Birmingham Beer: A Heady History of Brewing in the Magic City
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About this ebook
Carla Jean Whitley
Carla Jean Whitley is a writer, editor and teacher based in Birmingham, Alabama, where she is a features reporter for Alabama Media Group. Carla Jean, a craft beer enthusiast, has been a part of the women's craft beer education group Hops for Honeys since 2010. She volunteers with literacy organizations and teaches journalism at the University of Alabama and Samford University.
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Birmingham Beer - Carla Jean Whitley
Published by American Palate
A Division of The History Press
Charleston, SC 29403
www.historypress.net
Copyright © 2015 by Carla Jean Whitley
All rights reserved
Cover image by Rachel Callahan, picturebirmingham.com.
First published 2015
e-book edition 2015
ISBN 978.1.62584.984.7
Library of Congress Control Number: 2015937276
print edition ISBN 978.1.62619.456.4
Notice: The information in this book is true and complete to the best of our knowledge. It is offered without guarantee on the part of the author or The History Press. The author and The History Press disclaim all liability in connection with the use of this book.
All rights reserved. No part of this book may be reproduced or transmitted in any form whatsoever without prior written permission from the publisher except in the case of brief quotations embodied in critical articles and reviews.
To Free the Hops members, past and present, for lobbying the state legislature
to allow so many new and exciting beers into our market
CONTENTS
Acknowledgements
Introduction
Timeline
Locations
1. Early Days
2. The Brewpub Era
3. Free the Hops
4. Good People Brewing Co.
5. Gourmet Beer Bill
6. Brewery Modernization Act
7. Avondale Brewing Co.
8. Gourmet Bottle Bill
9. Cahaba Brewing Co.
10. Right to Brew
11. Trim Tab Brewing Co.
12. Good People Growing
13. Birmingham Brewing, the Economy and the Future
Bibliography
About the Author
ACKNOWLEDGEMENTS
This is what it’s really like to write a book:
Receiving an e-mail from a pub owner (Jerry Hartley) after an editor says to him, We think one of your patrons is probably the right author for this book.
Months holed up in archives and digital collections (Birmingham Public Library, Alabama Media Group), poring over the reporting and research of those who came before you.
Relying on your roommate (Sara Samchok) to take the trash and recycling to the curb for weeks on end because you don’t have the mental bandwidth to remember.
Conversations about dreams fulfilled over a beer at your neighborhood brewery (Good People, Avondale, Cahaba and Trim Tab brewing companies) or pub (the J. Clyde).
Asking those who were involved (Danner Kline) what it felt like to listen to hours upon hours of debate in legislative session.
Chasing the sun on a photo shoot and insisting your photographer (Rachel Callahan) take her first sips of beer.
Sharing research over a beer lunch (Bill Plott).
Desperately seeking advice from your personal librarians (Marliese Thomas, Amber Long and Kelsey Scouten Bates).
Looking in the bathroom mirror halfway through the workday and realizing you forgot to put on mascara, again.
Taking in stories from those who paved the path before your generation’s (Steve Betts).
Skipping out on way too many yoga classes (Melissa Scott, Sacred Glow YTT class of ’14) in favor of slumping over a laptop on the couch.
Searching for five minutes in which you can take a break and clip your toenails without guilt.
Recalling the first visit to your favorite beer bar with a friend (Murray Sexton Gervais) who was quick to claim it as your shared spot even though she prefers wine.
Rescheduling many a book club meeting (Apryl Marie Fogel, Lauren Kallus, Clair McLafferty, Monica Aswani) because writing took precedence over reading.
Sharing beer factoids at work (Birmingham magazine, Alabama Media Group) whether or not colleagues wanted to hear them.
Stopping by your best friend’s house (Apryl Marie Fogel) for a fully cooked dinner and a beer selected by your neighborhood guru (Chandler Busby), if time allows.
Creating lists of things to do after you complete the manuscript, including such glamorous goals as vacuum.
Commiserating with other authors (Carrie Rollwagen, Kim Cross, Anne Reilly) over beers.
Dropping all pretense of style and hoping that you don’t accidentally wear the same outfit twice in a week.
Sending incessant texts to sisters (Cheryl Joy Miner, Cristin Whitley) analyzing every editor suggestion and constant trumpeting of achievements to anyone who will listen (JN315-320, from whom I requested a round of applause after a weekend that generated ten thousand words).
Lifting a glass (likely containing a beverage provided by Allen and Lynn Whitley) to success—past, present and future.
Leaving litter boxes unscooped until a cat (Mac or Harry) complains so loudly that I realize something’s wrong.
