Paradise Lost

By John Milton

In Paradise Lost Milton tells the story of the fall of man, which encompasses a battle that rages across Heaven between God and Satan. Here are passion and innocence, victory and defeat, hope and despair. This is without a doubt the greatest epic poem ever written in the English language.

• Language: English
• Publisher: Start Publishing LLC
• Release date: Mar 25, 2013
• ISBN: 9781625589064

John Milton

John Milton (1608-1657) was an English poet and intellectual. Milton worked as a civil servant for the Commonwealth of England and wrote during a time of religious change and political upheaval. Having written works of great importance and having made strong political decisions, Milton was of influence both during his life and after his death. He was an innovator of language, as he would often introduce Latin words to the English canon, and used his linguistic knowledge to produce propaganda and censorship for the English Republic’s foreign correspondence. Milton is now regarded as one of the best writers of the English language, exuding unparalleled intellect and talent.

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Paradise Lost

By John Milton

Start Publishing LLC

Copyright © 2012 by Start Publishing LLC

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever.

First Start Publishing eBook edition October 2012

Start Publishing is a registered trademark of Start Publishing LLC

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

ISBN 978-1-62558-906-4

Book I

Of Mans First Disobedience, and the Fruit

Of that Forbidden Tree, whose mortal tast

Brought Death into the World, and all our woe,

With loss of Eden, till one greater Man

Restore us, and regain the blissful Seat,

Sing Heav’nly Muse, that on the secret top

Of Oreb, or of Sinai, didn’t inspire

That Shepherd, who first taught the chosen Seed,

In the Beginning how the Heav’ns and Earth

Rose out of Chaos: Or if Sion Hill

Delight thee more, and Siloa’S Brook that flow’d

Fast by the Oracle of God; I thence

Invoke thy aid to my adventrous Song,

That with no middle flight intends to soar

Above th’ Aonian Mount, while it pursues

Things unattempted yet in Prose or Rhime.

And chiefly Thou O Spirit, that dost prefer

Before all Temples th’ upright heart and pure,

Instruct me, for Thou know’st; Thou from the first

Wast present, and with mighty wings outspread

Dove-like satst brooding on the vast Abyss

And mad’st it pregnant: What in me is dark

Illumine, what is low raise and support;

That to the highth of this great Argument

I may assert th’ Eternal Providence,

And justifie the wayes of God to men.

Say first, for Heav’n hides nothing from thy view

Nor the deep Tract of Hell, say first what cause

Mov’d our Grand Parents in that happy State,

Favour’d of Heav’n so highly, to fall off

From their Creator, and transgress his Will

For one restraint, Lords of the World besides?

Who first seduc’d them to that fowl revolt?

Th’ infernal Serpent; he it was, whose guile

Stird up with Envy and Revenge, deceiv’d

The Mother of Mankinde, what time his Pride

Had cast him out from Heav’n, with all his Host

Of Rebel Angels, by whose aid aspiring

To set himself in Glory above his Peers,

He trusted to have equal’d the most High,

If he oppos’d; and with ambitious aim

Against the Throne and Monarchy of God

Rais’d impious War in Heav’n and Battel proud

With vain attempt. Him the Almighty Power

Hurld headlong flaming from th’ Ethereal Skie

With hideous ruine and combustion down

To bottomless perdition, there to dwell

In Adamantine Chains and penal Fire,

Who durst defie th’ Omnipotent to Arms.

Nine times the Space that measures Day and Night

To mortal men, he with his horrid crew

Lay vanquisht, rowling in the fiery Gulfe

Confounded though immortal: But his doom

Reserv’d him to more wrath; for now the thought

Both of lost happiness and lasting pain

Torments him; round he throws his baleful eyes

That witness’d huge affliction and dismay

Mixt with obdurate pride and stedfast hate:

At once as far as Angels kenn he views

The dismal Situation waste and wilde,

A Dungeon horrible, on all sides round

As one great Furnace flam’d, yet from those flames

No light, but rather darkness visible

Serv’d only to discover sights of woe,

Regions of sorrow, doleful shades, where peace

And rest can never dwell, hope never comes

That comes to all; but torture without end

Still urges, and a fiery Deluge, fed

With ever-burning Sulphur unconsum’d:

Such place Eternal Justice had prepar’d

For those rebellious, here their Prison ordain’d

In utter darkness, and their portion set

As far remov’d from God and light of Heav’n

As from the Center thrice to th’ utmost Pole.

O how unlike the place from whence they fell!

There the companions of his fall, o’rewhelm’d

With Floods and Whirlwinds of tempestuous fire,

He soon discerns, and weltring by his side

One next himself in power, and next in crime,

Long after known in Palestine, and nam’d

Beelzebub. To whom th’ Arch-Enemy,

And thence in Heav’n call’d Satan, with bold words

Breaking the horrid silence thus began.

If thou beest he; But O how fall’n! how chang’d

From him, who in the happy Realms of Light

Cloth’d with transcendent brightnes didst outshine

Myriads though bright: If he whom mutual league,

United thoughts and counsels, equal hope,

And hazard in the Glorious Enterprize,

Joynd with me once, now misery hath joynd

In equal ruin: into what Pit thou seest

From what highth fal’n, so much the stronger provd

He with his Thunder: and till then who knew

The force of those dire Arms? yet not for those

Nor what the Potent Victor in his rage

Can else inflict do I repent or change,

Though chang’d in outward lustre; that fixt mind

And high disdain, from sence of injur’d merit,

That with the mightiest rais’d me to contend,

And to the fierce contention brought along

Innumerable force of Spirits arm’d

That durst dislike his reign, and me preferring,

His utmost power with adverse power oppos’d

In dubious Battel on the Plains of Heav’n,

And shook his throne. What though the field be lost?

