Bosworth 1485
By Mike Ingram
3.5/5
()
About this ebook
Bosworth Field saw the two great dynasties of the day clash on the battlefield: the reigning House of York, led by Richard III, against the rising House of Tudor, led by Henry Tudor, soon to become Henry VII.
On August 22, 1485, this penultimate battle in the War of the Roses was fought with the might of the Yorkists ranged against Henry Tudor’s small army. This book describes how these two great armies came to meet on the battlefield and how the tactics employed by Tudor and his captains eventually led to the defeat and the death of King Richard III.
Through quotes and maps, the text explores the unfolding action of the battle and puts the reader on the frontline. If you truly want to understand what happened and why — read the Battle Story.
Mike Ingram
MIKE INGRAM was a military historian, lecturer and battlefield guide. He had a Masters degree in ‘Britain in World War Two’ from the University of Birmingham. He was a member of the Guild of Battlefield Guides and the Battlefield Trust. He regularly lectured on the Wars of the Roses and consulted on a number of historical programmes.
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Reviews for Bosworth 1485
3 ratings1 review
- Rating: 4 out of 5 stars4/5The UK History Press' new pocket-sized Battle Story series recaps important, mostly British battles. It looks like the series has been designed for e-books. In hindsight, the e-book would have been both cheaper and the layout more suitable for e-books. The tiny 3 x 5 cm maps are, given their low contrast, as awkward to look at in printed format as they probably are in the e-book. As e-books currently do not handle maps with grace, I generally prefer to look at a print edition but this is not a distinguishing feature of the Battle Story series. Given the choice between an Osprey or a Battle Story title, I would currently pick the Osprey.The text offers a good account of the setup, the protagonists and the warfare of the period. The campaign and the battle are well told. This account already makes use of the 2010 revealed new location of the battlefield, which is to be described in Foard and Curry's long awaited upcoming definitive account of the battle. While previous accounts of the battle made it Richard's principal mistake to charge Henry Tudor, Ingram argues that the French pikes took Richard's forces in the flank and effectively decided the battle. Ingram also has the Stanley's set up their forces clearly on Henry's side (though only awaiting the decision among the kings).
Book preview
Bosworth 1485 - Mike Ingram
ACKNOWLEDGEMENTS
Firstly, I must thank Jo de Vries, series editor, for her suggestion that I should write this book in the first place and for her guidance.
Special thanks must go to Ian Post for his support over the years, his suggestions, and our many, often long discussions on how events unfolded in 1485. The same must go to Joe Ann Ricca of the Richard III Foundation for her interest in the project, her suggestions and support. I must also thank Toby McLeod for his words of wisdom, Richard Mackinder at the Bosworth Battlefield Centre, Allan Harley and the members of the Beaufort Household and Medieval Siege Society who helped with the practicalities of medieval warfare. I must also thank all those, too many to mention by name, who were involved in finding the actual site of the battle, and making this book possible.
The last words, however, must go to my children, Finley and Ellen – this book is for you.
CONTENTS
Title
Acknowledgements
List of Illustrations
Introduction
Timeline
Historical Background
A Family Divided
Descent into War
The War of Succession
The Destruction of the Nevilles and Lancaster
The Usurpation of the Throne
The Armies
The Commanders
The Soldiers
The Days Before Battle
Rebellion
The Storm Clouds Gather
Invasion
The Battlefield: What Actually Happened?
