William Merritt Chase: Paintings
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William Merritt Chase - Mildred Ferguson
William Merritt Chase: Paintings
By Mildred Ferguson
First Edition
Copyright © 2015 by Mildred Ferguson
*****
William Merritt Chase: Paintings
*****
Foreword
William Merritt Chase (1849 – 1916) was an American painter, notorious as an supporter of Impressionism and also fonder of the Chase School, which later would become Parsons The New School for Design.
Chase worked in all media but was most fluent in oil painting and pastel. He as well created watercolour paintings and etchings. He is perhaps best known for his portraits, his sitters including some of the most important men and women of his time in addition to his own family. Chase often painted his wife Alice and their children, sometimes in individual portraits, and other times in scenes of domestic tranquility: at breakfast in their backyard, or relaxing at their summer home on Long Island, the children playing on the floor or among the sand dunes of Shinnecock. In an 1895 painting titled A Friendly Call, his wife is depicted wearing a yellow dress and entertaining a caller dressed in white.
In addition to painting portraits and full-length figurative works, Chase began painting landscapes in earnest in the late 1880s. His interest in landscape art may have been spawned by the landmark New York exhibit of French impressionist works from Parisian dealer Durand-Ruel in 1886. Chase is best remembered for two series of landscape subjects, both painted in an impressionist manner. The first was his scenes of Prospect Park, Brooklyn and Central Park in New York; the second were his summer landscapes at Shinnecock. Chase usually featured people prominently in his landscapes. Often he depicted woman and children in leisurely poses, relaxing on a park bench, on the beach, or lying in the summer grass at Shinnecock. The Shinnecock works