All is not lost; the unconquerable Will,

And study of revenge, immortal hate,

And courage never to submit or yield:

And what is else not to be overcome?

That Glory never shall his wrath or might

Extort from me. To bow and sue for grace

With suppliant knee, and deifie his power

Who from the terrour of this Arm so late

Doubted his Empire, that were low indeed,

That were an ignominy and shame beneath

This downfall; since by Fate the strength of Gods

And this Empyreal substance cannot fail,

Since through experience of this great event

In Arms not worse, in foresight much advanc’t,

We may with more successful hope resolve

To wage by force or guile eternal War

Irreconcileable, to our grand Foe,

Who now triumphs, and in th’ excess of joy

Sole reigning holds the Tyranny of Heav’n.

So spake th’ Apostate Angel, though in pain,

Vaunting aloud, but rackt with deep despare:

And him thus answer’d soon his bold Compeer.

O Prince, O Chief of many Throned Powers,

That led th’ imbattelld Seraphim to Warr

Under thy conduct, and in dreadful deeds

Fearless, endanger’d Heav’ns perpetual King;

And put to proof his high Supremacy,

Whether upheld by strength, or Chance, or Fate,

Too well I see and rue the dire event,

That with sad overthrow and foul defeat

Hath lost us Heav’n, and all this mighty Host

In horrible destruction laid thus low,

As far as Gods and Heav’nly Essences

Can Perish: for the mind and spirit remains

Invincible, and vigour soon returns,

Though all our Glory extinct, and happy state

Here swallow’d up in endless misery.

But what if he our Conquerour, (whom I now

Of force believe Almighty, since no less

Then such could have orepow’rd such force as ours)

Have left us this our spirit and strength intire

Strongly to suffer and support our pains,

That we may so suffice his vengeful ire,

Or do him mightier service as his thralls

By right of Warr, what e’re his business be

Here in the heart of Hell to work in Fire,

Or do his Errands in the gloomy Deep;

What can it then avail though yet we feel

Strength undiminisht, or eternal being

To undergo eternal punishment?

Whereto with speedy words th’ Arch-fiend reply’d.

Fall’n Cherube, to be weak is miserable

Doing or Suffering: but of this be sure,

To do ought good never will be our task,

But ever to do ill our sole delight,

As being the contrary to his high will

Whom we resist. If then his Providence

Out of our evil seek to bring forth good,

Our labour must be to pervert that end,

And out of good still to find means of evil;

Which oft times may succeed, so as perhaps

Shall grieve him, if I fail not, and disturb

His inmost counsels from their destind aim.

But see the angry Victor hath recall’d

His Ministers of vengeance and pursuit

Back to the Gates of Heav’n: The Sulphurous Hail

Shot after us in storm, oreblown hath laid

The fiery Surge, that from the Precipice

Of Heav’n receiv’d us falling, and the Thunder,

Wing’d with red Lightning and impetuous rage,

Perhaps hath spent his shafts, and ceases now

To bellow through the vast and boundless Deep.

Let us not slip th’ occasion, whether scorn,

Or satiate fury yield it from our Foe.

Seest thou yon dreary Plain, forlorn and wilde,

The seat of desolation, voyd of light,

Save what the glimmering of these livid flames

Casts pale and dreadful? Thither let us tend

From off the tossing of these fiery waves,

There rest, if any rest can harbour there,

And reassembling our afflicted Powers,

Consult how we may henceforth most offend

Our Enemy, our own loss how repair,

How overcome this dire Calamity,

What reinforcement we may gain from Hope,

If not what resolution from despare.

Thus Satan talking to his neerest Mate

With Head up-lift above the wave, and Eyes

That sparkling blaz’d, his other Parts besides

Prone on the Flood, extended long and large

Lay floating many a rood, in bulk as huge

As whom the Fables name of monstrous size,

Titanian, or Earth-born, that warr’d on Jove,

Briarios or Typhon, whom the Den

By ancient Tarsus held, or that Sea-beast

Leviathan, which God of all his works

Created hugest that swim th’ Ocean stream:

Him haply slumbring on the Norway foam

The Pilot of some small night-founder’d Skiff,

Deeming some Island, oft, as Sea-men tell,

With fixed Anchor in his skaly rind

Moors by his side under the Lee, while Night

Invests the Sea, and wished Morn delayes:

So stretcht out huge in length the Arch-fiend lay

Chain’d on the burning Lake, nor ever thence

Had ris’n or heav’d his head, but that the will

And high permission of all-ruling Heaven

Left him at large to his own dark designs,

That with reiterated crimes he might

Heap on himself damnation, while he sought

Evil to others, and enrag’d might see

How all his malice serv’d but to bring forth

Infinite goodness, grace and mercy shewn

On Man by him seduc’t, but on himself

Treble confusion, wrath and vengeance pour’d.

Forthwith upright he rears from off the Pool

His mighty Stature; on each hand the flames

Drivn backward slope their pointing spires, & rowld

In billows, leave i’th’ midst a horrid Vale.