The Battlefield
Deployment
The Battle
After the Battle
The Legacy
Bosworth as a Tudor Victory
Bosworth’s Place in History
Orders of Battle
Further Reading
Copyright
LIST OF ILLUSTRATIONS
1. London from a fifteenth-century manuscript. (Author’s collection)
2. One of the earliest published copies of Shakespeare’s play Richard III. (Author’s collection)
3. Richard III. (Author’s collection)
4. Henry VII. (Author’s collection)
5. Thomas, Lord Stanley, Earl of Derby. (Author’s collection)
6. Shooting arrows at the butt. (Author’s collection)
7. Detail of the Battle of Grandson from the Luzerner-Schilling. (Author’s collection)
8. The standard of John de Vere. (Freezywater Publications)
9. Henry Tudor standard. (Freezywater Publications)
10. Richard III standard. (Freezywater Publications)
11. Thomas, Lord Stanley’s standard. (Freezywater Publications)
12. Trumpets were often used to communicate commands. (Author’s collection)
13. Sir William Stanley’s banner. (Freezywater Publications)
14. Rhys ap Thomas’ banner. (Freezywater Publications)
15. Thomas, Lord Stanley’s banner. (Freezywater Publications)
16. A modern reconstruction of Milanese armour with a barbute helmet. (Author’s collection)
17. Gothic-style breastplate. (Author’s collection)
18. One of the few surviving examples of English-style armour. (Armour Services Historical)
19. The Trevanion Sallet. (Armour Services Historical)
20. Gothic armour. (Author’s collection)
21. Two views of an Italian armet showing how it opened. (Author’s collection)
22. Brigandine. Maison Tavel, from an original in Geneva. (Armour Services Historical)
23. Arm protection. (Author’s collection)
24. Gothic-style gauntlets. (Author’s collection)
25. Inside a medieval flak jacket called the brigandine, made from small plates rivited to fabric. (Armour Services Historical)
26. Mounted man at arms in composite Gothic armour with an equally well-protected horse. (Author’s collection)
27. The wounded man. A contemporary illustration showing the ways a man could be wounded in battle. (Author’s collection)
28. Reproduction medieval arrow heads. (Author’s collection)
29. An English archer. (Author’s collection)
30. Fifteenth-century halberds. (Author’s collection)
31. Pollaxe. The weapon of choice for the man at arms. (Author’s collection)
32. Crossbowmen and their protective shield called a pavise from a contemporary manuscript. (Author’s collection)
33. Re-enactors portraying the French infantry at Bosworth; note the 16ft longspears, more commonly known today as pikes. (Author’s collection)
34. Early bronze cannon mounted on a wheeled carriage from a contemporary manuscript. (Author’s collection)
35. Fifteenth-century hand-gunner. (Author’s collection)
36. The type of cannon known as a hackbut on a wooden frame from a contemporary manuscript. (Author’s collection)
37. A single-edged sword known as a hanger and a small metal shield called a buckler. (Author’s collection)
38. John Howard, Duke of Norfolk. (Author’s collection)
39. Sutton Cheney church. (Richard III Foundation inc.)
40. Looking towards the area on the battlefield where the boar was found. (Ian Post)
41. Looking west across Henry’s position. (Ian Post)
42. Looking east across the battlefield towards Stoke Golding and Crown Hill. (Ian Post)
43. Looking west across the battlefield, where Richard was initially deployed. (Ian Post)
44. One of the lead cannonballs in situ on the battlefield. (Author’s collection)
45. A modern reconstruction of a fifteenth-century cannon. (Author’s collection)
46. The battle started with an archery duel. (Author’s collection)
47. After the archery duel, Richard’s army charged and vicious hand-to-hand fighting followed. (Author’s collection)
48. Richard had a contingent of hand-gunners, possibly from Burgundy, in his army. (Author’s collection)
49. The last charge of the Plantagenets. (Author’s collection)
50. Victorian engraving of Henry being given the crown by Thomas, Lord Stanley. (Author’s collection)
51. Richard III’s badge and motto in stained glass at York Minster. (Author’s collection)
52. Richard’s livery badge. (Author’s collection)
Maps
Initial movements
First phase
Second phase
Third phase
Fourth phase
Fifth phase
INTRODUCTION
A horse! A horse! My kingdom for a horse!
William Shakespeare, Richard III, Act V, Scene VII
These are the famous last words of Richard III at the Battle of Bosworth, at least according to William Shakespeare. Shakespeare’s version of events and the image that the last Plantagenet King of England was a misshapen antichrist have always clouded the truth of Richard III’s life. Since then, there have been many tomes written by both the supporters and detractors of Richard III; of the mysterious death of the Princes in the Tower; and of the usurpation of the throne itself. Indeed, scholars and historians will no doubt continue to debate Richard’s character and life for many years to come.
This book, however, is not about a king, but about one of, if not the, most important battle in English history after the Battle of Hastings in 1066. The Battle of Bosworth (or Redemoor) was fought on 22 August 1485 and was the penultimate battle of the Wars of the Roses, a series of dynastic civil wars fought for the throne of England. It is often regarded as the end of the Middle Ages and the beginning of the Renaissance, although in reality the change was much more gradual. Nevertheless, it does mark the beginning of the reign of the Tudors, with Henry VII taking the throne at the end of this fateful day, before his son Henry VIII and his granddaughter Elizabeth I would go on to lead the country to previously unknown greatness.
