The Bad Wife Handbook
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About this ebook
Rachel Zucker's third book of poems is a darkly comic collection that looks unsparingly at the difficulties and compromises of married life. Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.
Rachel Zucker
Rachel Zucker is the author of The Last Clear Narrative, The Bad Wife Handbook and Eating in the Underworld. She is the winner of the Barrow Street Poetry Prize, the Center for Book Arts Award and the Salt Hill Poetry Award. Her poems have appeared in many well-known journals including: 3rd Bed, American Poetry Review, Barrow Street, Colorado Review, Epoch, Fence, Iowa Review, Pleiades and Prairie Schooner as well as in the Best American Poetry 2001 anthology.
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Book preview
The Bad Wife Handbook - Rachel Zucker
Monogamist
A human being can’t compare
size and brightness
on two occasions. So we say
the moon has a dark side.
We say the tide twice a day.
I say that man there, so unlike
my husband.
The Museum of Accidents
The school girl’s tights speckle
in the rain. In the city
the sparrow on sparrow feet skips
across my path, legs invisible.
We are bound. Similar,
indistinct forms called bodies,
our Milky Way’s spiral arms—
stars, nebulae, matter—
bound
to great disaster.
Codary
Once he was a type, kind, tide,
but became a singularity.
I stopped breathing.
Where the husband’s orbit overlaps: darkness.
No light can be shed on what lies beyond this
gravitational sheer,
harsh polarity
of wanting.
The Secret Room
Isn’t hidden. Nor filled with goods
or bodies. This feeling—
[strip the wallpaper,
knock for panels]
I can’t explain it—is always,
I think his gaze made it. I say
what I don’t intend
so as to say something of
this tending, tendency, tender
unsayable place I mean to take him.
Firmament
Below his clean shadow:
a sunlit prairie. A wheat field
from the air: plush and temperate.
The breeze is a brave caress. There is
something I see in him: tip, edge, hint
—the skin of it. Shifting wheat
over soil over cavern over water
over igneous over molten.
Monogamist
Riding a bike down a flight
of steps misnames them,
reveals their lusty gravity.
Have you heard that Brontosaurus
is a Camarasaurus head on
an Apatosaurus body?—my
love’s like that: shaped,
named beast did, did not exist.
They should be called falls, this
plummet.
Galaxies Rushing Away
I’m trying not to try to
get him into bed. Instead I try
but the husband flinches when I
and flinches when I say
I love you and I do
love you but say
I’m meeting a woman named Kate.
Then, off to the winebar, order
sancerre, nice summery white at $7/glass;
he, me, and vast millions are fast,
—red shift getting redder, every galaxy
from every galaxy, vow, promise, primordial
atom—rushing faster, all on our way
to greater disorder.
Axon, Dendrite, Rain
When he speaks I am allowed to look at him.
Let this perfect conjure slide over (all over)
the thought reaching out to my loud now—
I want to—
but find no way to make my hands
natural, accidental. I try to make his skin
a chaste idea. But even his gloves, made from slaughtered
goats, their pliable kid leather become a bias-cut
slip, myelin sheath, the impulse jumps
node-to-node, too fast for capture.
The body.
Less, less real. I am aware of wanting
to look at him. In the long space
in which others speak I cannot look at him.
take your clothes off
And I do. In dream after dream, except
last night when I’m running a long way
in the rain and, basketball in one hand, he
stands watching. And when he watches—
I run and run, do not wake up
but that—(there,) that, that, that: rain
at my window, husband in my bed.
Rhyme, Lascivious Matchmaker
Each time I try to—
here comes my