Study Work Guide: The Mark Grade 10 Home Language
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About this ebook
Remember! This guide cannot be used on its own as it refers to the prescribed text throughout.
What makes our study work guides different?
This study work guide forms part of a series. As the name suggests, this is not only a guide in which the novel is discussed, but also a workbook in which learners can make notes. This provides for easy revision for exams and tests and keeps valuable notes from going astray.
The content of this study work guide
• Background information on the plot and author.
• A discussion of literary elements in context.
• A chapter by chapter discussion of plot development, symbols, and themes, with definitions of useful words and questions (with space for learners’ answers provided).
• Formal assessment activities.
• Enrichment activities.
• A removable answer section.
All study work guides in this series have been compiled according to CAPS requirements. This study work guide supplements the prescribed text The Mark for Grade 10 Home Language.
Janet Unterslak
Janet Unterslak has taught for 39 years, at government and private schools (Pretoria Girls’ High and Damelin College), at monastic and co-ed schools (Kingsmead College and Greenside High School) – and even at St George’s Sunday School! She has taught children in pre-school and primary school (Saxonwold Primary), students at high school and at Wits University, adults in support classes at The South African Foreign Trade Organization and in ABET classes at De Beers Diamond Research Laboratory, and those trying desperately to get distinctions in English or merely to get a matric certificate, at Star Schools. She has also reached students through various technological media: television and DVDs, broadcasting for The Learning Channel for eighteen years, and for Eish since 2010 (Matrics Uploaded, Geleza Nathi) and most recently through cell phones for Mobischool, and Facebook. Janet has marked matric exam papers regularly since 1977. She has been a provincial and national examiner, Chief Marker or Internal Moderator for English Home Language Paper 2 for eight years, and an SBA Moderator and Senior Marker for Grade 9 ANAs. Janet was educated in Pretoria and got her degrees and education diploma at Wits. She has a BA Hons (English) and an HED.
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Book preview
Study Work Guide - Janet Unterslak
Best Books Study Work Guide:
The Mark
for Grade 10
Home Language
compiled by Janet Unterslak
BB_logoThe layout in this digital edition of the Best Books Study Work Guide: The Mark for Grade 10 Home Language may differ from that of the printed version, depending on the settings on your reader. The layout displays optimally if you use the default setting on your reader. Readers can experiment with the settings to enhance display.
The page references in this version refer to the pages in the printed book.
In instances where learners are asked to ‘answer the questions below’ the questions may appear on the next page depending on the device being used.
Pre-reading Activities
Schools
1.Why are some schools called academic schools
and others are called vocational schools
?
2.What do you think of the idea of schools giving you only vocational training?
3.What might a learner be studying if he or she were destined to be a:
a)drudge?
b)pleasure worker?
c)drainer?
Setting
1.Explain what is meant by the setting
of a novel.
2.Discuss how the novel’s epigraph (a short statement or quotation at the beginning of the book) establishes the setting
of the novel.
Narrative Point of View
1.Explain what is meant by the narrator
of a story, and the narrator’s point of view
.
2.What is meant by voice
in literature?
3.Refer again to the epigraph, and consider:
•who is the narrator?
•what is the advantage of choosing such a narrator?
For further pre-reading activities, refer to your textbook, pages 18–19.
Reading the Novel
Your teacher can choose various ways of reading the novel:
•Reading out loud in class.
•Reading in pairs or groups.
•Asking you to read at home.
If the novel is read out loud each day, your responsibility is to pay attention at all times. You can keep yourself focused in the following ways:
1.Write down any unfamiliar words. Put up your hand and ask the teacher to explain at a suitable pause in the reading.
2.Jot down any points that you want to talk about. Ask any questions in class to help you understand the text.
3.Respond to the novel and enter into any class discussion that happens at the end of each chapter.
4.Predict what you think might happen next.
5.Be an active, enthusiastic reader; engage with the text.
While you are reading, you might want to answer questions each day on each chapter. The first few questions check your basic recall of knowledge. The later questions deal with the key features of the text as a novel, and help you to practise the kinds of questions you might come across in a portfolio task or examination.
PART ONE
Part one begins with an epigraph (a short statement or quotation at the beginning of a chapter or book).
My name is Juliet Seven. The date is 264 PC. This year, I am going to wipe out my father and my sister. And then I will off myself. The Machine will record that I lived for fifteen years, worked as a drudge, and that my last address was Room 33, Section D, Slum City. Everything I do this year was spoken of before I existed. And it will be written in the blood of those who survive me. (p. 43)
The science fiction genre is established immediately with the date, 264 PC (post-conflagration, or after the fire which destroyed much of the earth and its capacity to sustain the population). The reference to The Machine
also shows the reader that the book is set in a technologically-advanced society, where people’s lives are tracked by a Machine that seems omniscient (all-knowing).
The narrative voice is first person: the speaker tells us her name is Juliet Seven and she speaks in the first person.
Finally, the mood of this epigraph is ominous (threatening, suggesting that something bad is going to happen). Juliet plans to kill her father, her sister, and herself (off myself
is slang for committing suicide). The mention of blood in the final sentence also creates an ominous mood.