Then with expanded wings he stears his flight

Aloft, incumbent on the dusky Air

That felt unusual weight, till on dry Land

He lights, if it were Land that ever burn’d

With solid, as the Lake with liquid fire;

And such appear’d in hue, as when the force

Of subterranean wind transports a Hill

Torn from Pelorus, or the shatter’d side

Of thundring Aetna, whose combustible

And fewel’d entrals thence conceiving Fire,

Sublim’d with Mineral fury, aid the Winds,

And leave a singed bottom all involv’d

With stench and smoak: Such resting found the sole

Of unblest feet. Him followed his next Mate,

Both glorying to have scap’t the Stygian flood

As Gods, and by their own recover’d strength,

Not by the sufferance of supernal Power.

Is this the Region, this the Soil, the Clime,

Said then the lost Arch Angel, this the seat

That we must change for Heav’n, this mournful gloom

For that celestial light? Be it so, since hee

Who now is Sovran can dispose and bid

What shall be right: fardest from him is best

Whom reason hath equald, force hath made supream

Above his equals. Farewel happy Fields

Where Joy for ever dwells: Hail horrours, hail

Infernal world, and thou profoundest Hell

Receive thy new Possessor: One who brings

A mind not to be chang’d by Place or Time.

The mind is its own place, and in it self

Can make a Heav’n of Hell, a Hell of Heav’n.

What matter where, if I be still the same,

And what I should be, all but less then hee

Whom Thunder hath made greater? Here at least

We shall be free; th’ Almighty hath not built

Here for his envy, will not drive us hence:

Here we may reign secure, and in my choyce

To reign is worth ambition though in Hell:

Better to reign in Hell, then serve in Heav’n.

But wherefore let we then our faithful friends,

Th’ associates and copartners of our loss

Lye thus astonisht on th’ oblivious Pool,

And call them not to share with us their part

In this unhappy Mansion, or once more

With rallied Arms to try what may be yet

Regaind in Heav’n, or what more lost in Hell?

So Satan spake, and him Beelzebub

Thus answer’d. Leader of those Armies bright,

Which but th’ Omnipotent none could have foyld,

If once they hear that voyce, their liveliest pledge

Of hope in fears and dangers, heard so oft

In worst extreams, and on the perilous edge

Of battel when it rag’d, in all assaults

Their surest signal, they will soon resume

New courage and revive, though now they lye

Groveling and prostrate on yon Lake of Fire,

As we erewhile, astounded and amaz’d,

No wonder, fall’n such a pernicious highth.

He scarce had ceas’t when the superiour Fiend

Was moving toward the shore; his ponderous shield

Ethereal temper, massy, large and round,

Behind him cast; the broad circumference

Hung on his shoulders like the Moon, whose Orb

Through Optic Glass the Tuscan Artist views

At Ev’ning from the top of Fesole,

Or in Valdarno, to descry new Lands,

Rivers or Mountains in her spotty Globe.

His Spear, to equal which the tallest Pine

Hewn on Norwegian hills, to be the Mast

Of some great Ammiral, were but a wand,

He walkt with to support uneasie steps

Over the burning Marle, not like those steps

On Heavens Azure, and the torrid Clime

Smote on him sore besides, vaulted with Fire;

Nathless he so endur’d, till on the Beach

Of that inflamed Sea, he stood and call’d

His Legions, Angel Forms, who lay intrans’t

Thick as Autumnal Leaves that strow the Brooks

In Vallombrosa, where th’ Etrurian shades

High overarch’t imbowr; or scatterd sedge

Afloat, when with fierce Winds Orion arm’d

Hath vext the Red-Sea Coast, whose waves orethrew

Busiris and his Memphian Chivalrie,

VVhile with perfidious hatred they pursu’d

The Sojourners of Goshen, who beheld

From the safe shore their floating Carkases

And broken Chariot Wheels, so thick bestrown

Abject and lost lay these, covering the Flood,

Under amazement of their hideous change.

He call’d so loud, that all the hollow Deep

Of Hell resounded. Princes, Potentates,

Warriers, the Flowr of Heav’n, once yours, now lost,

If such astonishment as this can sieze

Eternal spirits; or have ye chos’n this place

After the toyl of Battel to repose

Your wearied vertue, for the ease you find

To slumber here, as in the Vales of Heav’n?

Or in this abject posture have ye sworn

To adore the Conquerour? who now beholds

Cherube and Seraph rowling in the Flood

With scatter’d Arms and Ensigns, till anon

His swift pursuers from Heav’n Gates discern

Th’ advantage, and descending tread us down

Thus drooping, or with linked Thunderbolts

Transfix us to the bottom of this Gulfe.

Awake, arise, or be for ever fall’n.

They heard, and were abasht, and up they sprung

Upon the wing, as when men wont to watch

On duty, sleeping found by whom they dread,

Rouse and bestir themselves ere well awake.

Nor did they not perceave the evil plight

In which they were, or the fierce pains not feel;

Yet to their Generals Voyce they soon obeyd

Innumerable. As when the potent Rod

Of Amrams Son in Egypts evill day

Wav’d round the Coast, up call’d a pitchy cloud

Of Locusts, warping on the Eastern Wind,

That ore the Realm of impious Pharoah hung

Like Night, and darken’d all the Land of Nile:

So numberless were those bad Angels seen

Hovering on wing under the Cope of Hell

‘Twixt upper, nether, and surrounding Fires;

Till, as a signal giv’n, th’ uplifted Spear

Of their great Sultan waving to direct

Thir course, in even ballance down they light

On the firm brimstone, and fill all the Plain;

A multitude, like which the populous North

Pour’d never from her frozen loyns, to pass

Rhene or the Danaw, when her barbarous Sons

Came like a Deluge on the South, and spread

Beneath Gibraltar to the Lybian sands.