Considering its importance, very little was written about the battle either at the time or during Henry’s reign. Not only that, but most accounts were written by people with either little or no concern for military tactics, making any reconstruction of the battle difficult. It would be another 160 years and another important battle in English history, Naseby, before the tactics and dispositions of the troops would be recorded in any detail. It is also an old adage that history is written by the victor, but in the medieval period it usually was, and as such was heavily biased.
Of all the accounts, the Crowland Chronicle is probably the most contemporary. It was commissioned by the Benedictine Abbey of Crowland (or Croyland) in Lincolnshire and was written in two parts known as the First and Second Continuations. The Second Continuation, which details the battle and the events leading up to it, was probably written the year after the event. Its author was most likely John Russell, Bishop of Lincoln, who was keeper of the privy seal for Edward IV and chancellor under Richard III. He probably accompanied Richard III on the campaign and as such was well informed. However, he was not an eyewitness to the battle and does little to disguise his dislike of Richard’s rule.
Polydore Vergil was an Italian who came to England in 1502 as a deputy to the collector of papal taxes, Cardinal Adriano Castelli. He wrote his description of the battle in his Historiae Anglicae between 1503 and 1513, probably at the request of Henry VII. Unusually for the time, he gives a detailed description of events during the battle, no doubt using eyewitness testimony. Vergil himself says that his account is truthful and, considering he had no allegiance to either party, is probably correct. Both the Tudor chroniclers Hall and Holinshed made use of it, and later Shakespeare would use these two texts to write his history of Richard III. Another source for the battle is Jean Molinet’s Chroniques. Molinet, who was the historian to the Burgundian court and sympathetic to the Yorkist cause, wrote his account of Bosworth in around 1504, probably based on stories told by French troops and in the court.
Burgundian nobleman Philippe de Commines (or Commynes) wrote his eight-volume Memoirs during the 1490s, although as he was one of Louis XI of France’s most trusted advisors, his account of the battle and the events leading up to it are biased towards Henry Tudor and his supporters. Although well written, his account has to be treated with caution because his information would have been based on rumour and second- or third-hand accounts, and it also appears that in parts he was guilty of altering events to suit his own ends. A further foreign account was written for the Spanish king and queen, Ferdinand and Isabella, in March 1486 by Diego de Valera, a Castilian courtier, but much of his information appears to come from Spanish merchants returning from England and is confused in places. There are a number of other sources such as Historia Johannis Rossi Warwicensis de Regibus Anglie written by John Rous (c. 1490); The Chronicle of Fabian by Robert Fabian (c. 1510); and the Pittscottie’s Chronicles by Robert Lindsay of Pittscottie (c. 1570). All these works mention the battle in passing, but give little detail. Edward Hall, a London lawyer, also wrote The Union of the Two Noble Families of Lancaster and York in around 1550, which primarily follows Vergil’s work and includes other parts from de Commines, Fabian and other now obscure sources. Throughout his work Hall includes lengthy speeches, no doubt dramatic invention, and it is likely that Shakespeare derived some of his history from here.
Probably written early in the sixteenth century, The Ballad of Bosworth Field gives a poetic account of the battle in over 600 lines. It was commissioned by a member of the Stanley family, with Lord Thomas and Sir William Stanley playing a central role. Its accuracy has long been debated, although it does contain information collaborated by other sources as well as detail not found anywhere else. The same anonymous author probably wrote two other ballads, The Song of Lady Bessy and The Rose of England, both including accounts of the battle with a strong bias towards the Stanleys. Again they contain information found elsewhere, but like The Ballad of Bosworth Field are considered suspect by some historians. Another poetic account of the battle was written by Baronet, Sir John Beaumont around 1600 and is called Bosworth Field. Beaumont studied at Broadgate’s Hall (now Pembroke College), Oxford, and lived at Thringstone, not far from the battlefield. He was a descendant of both William Hastings, who was controversially executed by Richard III, and the earls of Oxford, whilst his father was a judge of the Common Pleas. It is written in the style of the heroic poems of old and much of what he wrote is found in other sources such as Hall, although there are a few interesting sections that go into extraordinary detail and are not