Introducing The Waltz - History-Steps-Etiquette
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Introducing The Waltz - History-Steps-Etiquette - Bernard Stetson
Introducing The Waltz
History – Steps – Etiquette
By
Bernard Stetson
Copyright © 2013 Read Books Ltd.
This book is copyright and may not be reproduced or copied in any way without the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
CONTENTS
A Short Introduction to Dance
INTRODUCING THE WALTZ
HOW TO WALK FORWARD
HOW TO WALK BACKWARD
THE HOLD
. . . LEADING AND FOLLOWING
THE HOLD
. . . LEADING AND FOLLOWING
THE COMPASS
THE WALTZ TURNS
HOW TO DANCE THE WALTZ
THE WALTZ
THE WALTZ
THE WALTZ
THE ONE PERFECT WALTZ
A Short Introduction to Dance
Dance is a type of art that generally involves movement of the body, often in a rhythmic fashion and to music. It is performed in almost all cultures around the globe as a form of emotional expression, social interaction or exercise, in a spiritual or performance setting, and is sometimes used to express ideas or tell a story. Definitions of what constitutes dance are extremely difficult to form – and can depend on social and cultural norms, as well as aesthetic, artistic and moral sensibilities. Definitions may range from functional movement (such as folk dance) to virtuoso techniques such as ballet. Martial arts Kata (choreographed patterns of movements) are often compared to dances and sports such as gymnastics, figure skating and synchronized swimming are generally thought to incorporate dance.
There are many styles and genre of dance; African dance is generally ‘interpretative’, ballet, ballroom and tango are examples of ‘classical dance styles’, square dance and electric slide are forms of ‘step dance’ and break-dancing is a type of ‘street dance.’ Any of these dances can be either participatory, social or performed for an audience. Due to the nature of dancing itself however, it is very difficult to trace a history of the genre. Dance does not leave behind clearly identifiable physical artefacts such as stone tools, hunting implements or cave paintings. It is thus simply not possible to say when dance became part of human culture. Archaeological evidence (in the forms of statues and decorations on vases) indicates that dance has been an important part of ceremony, ritual, celebration and entertainment since the earliest civilisations though.
Examples of the evidence we do have includes 9,000-year-old paintings in India at the Rock Shelters of Bhimbetka (Raisen District, Madhya Pradesh) and Egyptian tomb paintings depicting dancing figures, dated c. 3300 BC. One of the earliest structured uses of dances may have been the telling of myths. Before the invention of written languages, dance was one of the methods of passing stories down from generation to generation. Another early use of dance may have been as a precursor to ecstatic trance states in healing rituals – and it is still used for this purpose today by many cultures from the Brazilian rainforest to the Kalahari Desert. Most contemporary dance forms can actually be traced to such traditional, ceremonial or ethnic dances. For example, some Sri Lankan dances are related to aboriginal, mythical devils known as ‘yakkas’ and according to local legend, Kandyah dance (originating in a hilly region of Sri Lanka) began as a ritual that broke the magic spell on a bewitched king.
Concert or performance dance is primarily related to Europe and North America. One of its most famous forms – ballet – originated first in Italy and then in France from lavish court spectacles that combined music, drama, poetry, song, costumes and dance. During the reign of Louis XIV, himself a dancer, dance became more codified. Professional dancers began to take the place of court amateurs and ballet masters were licensed by the French government. The first ballet dance academy was the Académie Royale de Danse (Royal Dance Academy), opened in