Forthwith from every Squadron and each Band

The Heads and Leaders thither hast where stood

Their great Commander; Godlike shapes and forms

Excelling human, Princely Dignities,

And Powers that earst in Heaven sat on Thrones;

Though of their Names in heav’nly Records now

Be no memorial, blotted out and ras’d

By thir Rebellion, from the Books of Life.

Nor had they yet among the Sons of Eve

Got them new Names, till wandring ore the Earth,

Through Gods high sufferance for the tryal of man,

By falsities and lyes the greatest part

Of Mankind they corrupted to forsake

God their Creator, and th’ invisible

Glory of him, that made them, to transform

Oft to the Image of a Brute, adorn’d

With gay Religions full of Pomp and Gold,

And Devils to adore for Deities:

Then were they known to men by various Names,

And various Idols through the Heathen World.

Say, Muse, their Names then known, who first, who last,

Rous’d from the slumber, on that fiery Couch,

At thir great Emperors call, as next in worth

Came singly where he stood on the bare strand,

While the promiscuous croud stood yet aloof?

The chief were those who from the Pit of Hell

Roaming to seek their prey on earth, durst fix

Their Seats long after next the Seat of God,

Their Altars by his Altar, Gods ador’d

Among the Nations round, and durst abide

Jehovah thundring out of Sion, thron’d

Between the Cherubim; yea, often plac’d

Within his Sanctuary it self their Shrines,

Abominations; and with cursed things

His holy Rites, and solemn Feasts profan’d,

And with their darkness durst affront his light.

First Moloch, horrid King besmear’d with blood

Of human sacrifice, and parents tears,

Though for the noyse of Drums and Timbrels loud

Their childrens cries unheard, that past through fire

To his grim Idol. Him the Ammonite

Worshipt in Rabba and her watry Plain,

In Argob and in Basan, to the stream

Of utmost Arnon. Nor content with such

Audacious neighbourhood, the wisest heart

Of Solomon he led by fraud to build

His Temple right against the Temple of God

On that opprobrious Hill, and made his Grove

The pleasant Vally of Hinnom, Tophet thence

And black Gehenna call’d, the Type of Hell.

Next Chemos, th’ obscene dread of Moabs Sons,

From Aroer to Nebo, and the wild

Of Southmost Abarim; in Hesebon

And Heronaim, Seons Realm, beyond

The flowry Dale of Sibma clad with Vines,

And Eleale to th’ Asphaltick Pool.

Peor his other Name, when he entic’d

Israel in Sittim on their march from Nile

To do him wanton rites, which cost them woe.

Yet thence his lustful Orgies he enlarg’d

Even to that Hill of scandal, by the Grove

Of Moloch homicide, lust hard by hate;

Till good Josiah drove them thence to Hell.

With these came they, who from the bordring flood

Of old Euphrates to the Brook that parts

Egypt from Syrian ground, had general Names

Of Baalim and Ashtaroth, those male,

These Feminine. For Spirits when they please

Can either Sex assume, or both; so soft

And uncompounded is their Essence pure,

Not ti’d or manacl’d with joynt or limb,

Nor founded on the brittle strength of bones,

Like cumbrous flesh; but in what shape they choose

Dilated or condens’t, bright or obscure,

Can execute their aerie purposes,

And works of love or enmity fulfill.

For those the Race of Israel oft forsook

Their living strength, and unfrequented left

His righteous Altar, bowing lowly down

To bestial Gods; for which their heads as low

Bow’d down in Battel, sunk before the Spear

Of despicable foes. With these in troop

Came Astoreth, whom the Phoenicians call’d

Astarte, Queen of Heav’n, with crescent Horns;

To whose bright Image nightly by the Moon

Sidonian Virgins paid their Vows and Songs,

In Sion also not unsung, where stood

Her Temple on th’ offensive Mountain, built

By that uxorious King, whose heart though large,

Beguil’d by fair Idolatresses, fell

To Idols foul. Thammuz came next behind,

Whose annual wound in Lebanon allur’d

The Syrian Damsels to lament his fate

In amorous dittyes all a Summers day,

While smooth Adonis from his native Rock

Ran purple to the Sea, suppos’d with blood

Of Thammuz yearly wounded: the Love-tale

Infected Sions daughters with like heat,

Whose wanton passions in the sacred Porch

Ezekiel saw, when by the Vision led

His eye survay’d the dark Idolatries

Of alienated Judah. Next came one

Who mourn’d in earnest, when the Captive Ark

Maim’d his brute Image, head and hands lopt off

In his own Temple, on the grunsel edge,

Where he fell flat, and sham’d his Worshipers:

Dagon his Name, Sea Monster, upward Man

And downward Fish: yet had his Temple high

Rear’d in Azotus, dreaded through the Coast

Of Palestine, in Gath and Ascalon,

And Accaron and Gaza’s frontier bounds.

Him follow’d Rimmon, whose delightful Seat

Was fair Damascus, on the fertil Banks

Of Abbana and Pharphar, lucid streams.

