte der Szene von Aischylos bis YouTube Rating: 0 out of 5 stars0 ratingsKonjunktion: Eine medienphilosophische Untersuchung Rating: 0 out of 5 stars0 ratingsAufzeichnungen eines Storm Squatters: George Kuchars »Weather Diaries« Rating: 0 out of 5 stars0 ratingsSchwankende Ansichten: Zur Geschichte einer Ästhetik des Anders-Sehens in der Literatur und Kunst der Moderne Rating: 0 out of 5 stars0 ratingsDer Gefangene als Phantom: Anordnungen des Verschwindenmachens in Literatur und Medien Rating: 0 out of 5 stars0 ratingsDer Abgrund im Spiegel: Mise en abyme - zur Aufhebung der ontologischen Dichotomien von Kunst und Wirklichkeit Rating: 0 out of 5 stars0 ratingsPsittazismus und narrative Vielstimmigkeit: Vom Sprechen des Papageis zur Stimme des Textes Rating: 0 out of 5 stars0 ratingsVon der Biopolitik zur Nekro-Ökonomie: Für eine genealogische Kritik der politischen Ökonomie des Todes Rating: 0 out of 5 stars0 ratingsFERNSEHEN - NETFLIX - YOUTUBE: Zur Fernsehhaftigkeit von On-Demand-Angeboten Rating: 0 out of 5 stars0 ratings
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