A Trick of Sunlight: Poems
By Dick Davis
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About this ebook
In his new collection of poems, Dick Davis, the acclaimed author of Belonging, addresses themes that he has long worked with—travel, the experience of being a stranger, the clash of cultures, the vagaries of love, the pleasures and epiphanies of meaning that art allows us. But A Trick of Sunlight introduces a new theme that revolves around the idea of happiness—is it possible, must it be illusory, is its fleetingness an essential part of its nature so that disillusion is inevitable?
Many of the poems are shaded by the poet’s awareness of growing older, and by the ways that this both shuts down many of life’s possibilities and frees us from their demands. The levity of some verses here is something of a departure for Davis, but his insights can be mordant too, revealing darknesses as often as they invoke frivolity.
As Davis’s readers have come to expect, the poems in A Trick of Sunlight. aim at the aesthetic satisfactions that accompany accurate observations expressed with wit, intelligence, and grace. But they achieve as well an immediacy and rawness of vision that seem to belie his careful craft.
Dick Davis
Dick Davis was born in Portsmouth, England. He is a professor of Persian at Ohio State University. He has published translations of prose from Italian and poetry and prose from Persian, and six books of his own poetry. His most recent collection, Belonging, was chosen by The Economist as a “Book of the Year” for 2002.
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A Trick of Sunlight - Dick Davis
The heart has its abandoned mines . . .
Old workings masked by scrub and scree.
Sometimes, far, far beneath the surface
An empty chamber will collapse;
But to the passerby the change
Is almost imperceptible:
A leaf’s slight tremor, or a stone
Dislodged into the vacant shaft.
Chèvrefeuille
In a neglected glade
The hazel sapling’s shade
Quickens with early spring:
New tendrils clutch and cling—
A honeysuckle twines
Its tentative thin vines
Reaching now in, now out,
Above, below, about,
Till intricate, strong strands
Clasp like a myriad hands.
Love’s leaves and limbs conspire
As if unsaid desire
Could intimately tether
Their substances together
And none could separate
Their growths’ complicit state.
Bright in the summer sun
Two tangled lives are one.
Getting Away
Once, when I was a child of seven or eight,
I turned a corner on a wooded path
And saw a fox a few feet from my face.
We stood stock-still and took each other