He also against the house of God was bold:

A Leper once he lost and gain’d a King,

Ahaz his sottish Conquerour, whom he drew

Gods Altar to disparage and displace

For one of Syrian mode, whereon to burn

His odious offrings, and adore the Gods

Whom he had vanquisht. After these appear’d

A crew who under Names of old Renown,

Osiris, Isis, Orus and their Train

With monstrous shapes and sorceries abus’d

Fanatic Egypt and her Priests, to seek

Thir wandring Gods disguis’d in brutish forms

Rather then human. Nor did Israel scape

Th’ infection when their borrow’d Gold compos’d

The Calf in Oreb: and the Rebel King

Doubl’d that sin in Bethel and in Dan,

Lik’ning his Maker to the Grazed Ox,

Jehovah, who in one Night when he pass’d

From Egypt marching, equal’d with one stroke

Both her first born and all her bleating Gods.

Belial came last, then whom a Spirit more lewd

Fell not from Heaven, or more gross to love

Vice for it self: To him no Temple stood

Or Altar smoak’d; yet who more oft then hee

In Temples and at Altars, when the Priest

Turns Atheist, as did Ely’s Sons, who fill’d

With lust and violence the house of God.

In Courts and Palaces he also Reigns

And in luxurious Cities, where the noyse

Of riot ascends above thir loftiest Towrs,

And injury and outrage: And when Night

Darkens the Streets, then wander forth the Sons

Of Belial, flown with insolence and wine.

Witness the Streets of Sodom, and that night

In Gibeah, when hospitable Dores

Yielded thir Matrons to prevent worse rape.

These were the prime in order and in might;

The rest were long to tell, though far renown’d,

Th’ Ionian Gods, of Javans Issue held

Gods, yet confest later then Heav’n and Earth

Thir boasted Parents; Titan Heav’ns first born

With his enormous brood, and birthright seis’d

By younger Saturn, he from mightier Jove

His own and Rhea’s Son like measure found;

So Joveusurping reign’d: these first in Creet

And Ida known, thence on the Snowy top

Of cold Olympus rul’d the middle Air

Thir highest Heav’n; or on the Delphian Cliff,

Or in Dodona, and through all the bounds

Of Doric Land; or who with Saturn old

Fled over Adria to th’ Hesperian Fields,

Reviews for Paradise Lost

[bookomaniac-1 · Rating: 4 out of 5 stars]

Formidabel kosmisch epos, met vooral in de eerste helft grote scheppende kracht, maar daarna “verworden” tot een uitgebreide navertelling van Genesis. Nochtans zijn de delen over het scheppingverhaal en de menselijke zondeval (vooral de interactie tussen Adam en Eva is meest poëtisch). Weinig actie, behalve in de strijdtaferelen, de tweede helft is vooral verhalend

[cyderry · Rating: 3 out of 5 stars]

I wasn't exactly sure what I was getting myself into, but this telling of the creation and the expulsion of Adam and Eve from Paradise was entertaining even though the writing was a bit different from what I am used to.I found it amusing that according to Milton Sin and Death were the offspring of Satan and that Chaos' consort is Night with Confusion and Discord along for the ride.The manner of using words as names for creatures was very inventive.Rarely, do I like Classics this old, but this one worked f or me.

[timbears · Rating: 5 out of 5 stars]

This was very powerful. I am not the most religious person in the world, but I found the subject matter intensely interesting. The poetic beauty of Milton words captivated me throughout the course of the work. Sadly, I tried "Paradise Regained" but I did not get far into the read before I became disinterested. I guess we are fascinated more by evil than goodness. Sad. I may retry "Paradise Regained" but I fail to see how it can be as moving as "Paradise Lost."

[bryndahlquis · Rating: 4 out of 5 stars]

I'd be lying if I said I understood and enjoyed every word of Paradise Lost, but there's no getting around the fact that it's beautiful and terrifying and provoking. It's definitely a book that requires many rereadings.

[srboone · Rating: 5 out of 5 stars]

This epic poem is stunning; a magnificent read all the way. I loved it.

[anniik_1 · Rating: 4 out of 5 stars]

We had read selections of this book in my AP Lit class in high school, but as always, selections don't tell the whole story. I love reading religious literature, and this being one of the most famous epic poems in that genre, I quite enjoyed it. As an interesting aside, I did, however, find Lucifer/Satan to be far more sympathetic than he comes across in the Bible. I don't know if this was intentional on Milton's part, or simply something that was a result of describing his motivations.

[shanaqui_1 · Rating: 4 out of 5 stars]

I expected to have more trouble reading Milton's Paradise Lost than I actually did, mostly because it's written in blank verse. As a matter of fact, that didn't matter much. It flows wonderfully and it's great to read aloud. The rhythms and the way the words were strung together were just lovely -- my synaesthesia just pretty much regarded it as a feast! I also enjoyed the classical sort of structure, which reminded me of the Aeneid.

I didn't so much enjoy the characterisation of Eve or the angels, and it doesn't fit with my view of Christianity, but that didn't keep from enjoying reading it.

[hadriantheblind · Rating: 5 out of 5 stars]

A grand sprawling epic. I can't possibly say anything good about it that has not already been repeated.

I am fortunate enough to have a brand new edition with lots of annotations and references. Layers upon layers of allegory and myth and history and religion and fable. Deserves infinite rereadings.

