Ten nights of dreams
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About this ebook
The Japanese original text "Yume yuja" was completely set up with furigana in this two-language edition, so that every student of the Japanese language can read Natsume Soseki's Ten nights of dreams fluently. The dreams are commented to provide background information to the reader.
Natsume Sōseki
Natsume Sōseki (1867-1916) was a Japanese novelist. Born in Babashita, a town in the Edo region of Ushigome, Sōseki was the youngest of six children. Due to financial hardship, he was adopted by a childless couple who raised him from 1868 until their divorce eight years later, at which point Sōseki returned to his biological family. Educated in Tokyo, he took an interest in literature and went on to study English and Chinese Classics while at the Tokyo Imperial University. He started his career as a poet, publishing haiku with the help of his friend and fellow-writer Masaoka Shiki. In 1895, he found work as a teacher at a middle school in Shikoku, which would serve as inspiration for his popular novel Botchan (1906). In 1900, Sōseki was sent by the Japanese government to study at University College London. Later described as “the most unpleasant years in [his] life,” Sōseki’s time in London introduced him to British culture and earned him a position as a professor of English literature back in Tokyo. Recognized for such novels as Sanshirō (1908) and Kokoro (1914), Sōseki was a visionary artist whose deep commitment to the life of humanity has earned him praise from such figures as Haruki Murakami, who named Sōseki as his favorite writer.
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Reviews for Ten nights of dreams
18 ratings1 review
- Rating: 4 out of 5 stars4/5A swift read and intensely transfixing while trying to decipher Soseki’s dreams.
Book preview
Ten nights of dreams - Natsume Sōseki
The first night
I had this dream.
My arms were crossed, as I sat beside the makuramoto¹ of a woman. She was lying on her back and spoke to me with a whispering voice: I will die soon.
Her long hair was spread on the pillow, framing the soft features of her oval face. Her white cheeks beamed in vibrant red, although her lips had a deep-red color. She didn't look like she's going to die. But nevertheless she insisted in a gentle and convinced voice that she will die. As for myself, I also felt that she is going to die.
Still in doubt I looked at her from above and I asked her very cautiously if she really will die. Her eyes were wide opened, as she replied: Yes, I will die for sure.
Her big eyes were full of tears. As her eyelids opened, I glanced into her black eyes. In her dark pupils appeared a reflected image of myself. Again I gazed into her sparkling black eyes and I wondered: is she really dying?
Cautiously I moved a little bit closer towards her makuramoto. I whispered and begged her to tell me that everything is alright and that she is not going to die. Her sleepy black eyes were still wide open, as anticipated, she answered me: I will die. There is nothing we can do about it.
Can you see my face?
, I questioned her insistently.
See your face? It's a reflecting image in my eyes, can't you see ?
, she replied with a smile on her face.
Immediately I stopped talking, as I moved away from the makuramoto.
I crossed my arms on my chest and I wondered if she's really going to die. After a while, she spoke to me again: After my death, I want you to bury me. To dig my grave, you should use a large oyster shell. Mark my grave. For that purpose, you should use the fragment of a star that has fallen from the sky. Then wait beside my grave for I will return to see you again.
I asked her: When will you return?
"The sun rises and it sets. The next day the sun will do the same again.
Like the red sun moves from the east to the west, will you wait for me?"
I nodded, but said nothing. The tone of her voice rose just a little bit. Clear and determined she insisted: "Wait for me for one hundred years!
Stay beside my grave for one hundred years and wait right there for me. Then I will surely return, to see you again."
I replied to her that I will wait. After that, my reflected image slowly vanished from her eyes and gradually got more and more blurred, until it disappeared completely.
It disappeared like shadows flee the ruffled sea. And then she closed her eyes abruptly. From one of her long eyelids a single tear ran down her cheek.
She was dead.
I went down to the garden. There I dug her grave with a large oyster shell. The oyster shell was big, smooth and had sharp edges. Every time I lifted the oyster shell to scoop the earth, the moonlight hit the rear side of the oyster shell, thereby the oyster shell sparkled. It smelled like dank earth.
Finally I finished digging the grave and put her dead body into the grave.
Very cautiously I sealed the grave with earth. Upon the rear