Christmas Eve: "A minute's success pays the failure of years."
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With classics such as ‘My Last Duchess’ and ‘The Pied Piper of Hamelin’ Robert Browning, born on May 17th, 1812 in Camberwell in London, has ensured his status as one of the great Victorian Poets. His position is secure both popular culture. For the more literary he is considered a master of dramatic verse and dramatic monologues. It is interesting to note that his career bloomed late. Indeed it was only after the death of his wife Elizabeth in 1861 and his return to England from their life in Italy that his work came into wider acceptance and critical acclaim. In the last years of his life he recorded part of a poem on a wax cylinder which was played after his death. It was said to be the first time anyone’s voice had been heard from beyond the grave! Here, he produces a poem with a particularly seasonal flavour.
Robert Browning
Robert Browning (1812-1889) was an English poet and playwright. Browning was born in London to an abolitionist family with extensive literary and musical interests. He developed a skill for poetry as a teenager, while also learning French, Greek, Latin, and Italian. Browning found early success with the publication of Pauline (1833) and Paracelsus (1835), but his career and notoriety lapsed over the next two decades, resurfacing with his collection Men and Women (1855) and reaching its height with the 1869 publication of his epic poem The Ring and the Book. Browning married the Romantic poet Elizabeth Barrett in 1846 and lived with her in Italy until her death in 1861. In his remaining years, with his reputation established and the best of his work behind him, Browning compiled and published his wife’s final poems, wrote a series of moderately acclaimed long poems, and traveled across Europe. Browning is remembered as a master of the dramatic monologue and a defining figure in Victorian English poetry.
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Christmas Eve - Robert Browning
Christmas Eve by Robert Browning
With classics such as ‘My Last Duchess’ and ‘The Pied Piper of Hamelin’ Robert Browning, born on May 17th, 1812 in Camberwell in London, has ensured his status as one of the great Victorian Poets. His position is secure both popular culture.
For the more literary he is considered a master of dramatic verse and dramatic monologues. It is interesting to note that his career bloomed late. Indeed it was only after the death of his wife Elizabeth in 1861 and his return to England from their life in Italy that his work came into wider acceptance and critical acclaim.
In the last years of his life he recorded part of a poem on a wax cylinder which was played after his death. It was said to be the first time anyone’s voice had been heard from beyond the grave!
Here, he produces a poem with a particularly seasonal flavour.
Index of Contents
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
I
Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common's centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold's lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside―
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common's self thro' the paling-gaps
―They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;―
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town's bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,―its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
Mount Zion
with Love-lane at the back of it,
They