[nadinec.keels · Rating: 5 out of 5 stars]

Quite a read for a poet! My first journey with an epic poem in its entirety, and I thoroughly enjoyed it. Too many lines of good verses to name--phrases that inspired me for their deft command of language--and a great amount of passages that left me feeling triumphant. One of the simplest lines I liked the most, spoken to the Son: "Two days are therefore pass'd, the third is thine"; and a favorite passage, sung to the Creator: "Who seeks To lessen thee, against his purpose serves To manifest the more thy might: his evil Thou usest, and from thence creat'st more good."I was impressed with what creativity the characters' experiences and emotions were developed. Story-wise, my favorite character is the Son, the unmatched warrior amid all the hosts of heaven who compassionately serves as intercessor for fallen humankind. This classic presents a challenge to me, both as a poet and as a novelist.

[juliaboechat · Rating: 5 out of 5 stars]

Milton cria um diabo carismático e persuasivo, que clama: "Better to reign in Hell than serve in Heaven".

[helenliz_1 · Rating: 4 out of 5 stars]

 This was somewhat slow going, but worth the effort to persevere with it. I had the oxford Classics verison, which phas an essay at the beginning to put the poem into context, which was helpful. it also had footnotes for references in the text to classical legends and diffiocult worrds or phrasings, which was very useful!

The text concerns the biblical acocunt of creaction and the expulsion of Adam & Eve from paradise - hence the title. Regardless of if you believe, it makes for a really good read, but takes a little effort to get into it each time. The text has a hypnotic flow and rhythm to it. Tthe language is sometimes a little obscure, but not excessively so, it isn't like every line requires serious explanation. There are also a large number of legends worked into the text, all building this into a complex mass of intertwined threads, rather than a straightforward retelling of the same story. It is also one of those works that you realise has been referenced in other books you've read - the number of times I found myself thinking "I've read something like that before" and realising that it was a reference to Milton that I'd not known at the time. It was excellent, but I'm going for something a little lighter next time!

[jake_26 · Rating: 5 out of 5 stars]

As this was my first epic read, I cannot profess to be well-trained as to the vastness of other works, but the beauty of this work lies in its broad overview of Scripture, character, and life. Not merely striking the main points of Eden, as I was expecting, but surveying large portions of history. It felt huge without being overly laborious to read.The wording was not nearly as stilted as I was lead to believe it would be, though at times the footnotes were indispensable--I am still rather ignorant of many of his references.A wonderful work that I hope to reread in time.

[sealford_1 · Rating: 5 out of 5 stars]

I read this many years ago and thought that it was actually a very fascinating read compared to other literature of its day. I loved the style and language in which it was written, and I think that makes me enjoy it all the more. I am sure that I will read it again very soon.

[ggutie11 · Rating: 5 out of 5 stars]

I originally read this in response to finishing The Golden Compass series. Pullman spoke about Paradise Lost as one of the main inspirations for some of his thinking. Though I did study literature, I never had any intention of reading this work. I am so glad that I did. There are lines in there that move the heart and mind of course, the imagery gave me bad dreams, and it the experience is something that I will keep forever.Talk about closure, the last lines gave me so much hope and made me feel electric.

[jpsnow · Rating: 5 out of 5 stars]

This one definitely makes the short list of must reads. It's great poetry and I enjoyed the effect of its having originally been in English. It's also a great interpretation of the creation story; I observed a number of new ideas as well as some that I myself have posited and refuted. More than anything else I've read, Milton does a superb job of bringing out the essence of the situation, the passions that were felt, and the reason for each event.

[ztutz · Rating: 5 out of 5 stars]

Certainly one of the best poems ever written in English!

[amydross · Rating: 4 out of 5 stars]

Milton gets extra points for scope and ambition, but I have to admit that he tends toward the preachy (rather than allowing his characters to illustrate their own morals), plus some of his theology struck me as a bit simple-minded. That said, the descriptions of hell remain both beautiful and terrible -- unparalleled in the English language.

[hvymetalmg · Rating: 4 out of 5 stars]

Seeing as I took a class - an entire class, an entire semester dedicated to the reading of this single novel, I was praying I was going to enjoy it. And what heavy metal fan couldn't enjoy the battle of God vs. Satan? The fall of Satan from heaven is a brilliantly written tale and there is so much meaning within every stanza of this epic book. There has to be, I spent 3 months reading it and I think I even got a B in this class.

[bruderbane · Rating: 5 out of 5 stars]

How can I even write a review of John Milton and perhaps one of the ultimate works in the English language? You don’t. I’ll only say that after completing “Paradise Lost,” I wrote a huge amount of discordant information in my personal journal and reread enormous sections of the book. The introduction and notation provided in the Barnes & Noble edition of “Paradise Lost” by David Hawkes was invaluable to my enjoyment and understanding. And the ending comments provided in this edition from such noted authors as Thomas Gray, William Blake and Wordsworth brought about a level of appreciation and understanding I did not anticipate.

[amabel300 · Rating: 4 out of 5 stars]

Although this is not a light read and will require thought and maybe some research (on my part at least) to fully understand milton's meanings, this book is at very least profound. Milton's writing style has yet to be matched by any I've seen.

