Taboo – River (Book 2-Episode 4): The Unfinished Song Series – An Epic Faerie Tale
By Tara Maya
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About this ebook
ABOUT THE SERIES:
Long ago, to win a war, humans Cursed the Aelfae, fairest and wisest of the faeries… But all magic has a price. The same Curse that destroyed the Aelfae now threatens all of Faearth. One young woman and the warrior she loves must fight the Curse to prove which is stronger…love or death.
DINDI desperate longs to become a Tavaedi, a magic dancer. But no one in her clan has ever passed the Test at Initiation. To violate the taboo, and dance without permission, is to risk death. The only other way to prove worthy is even more unthinkable: to bargain with the fae.
KAVIO is the half-human son of the Last Aelfae, exited from his tribe. Refusing to be a pawn in his tribe’s struggles, his only goal is to find a new, peaceful life. But when he catches Dindi violating a taboo, he must choose between condemning her to death or helping her. Even if it means war.
The Unfinished Song series is an epic, romantic fantasy appropriate for an older Young Adult and for a New Adult readership, as well as for readers of any age who love magic, love, adventure and happy endings.
PLEASE NOTE…
There are three ways you can read The Unfinished Song Series. Why? Some readers like to savor a story a spoonful at a time, dolloped out over weeks or months. Others prefer their sagas served in big, meaty chunks, devoured in one delicious banquet. How do you prefer to read?
This is the fourth episode of the second novel, Taboo.
If you prefer to read the first novel, you can find Taboo (The Unfinished Song, Book 2) on the online site where you found this episode.
You can also find the entire first trilogy sold as three-book set.
The complete series will consist of twelve full length novels.
The complete series of novels (seven episodes each):
Initiate
Taboo
Sacrifice
Root
Wing
Blood
Mask
Mirror
Maze
Sworn
Flute
Wheel
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Taboo – River (Book 2-Episode 4) - Tara Maya
Table of Contents
The Unfinished Song | Book 2: Taboo | Episode 4: River
Chapter Four | River
The Unfinished Song
Book 2: Taboo
Episode 4: River
There are three ways you can read The Unfinished Song Series. Why? Some readers like to savor a story a spoonful at a time, dolloped out over weeks or months. Others prefer their sagas served in big, meaty chunks, devoured in one delicious banquet. How do you prefer to read?
Right now, you are reading the fourth episode of the second novel, Taboo. Each week, a new episode will be available.
If you prefer to read the second novel, you can find Taboo (The Unfinished Song, Book 2) on the online site where you found this episode.
You can also find the entire first trilogy sold as three-book set.
The complete series will consist of twelve full length novels.
Even better, you can request a review copy by emailing me: tara[at]taramayastales[dot]com or my publisher, editor[at]misquepress[dot]com.
Chapter Four
River
Kavio
On his way to his own hidden practice place in the sequoia forest, Kavio glimpsed a solitary dancer, graceful and pale as new maize. Who was she, and why did she dance secluded and all alone, far from the kiva and tor?
He wove through the forest to spy on her, though he told himself he should not. Perhaps she had come to the woods to practice alone, as he had. The possibility intrigued him—who else besides he had no need of the guidance of the troop? Who else besides he would dare?
She must have had magic, for she was human and not fae. Humans without magic danced only to hex, and would be killed in turn, if caught. Yet never had he seen a style quite like hers. She wore no ritual costume—neither wooden mask, nor cornhusk cape—only white doeskin hemmed with a maze of rainbow beads. Her hair flew about her, unbraided and wild. Though her aura showed no light, he had the odd sense she shimmered with power that warmed the cool December wood with hint of hidden Mays.
She circled the stump of a fir tree, as if it were her partner in a fertility dance. He knew the dance of course—it was meant for two, not one.
Kavio debated himself. His mischief won.
He crept up behind her. Stealth he had honed in hunting and battle served him well, and the broad trunks of sequoias and pines provided ample cover. The dance soon called for her partner to lift her, and she leaned toward the tree stump. He made his move.
In rhythm with her sways, he placed his hands about her waist and lifted her into the spin, above his head and down again. She responded as if she had expected him, and followed his lead into the next exultant sequence, toss and twirl, shimmy and turn. Fancy footwork followed on, sweetly easy. In this sequence of the fertility dance, both partners faced forward, so he could not see her face. The top of her head just reached his chin. Her hair smelled of flowers.
They flowed together like partners who had practiced days in each other’s arms. She amazed him.
He dipped her back, and only then met her gaze.
Dindi!
He choked on his dismay.
For Dindi to dance was taboo, so decreed the ancient ways. The law left him no choice.
He must kill her.
Thrum, thrum, thumpa-thrum, went the drums in the enclosure below. Kavio glanced down at the dancing ground along the riverbank. He took in the excellent view of the dancers, and also that the view was not reciprocal. Unwanted comprehension stole into his mind, but he fought it with a flurry of hypothetical excuses. He dropped Dindi’s arms.
Kavio. Let me explain.
Explain what? What are you doing here? You’re really a Tavaedi? Or are you even a Zavaedi? You didn’t learn to dance that way by yourself. Why did you disguise yourself as an ordinary maiden?
"I am an