Question
1.What is the purpose of this epigraph?
1. The Monster
Vocabulary
FlailsWave one’s arms about in an uncontrolled way.
BreakersWaves in the sea that form white foam on their crests (tops) and which crash down onto the beach sand (known as breaking).
ThrashingMove one’s arms in a fast and violent way, usually without any control.
Gather their witsTake time to think about what is happening, to make sense of it.
GleeGreat enjoyment or happiness.
Oblivious to meWithout my being noticed by anybody.
Palms (verb)Picking up an object in a way that uses the palm of the hand to cover and hide the object; in this case it also implies so that no-one notices, in order to steal.
BileA bitter liquid found in the stomach, which can sometimes be tasted in one’s mouth when one is frightened or nervous.
Synopsis
Handler Xavier causes panic on the beach so that, when everyone flees (runs away in fright), their belongings can be stolen by girls like Kitty and Juliet, who is called Ettie. A Locust attempts to stop Kitty, but Ettie distracts him by pretending to have a fit. After the curfew siren, Ettie returns to Section O in Slum City where she shares a room with Kitty. Handler Xavier takes the credits they have stolen and tells them to take the items to Cowboy in the market. Ettie hides a book she has stolen under a paver (paving stone).
Discussion
The opening chapters of the novel form the "exposition"– This is the section of the novel in which the following are established:
•the main characters,
•the setting,
•image patterns,
•the main conflict,
•theme(s),
•genre.
The main characters
In chapter 1, the reader is introduced to the main character, Ettie, and three other important characters: Handler Xavier, Kitty, and the Locust, who is Nicolas, the young man Ettie has a romantic relationship with later in the novel.
Certain aspects of Ettie’s character are clear from the start: she is quick and resourceful (she diverts suspicion away from Kitty, she deceives Handler Xavier); she is loyal and caring to those she believes are worthy of her commitment: she is grateful to Kitty for saving her many years before, and she is loyal to their friendship, even though Kitty seems to have changed. She tries to protect Kitty from danger and she watches over her as much as she can. Ettie feels no similar affection for or loyalty towards Handler Xavier because he exploits the girls and shows no loving kindness towards her. Ettie is also deeply moved by books; she describes her eagerness to read as if she were salivating for food; in books she finds pleasure and excitement. Ettie is also a survivor: she is able to deceive others and is prepared to be conniving (helping others in their dishonest actions) and dishonest to ensure her survival, and Kitty’s. Ettie appears to have few morals and no conscience but the reader is aware that she does have values and acts in accordance with them and on her own terms.
Handler Xavier appears ruthless and self-centred. His concern for the girls appears only to involve their usefulness to him – but the reader must be aware of the constant references to masks and deceit – things are not what they seem, not even as regards Handler Xavier.
Kitty appears to be frivolous and self-centred; she is quick enough to steal effectively, but she attracts the attention of the Locust, thus putting herself in danger; Ettie describes her as shallow and greedy – for attention, for beautiful things, for food. However, we know that, years before, she saved Ettie, and so there must be some depth to Kitty that Ettie appears at this point to be unaware of.
The Locust’s character is indicated in a few quick details: he is compassionate towards Ettie when he believes she is ill but he is intelligent enough to see through Ettie’s performance and starts to track her.
The setting
The setting is more than a beach where the privileged relax while wardens watch for danger from the sea. There are constant references to the heat, to blistered skin, to sunblocker, to cracked lips and eyelids. The beach setting reinforces the idea of relentless heat which people try to escape. References to ice in glasses accord with this atmosphere of heat, but we are aware that those who are privileged have the power to alleviate (lessen or reduce) the terrible effects of the heat while the majority suffer under it, and some are even worse off, for example, the Pulaks who have to pull the carriages in this suffocating heat.
Conflict
The opening chapter sets up a number of tensions:
There is conflict between the privileged of this society and the majority who are restricted to the ghetto at night and are forbidden to break the curfew. This tension within society has the potential to be explosive and a number of aspects of the plot relate to the societal conflict.
The main characters are in conflict with their society: on a superficial level, they want a better life for themselves, but, as the novel progresses, we shall realise that there is a subversive movement waiting to overthrow the elite. On one level, Ettie is in conflict with her society because she resents the Mark, the fact that she is controlled by the numbers on her back. Her desperate efforts to remove those numbers are clear right from the beginning of the book, where she is trying to burn away the numbers with acid. Ettie appears to be selfishly concerned only with her own freedom.
Ettie also is in conflict with those around her, in particular with Handler Xavier, whom she needs if she is to be even slightly better off than those who have to scrounge for food. Ettie needs to convince him of her innocence and honesty while deceiving him as far as she can. She is often in conflict with Kitty, whose apparent carelessness leads her into danger, and whose apparent superficial concern only to follow the rules and behave as she is told frustrates Kitty enormously.
Finally, Ettie is in conflict with herself: she wants not to care about Kitty but is constantly agonised about Kitty’s safety. She also fights her own better impulses, often refusing even to acknowledge that they exist.
There are many ironies which the reader does not grasp at this early stage of the novel, such as Ettie’s pretending that Handler Xavier is her father, and acting as she has been told a loving daughter would. Ettie