[nillacat · Rating: 4 out of 5 stars]

Another one of those freshman English assigments I cribbed my way through. When I reread it finally as an adult I was astonished. I returned to it because of Mike Carey's Lucifer and Steven Brust's To Reign in Hell, contemporary fantasy on the same themes. And I was surprised and delighted to find depth of character and excitement in a Stuffy Old Classic.

[jveezer · Rating: 4 out of 5 stars]

I have been wanting/intending to read this for a long time. I don't think I was ever required to read it in school other than maybe some small excerpts. I've always enjoyed epic poetry like this and found Milton's imagery and language exceptional. On the down side, I was struck by his negative portrayal of Eve (Adam, of course, was pure as the driven snow until he ate the apple just to please her) and her exclusion from many of the scenes highlighted Milton's patriarchal bias.Aesthetically, this edition by the Folio Society is awesome. Blake's illustrations are magnificent and the layout and design of the edition is impressive. The choice of font and it's size makes it much easier for me to read then when I attempt to read a long poem like this stuffed into small print.

[antao-3 · Rating: 4 out of 5 stars]

Milton wrote a great poem but it's also a byproduct of its day - 1667 - and he views events and characters very much through the male gaze; as do all organized religions and which the poem references. Thus, the apple on the tree of knowledge was (imo) something a religious-minded white Portuguese male would regard as sinful. As it stands, the sin no longer applies. It is 2005, eating the apple amounts to doing just that; eating an apple. Unless you have the apple representing something else, i.e., update the sin attached to it. What if it the apple was meant to test the consequence of giving Adam and Eve free will? See what they'd do with it? It's almost as if Satan was allowed to escape hell because it was part of God's bigger plan. Of course - so that man could LOVE God of his own free will. Even the simple act of eating does of course symbolise our interactivity, our symbiosis, with nature - that in itself bears a responsibility. So, the apple was an interface in a way between mankind abnegating responsibility to God's will and being participatory in it instead. That's Evolution! Moral certainty of sin/grace evolved too - quite rightly into today's concept of contingency and context.In my book Milton is the main man, the Yeats of his day, but with a much less comedic outcome and overall strike rate of gags. Cromwell’s PR man and a life spiralling out of control, the linguistic mouthpiece for himself first and discovered deeper than anyone sane person would hope to emulate or seriously hope to outlive as a narrative of reality the fates allotted exquisitely and which has long been understood in the brythonic tradition, that each life is unique and a poem in itself. Milton went blind, the cruelest fate but one which propelled him to the highest ridge of poetic attainment, forged in the turbulent bloodletting in which his first robust roar for himself first as the poet of a revolution; like Mayakovsky, fate put him in a certain space and time and he surrendered to the powerful spiritual combination of his intellect and passion, and it is befitting, though entirely tragic, that the first seriously poetic cornerstone figure whose gravitas came from the real life antics his person was part and often a central linguistic force affecting not to mirror as the Luna light of William Shakespeare did in far less personally turbulent times when he struck the primary metrical coinage of modern English bardic lore; but acting as the show and pazzaz, the me, me, me of being needy, very clever, broke the mould and everyone since conspires to make the best of a poor do with this chap, who let's face it, we read far less of than beyond a few verses before switching off, knowing we are being offered caviar, but preferring instead the real staple of British poetic. Rustics we are, as well as morons clotted whimsies, we indulge in because intellectually, we are all “me arse”, and as Graves said, admitting Milton is the British genius, should not blind us to the basic error which is the very grain, grease and premise of poetry, the binary opposite set of circumstance and premise which create the journey and object of linguistic artifice we call poetry.And Milton discovered it at a terrible cost of a new national poetic born in less than charitable times, a most intellectually fascinating, but less natural than Shakespeare; he’s a great source of refuge for the fire and brimstone mobs; one can imagine his frenzies fed to direct action, like Cromwell, possessed by a warp spasm of uncontrollable madness when the Muse was in full flight, inventing the terrors only too, too real, and so Milton is extremely strong proof, best for whipping one's rabble into shape with him and Cromwell, two very divisive national martyrs who have a high regard domestically but globally are seen as fundamentally flawed perhaps; life's too short for taking on Milton in one mad binge, and really one needs next to none of him, as he cannot be cooked up to offer us anything other than mad loathing and foaming, a terrible wisdom bought at horrific cost, and after him the artificial decorum of the new bores in the coffee shops which exploded in 18th Century London, where Horribles got together and bitched, the blind leading the suicidal bad vibe, which I think it is fair to say, is essentially, supremely competitive.Please adopt me as your protégé Milton; I want to carry the rumens' flame to the next generation of young poets seeking to set out into the treacherous straits of amateur verse, just how to set about switching over to be a pro, to attain that gravitas only our most ennobling examples of savvy exotica we concoct in the thoroughly unpleasant and incredibly jealous septic tank heritage Milton and various other chaps had no fun inventing.NB: My wife and I once saw a dramatisation of “Paradise Lost”. In the first, before the Fall scenes, Adam and Eve were completely naked in the Garden of Eden and, no doubt as a result of their cuddling, Adam soon got rather a splendid but no doubt unwanted, erection. This distraction was, as I pointed out to my wife, sadly appropriate since the early Christian church maintained that before the Fall, Adam was able to control his penis at will. This postlapsarian actor, of course, could not.

[benuathanasia · Rating: 4 out of 5 stars]

The parts I understood were lovely, lol.

