John Singer Sargent and artworks
By Donald Wigal
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About this ebook
Sargent belongs to America, but is claimed by others as a citizen of the world, or a cosmopolitan. Sargent, with the exception of a few months at distant intervals, spent his life abroad. The artistic influences which affected him were those of Europe. Yet his Americanism may be detected in his extraordinary facility to absorb impressions, in the individuality he evolved, and in the subtlety and reserve of his methods – qualities that are characteristic of the best American art.
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- Rating: 4 out of 5 stars4/5Over 100 of Sargent's paintings with text. A good reference for anyone interested in his work.
Book preview
John Singer Sargent and artworks - Donald Wigal
Self-Portrait, 1907
Oil on canvas, 76.2 x 63.5 cm. Galleria degli Uffizi, Florence.
Biography
1854:
Sargent’s family takes up residence in Europe.
1856:
John Sargent is born on 12 January in Florence.
1857:
The Sargents have a daughter, Emily.
1865:
Studies drawing and watercolour while travelling throughout Europe with his parents.
1870:
Begins drawing classes at the Academia delle Belle Arti, Florence. The Sargents have a second daughter, Violet.
1874:
Moves with the family to Paris. Sargent begins painting classes, first at the studio of Emile Carolus-Duran, then with Adolphe Yvon at the Ecole des beaux-arts.
1876:
Visits the United States with his mother and sister Emily. He confirms his U.S. citizenship. He returns to Paris and continues to study.
1878-9:
Travels to Spain and Morocco. He sees works by Velázquez and Goya.
1880-1:
Begins a six-month stay in Venice. Joins mother and sisters in Nice.
1882-4:
Paints The Daughters of Edward Darley Boit. He exhibits his portrait of Madame Pierre Gautreau, Madame X. He meets author Henry James.
1885-6:
Moves to London and there paints his first portrait of Robert Louis Stevenson.
1890:
He accepts a commission to create mural decorations in Boston.
1894:
Is elected as an associate of the Royal Academy. He exhibits the first completed part of the Boston mural.
1903:
Goes to Boston for the installation of the first panel of the Boston Library mural. He paints a portrait of Theodore Roosevelt.
1907:
He announces that he wants to stop painting commissioned portraits.
1913:
Paints a portrait of Henry James.
1916:
Completes the installation of his murals in Boston. Takes on a commission to decorate a ceiling of the Boston Museum of Fine Arts.
1917:
Paints a portrait of Woodrow Wilson.
1918:
Returns to Europe and visits battlefields in France.
1921-2:
Returns to Boston for the unveiling of mural decorations in the Boston Museum of Fine Arts. Installs a commissioned mural for a library at Harvard University.
1924:
Attends a retrospective of his work in Manhattan. Returns to London.
1925:
Dies on 4 April. Memorial service is held at Westminster Abbey and later at the Boston Museum of Fine Arts.
Man Wearing Laurels, 1874-1880
Oil on canvas, 44.4 x 33.4 cm. Mary D. Keeler Bequest, Los Angeles County Museum of Art, Los Angeles
Introduction
In 1854, Americans Dr. Fitz William Sargent and his wife Mary planned a short visit to Europe. He was a surgeon from Philadelphia, Pennsylvania. She was an amateur painter who loved travelling and experiencing different cultures. They had lost a child shortly before arriving in Europe. A vacation abroad would be a way for the couple to cope somewhat with their grief. However, instead of a brief stay, they gradually took up residence in Europe and returned to America only for short visits.
Two years after arriving in Europe, their son John was born on 12 January, 1856, in Florence. The following year John’s sister, Emily, was born. When she was four, an accident damaged her spine. Early in life she came to rely on John, who lovingly cared for her thereafter. Another sister, Violet, was born in 1870, also in Florence. Throughout his life, Sargent would rarely travel without his mother or sisters. He and Emily would never marry. He did not have a mistress, although many men of his time with the means did so. Moreover, Sargent apparently never had a serious love affair with a woman, even though he became a cult figure in social circles, and there were many women among his admirers. Those fans, as well as models, would visit him often at his studio. He did, however, have special friends, including Violet Paget, whom he met in Nice. She was a writer who used the pen name Vernon