What was once a lovely Sunday night dinner tradition becoming another text to my boyfriend (Put Ketcham) asking if he would mind another evening of DiGiorno. (He never minds.)
Treading the strange line between introversion and wanting everyone in the world to see what you’ve done.
To everyone on this list—and the many I surely forgot in my writing-induced haze—thank you.
INTRODUCTION
I won’t soon forget my first craft beer experience. Even though I can no longer recall which beer I ordered that night—everything on the menu was a mystery to me—that evening was transformative.
My friend Murray and I were scouting local bars for a Birmingham magazine pub-crawl story. The concept was that I’d highlight five tried-and-true favorites and introduce five new hot spots. After catching wind of this venture, a friend insisted I visit the J. Clyde.
Murray and I were in the neighborhood anyway, making a stop at the adjacent martini bar. We poked our heads into the J. Clyde, but we were certain that we were in the wrong place. After a cocktail next door, though, we decided to give it a second chance.
At the time, I was a Bud Light drinker. I had always thought wine and cocktails sounded more sophisticated, but I was somehow more comfortable with a longneck bottle than a martini glass. The flavor of my go-to macro beer wasn’t memorable, but it was inoffensive.
The J. Clyde didn’t offer Bud Light.
Quickly, I was thrust into a craft beer education. Murray and I returned to the bar many times after that initial April 2007 visit, often sitting at the bar to keep the bartender company. It was there I learned about lambics (I didn’t know beer could sparkle like Champagne!) and why stouts tend to be a favorite of craft beer newbies. Bartenders and patrons alike introduced me to Alabama’s restrictive beer laws, and I began to wonder how I would ever sip my way through the JC’s already extensive beer list if and when the laws allowed more gourmet-type beers in the local market.
A view of the J. Clyde’s back bar in its early days. The space has since been renovated. Gottfried Kibelka.
The answer: I wouldn’t.
In May 2009, Alabama’s alcohol by volume limit increased from 6.0 percent to 13.9. Beer aficionados across the city flocked to the J. Clyde to celebrate. (I was vacationing in Georgia with my mom, but we raised a pair of Chimays to our home state’s progress.)
Two years later, the Brewery Modernization Act passed, easing the way for new breweries to open in the state. In May 2012, the legislature again acted to eliminate restrictive consumer laws by allowing larger-sized bottles to be sold in the state. Once again, we saw an increased distribution of beers from elsewhere. A year later, home brewing became legal.
The effect on individuals like me was small in some cases but significant. There’s a new brewery on the list at the J. Clyde almost every time I visit, and I’m able to enjoy libations from local breweries and those from far afield no matter where I am in the state. A girlfriend and I often discuss partnering to home brew, and Hops for Honeys offers an outlet to connect with other women while learning about beer.
WE ALMOST DIDN’T GO INTO THE J. CLYDE
I first heard about one of Birmingham’s newer nightspots not long after its March opening. Before my visit, a friend insisted that it was a worthwhile nightspot, not just another restaurant. But when I peeked in through the front door, I saw candlelit tables and walls draped in tulle. Nice, but not what I was after.
We left, went next door to the Blue Monkey, but I decided I had to at least give it a shot. Returning, we walked past the dining tables, through a funny jog of a hall and found ourselves deposited at a bar. This is what we were looking for.
I selected a beer from a selection creeping toward 200, and then found a table on the covered patio. The J. Clyde is surrounded by other Cobb Lane businesses, creating an atmosphere that is at once cozy and cosmopolitan. We almost didn’t go in, but we’ll definitely go back.
—Carla Jean Whitley, Birmingham magazine, July 2007
But the ramifications for the breweries, their employees and the state of Alabama go beyond simple recreation. Craft beer is a rapidly growing industry in the United States; it saw a 20.0 percent dollar sales growth in 2013, even while overall beer sales were down 1.9 percent from the previous year, according to the Brewers Association. Alabama has been quick to jump on board. A couple of former fraternity brothers founded the state’s oldest brewery in 2008, and Alabama is home to thirteen such establishments as of this writing. That has meant an increase in business not only for those employees but also for area bars and distributors. Festivals draw people from outside the region, and an established craft beer scene increases quality of life—an important factor for attracting and retaining talent. The Brewers Association indicates that it had a $238.1 million economic impact in 2012—and there’s no reason to believe that will drop anytime soon.
The state’s beer culture has changed for the better—and it all started in Birmingham.
TIMELINE
Sources offer conflicting reports of when Alabama’s first brewery opened, with dates ranging from 1819 to 1874. Regardless, the first brewery in the state was almost certainly not in Birmingham. The dates listed for breweries below generally indicate the date on which the first beer was sold.