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The Bad Wife Handbook
The Bad Wife Handbook
The Bad Wife Handbook
Ebook112 pages58 minutes

The Bad Wife Handbook

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Rachel Zucker's third book of poems is a darkly comic collection that looks unsparingly at the difficulties and compromises of married life. Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.

LanguageEnglish
Release dateMay 15, 2015
ISBN9780819576118
The Bad Wife Handbook
Author

Rachel Zucker

Rachel Zucker is the author of The Last Clear Narrative, The Bad Wife Handbook and Eating in the Underworld. She is the winner of the Barrow Street Poetry Prize, the Center for Book Arts Award and the Salt Hill Poetry Award. Her poems have appeared in many well-known journals including: 3rd Bed, American Poetry Review, Barrow Street, Colorado Review, Epoch, Fence, Iowa Review, Pleiades and Prairie Schooner as well as in the Best American Poetry 2001 anthology.

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    Book preview

    The Bad Wife Handbook - Rachel Zucker

    Monogamist

    A human being can’t compare

    size and brightness

    on two occasions. So we say

    the moon has a dark side.

    We say the tide twice a day.

    I say that man there, so unlike

    my husband.

    The Museum of Accidents

    The school girl’s tights speckle

    in the rain. In the city

    the sparrow on sparrow feet skips

    across my path, legs invisible.

    We are bound. Similar,

    indistinct forms called bodies,

    our Milky Way’s spiral arms—

    stars, nebulae, matter—

    bound

    to great disaster.

    Codary

    Once he was a type, kind, tide,

    but became a singularity.

    I stopped breathing.

    Where the husband’s orbit overlaps: darkness.

    No light can be shed on what lies beyond this

    gravitational sheer,

    harsh polarity

    of wanting.

    The Secret Room

    Isn’t hidden. Nor filled with goods

    or bodies. This feeling—

    [strip the wallpaper,

    knock for panels]

    I can’t explain it—is always,

    I think his gaze made it. I say

    what I don’t intend

    so as to say something of

    this tending, tendency, tender

    unsayable place I mean to take him.

    Firmament

    Below his clean shadow:

    a sunlit prairie. A wheat field

    from the air: plush and temperate.

    The breeze is a brave caress. There is

    something I see in him: tip, edge, hint

    —the skin of it. Shifting wheat

    over soil over cavern over water

    over igneous over molten.

    Monogamist

    Riding a bike down a flight

    of steps misnames them,

    reveals their lusty gravity.

    Have you heard that Brontosaurus

    is a Camarasaurus head on

    an Apatosaurus body?—my

    love’s like that: shaped,

    named beast did, did not exist.

    They should be called falls, this

    plummet.

    Galaxies Rushing Away

    I’m trying not to try to

    get him into bed. Instead I try

    but the husband flinches when I

    and flinches when I say

    I love you and I do

    love you but say

    I’m meeting a woman named Kate.

    Then, off to the winebar, order

    sancerre, nice summery white at $7/glass;

    he, me, and vast millions are fast,

    —red shift getting redder, every galaxy

    from every galaxy, vow, promise, primordial

    atom—rushing faster, all on our way

    to greater disorder.

    Axon, Dendrite, Rain

    When he speaks I am allowed to look at him.

    Let this perfect conjure slide over (all over)

    the thought reaching out to my loud now—

    I want to—

    but find no way to make my hands

    natural, accidental. I try to make his skin

    a chaste idea. But even his gloves, made from slaughtered

    goats, their pliable kid leather become a bias-cut

    slip, myelin sheath, the impulse jumps

    node-to-node, too fast for capture.

    The body.

    Less, less real. I am aware of wanting

    to look at him. In the long space

    in which others speak I cannot look at him.

    take your clothes off

    And I do. In dream after dream, except

    last night when I’m running a long way

    in the rain and, basketball in one hand, he

    stands watching. And when he watches—

    I run and run, do not wake up

    but that—(there,) that, that, that: rain

    at my window, husband in my bed.

    Rhyme, Lascivious Matchmaker

    Each time I try to—

    here comes my

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