[calavari · Rating: 4 out of 5 stars]

Okay, I only read part of it, and it was for college. It was incredibly well written and entertaining. My only issue is the complete lack of biblical credibility. It's LOOSELY based on the three little chapters that it covers in the Bible and takes A LOT of artistic license. In doing so, it tells a few outright lies.

I take comfort in that I doubt anyone takes their biblical knowledge from it.

[jguidry-1 · Rating: 2 out of 5 stars]

I read this in college and really enjoyed it. But, I think that was because I had a wonderful professor who loved Milton and her energy was infectious. Reading it now, I found it very misogynistic. The poetry was beautiful and I enjoyed the metaphors, but I couldn't take Milton's contempt against women very easily. Oh well, I guess I won't be continuing on with Paradise Regained.

[lisamaria_c · Rating: 3 out of 5 stars]

Even though I don't hold with religious belief, that didn't stop me from adoring Dante's Divine Comedy and I've loved Homer's epic poems. Yet I can't say that Milton's Paradise Lost spoke to me. Much of the poem felt repetitive and bloated with discourses on such matters as heliocentric theory. His recapitulation of Genesis is part plagiarism, part bizarre twisting. (Among other things, according to Milton, "God the Son" who would become Jesus was really the Creator.) Unlike Dante, who never lost the human even when dealing with the divine, in Paradise Lost so much is focused on God, Satan, and their angelic allies. Only Adam and Eve are human--and the depiction of Eve gave me no end of problems. And unlike others Milton is compared to such as Homer, Dante, Chaucer and Shakespeare, if Milton has a sense of humor, I completely missed it.I did recognize passages of beauty and grandeur in Paradise Lost, but rather disconcertingly they were almost always spoken by Satan. "The Mind is its own place and itself can make a Heaven of Hell, a Hell of Heaven." "Better to reign in Hell than serve in Heaven." Ironically, according to the introduction to the edition I read, Milton was himself a rebel. He supported Cromwell's republic which executed a anointed monarch and argued against censorship in his treatise Areopagitica. It seems incongruous that in Paradise Lost he seeks to "justify the ways of God to men" by making disobedience and a desire for knowledge the root of all evil. So maybe it's not that surprising that Romantics such as Shelley and Blake would see Satan as the hero of Milton's epic. Especially since Milton's God has all the hallmarks of a despot. Milton describes God as a "sov'reign King;" the purpose of angels and humans is to praise (flatter) him, he's arbitrary, capricious and rigid in his commands, jealous of his power, willing to sacrifice others for his ends and decrees "torture without end."I found it hard not to gag at the depiction of Eve from the start who says to Adam, "God is thy law, thou mine." It's not all negative. It's through Eve that Milton depicts humans arriving at self-awareness and Milton is sex positive. He insists the unFallen Adam and Eve had sex for instance and he supports marriage. But Milton emphasizes Eve's subordination, inferiority and centrality to the human tragedy throughout. Says Adam:Of Nature her the inferior, in the mindAnd inward faculties, which most excel;In outward also her resembling lessHis image who made both, and less expressingThe character of that dominion givenO'er other creatures. God sends a warning through the Angel Raphael to Adam--not Eve--merely telling him "to warn thy weaker." Eve succumbs because of flattery and vanity. Adam disobeys God out of love, joining her in sin because he fears otherwise they'd be divided. So woman is weak in herself--man only if and when he's weakened by woman. "Sin" is also female with parallels to Eve--a grotesque demoness who is the daughter of Satan and through an incestuous union with him the mother of Death. Both Sin and Eve are in league with Satan and bring death into creation.Unlike the case with Homer, I can't blame an initial negative reaction to Milton as the result of being forced to read him in school, a lack of maturity or a bad translation. Milton wrote in English and I've read Paradise Lost only recently for the first time. However, Milton greatly influenced the Romantic poets and even how many Christians see the story of Adam and Eve and Satan. Because of that I'm glad I read the poem and do encourage others to read it. Besides the glints of beauty, many of Milton's religious views are, well, unique. The glimpse of his political views are interesting too--almost libertarian.He gave us only over Beast, Fish, FowlDominion absolute; that right we holdBy his donation; but Man over menHe made not Lord; such title to himselfReserving, human left from human free.Nevertheless, unlike Homer or Dante, I can't by any means see Paradise Lost as a favorite or a work I'd ever reread nor am I tempted to read the sequel, Paradise Regained.

[anagarika0sean · Rating: 5 out of 5 stars]

This book was fantastic, but wasn't quite as good as Dante's work. Still, one of my favorites.

[vibrantminds · Rating: 3 out of 5 stars]

A 17th century epic of the Genesis account with references to classical mythology throughout. From the beginning formations of the earth to the design of paradise to the creation of Adam and Eve to the Fall. The idea behind the verse is that paradise is lost but hope still remains through Christ who will save the offspring of our first parents who sinned. Adam is shown a vision when his hope is diminished that encompasses all of humanity from Noah to Abraham to Joseph of Egypt to David and up through Christ’s birth and death. The world is corrupt but there is hope for all in the end. Very difficult but interesting to read; there are notes to help through all the references to the mythology and other passages that we today are unfamiliar with.

[tiffgabler · Rating: 5 out of 5 stars]

Don't care if it's blasphemy, Satan is awesome!!! He becomes a character that drives a much needed retelling of Genesis. Milton knew how to use his character and his words to create a book that was one of only two that would usually be found in anyone's house during the 18th and 19th century.