Back to the Boke
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About this ebook
(Note: This book contains two stories. The first story also appears in a larger collection, Daggyland #1. The second appears in the larger collection, Daggyland #2.)
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For a while there, it really looked like Ricky had it made. He’d ditched his old life, cleaned himself up, and landed a good job with decent pay.
No more busting heads for his father’s crew.
But then one day, while Ricky watches from the safety of his New Jersey rooftop across the Hudson River, two planes hit two office buildings.
Now Ricky’s life, and the life of a nation, is in shambles.
A tale of redemption lost.
This powerful short crime story first appeared in the online noir magazine, Beat to a Pulp.
E-book Bonus: This edition comes with the novelette “Last Dance in Hoboken.”
Two stories. One quirky American city.
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“D’Agnese writes the most unusual and interesting books.”—Bookviews
Joseph D'Agnese
Joseph D’Agnese is a journalist and author who has written for children and adults alike. He’s been published in the New York Times, the Wall Street Journal, Wired, Discover, and other national publications. In a career spanning more than twenty years, his work has been honored with awards in three vastly different areas—science journalism, children’s literature, and mystery fiction. His science articles have twice appeared in the anthology Best American Science Writing. His children’s book, Blockhead: The Life of Fibonacci, was an honoree for the Mathical Book Prize—the first-ever prize for math-themed children’s books. One of his crime stories won the 2015 Derringer Award for short mystery fiction. Another of his stories was selected by mega-bestselling author James Patterson for inclusion in the prestigious annual anthology, Best American Mystery Stories 2015. D’Agnese’s crime fiction has appeared in Shotgun Honey, Plots with Guns, Beat to a Pulp, Ellery Queen’s Mystery Magazine, Mystery Weekly, and Alfred Hitchcock’s Mystery Magazine. D’Agnese lives in North Carolina with his wife, the New York Times bestselling author Denise Kiernan (The Girls of Atomic City).
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Back to the Boke - Joseph D'Agnese
Back to the Boke
Short Stories
Joseph D’Agnese
Nutgraf Productions LLC
BACK TO THE BOKE
Published by Joseph D’Agnese at Smashwords
Smashwords Edition
Copyright © 2012 Joseph D’Agnese
NutGraf Productions LLC
First digital edition: September 2014
Cover design by GoOnWrite.com
Back to the Boke
first appeared
in the October 28, 2012 edition of Beat to a Pulp.
Last Dance in Hoboken
Copyright © 1997 Joseph D’Agnese
This e-book is a work of fiction. Names, characters, places and incidents are either products of the author’s imagination or used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental. All rights reserved. No part of this e-book may be reproduced in whole or in part, scanned, photocopied, recorded, distributed in any printed or electronic form, or reproduced in any manner whatsoever, or by any information storage and retrieval system now known or hereafter invented, without express written permission of the author, except in the case of brief quotations embodied in critical articles and reviews.
josephdagnese.com
In this e-book
Back to the Boke by Joseph D’Agnese
For a while there, it really looked like Ricky had it made. He’d ditched his old life, cleaned himself up, and landed a good job with decent pay.
No more busting heads for his father’s crew.
But then one day, while Ricky watches from the safety of his rooftop across the Hudson River, two planes hit two office buildings.
Now Ricky’s life, and the life of a nation, is in shambles.
A tale of redemption lost.
This powerful short story first appeared in Beat to a Pulp.
This edition comes with the novelette, Last Dance in Hoboken.
Two stories. One quirky American city.
To learn about special offers and events, and to claim your free e-book, sign up for the author’s newsletter
.
Back to the Boke
Y ou got a bathroom here ?
Jimmy’s frantic. Old guy, late seventies. Capillaries rippling through his face. His eyes are wild, his body trembles. He reminds Ricky of dogs who are about to take a shit on the carpet. Ricky steps out of the doorway of the brownstone and points to the door of his own apartment.
"Right in there. On the left. Go."
Jimmy mutters his thanks as he runs.
Ricky steps out of the threshold and onto the stoop. He’s wearing sweatpants and a threadbare T-shirt. Tall, early fifties. Good muscles on his arms; the abs not so much anymore. He looks down the street. Across the road, where the old farts congregate at the Napoleon Club, a guy in aviators looks up at Ricky from the sidewalk, chuckling at him.
What’s a matter,
Ricky says. You don’t have a bathroom down there?
The guy’s got his hands in the back of his pants, as if propping up his spine. We don’t bother with that fuck.
He shifts one of his hands and winces. Fucking crybaby. It’s his penis. Got prostrate trouble. Everybody’s got it. I should cry for him?
He goes in the club, still laughing.
Ricky stands on the porch. Parked in front of his apartment house is Jimmy’s truck, crammed full of junk. Out-of-whack screens. A boiler. Radiators. Tire rims. Lengths of pipe. All of it rusted out and looking like they’ve been wrenched with great effort from wherever they were once installed.
When Jimmy comes out of the apartment, he’s hiding his eyes. Far as Ricky can remember, Jimmy was always a shambling sort. Used to make low-level runs for Ricky’s father, back when Ricky’s father was doing the things that got him his bunk in Rahway. Things Ricky’s mother doesn’t talk about now that the old man is gone.
Jimmy looks ashamed. Drops of piss on his blue work pants.
Jimmy, what do you get for scrap these days?
Not enough,
he says.
Which seems to remind him. Jimmy carefully inspects the trash bins in front of Ricky’s place. He extracts what looks like four lengths of powder-coated gray pipe out of a blue plastic bin, which is stenciled with the words, HOBOKEN RECYCLES. The tips are fitted with adjustable plastic discs. Ricky pegs them immediately as the legs to some cheap-ass Ikea computer desk.
You need this?
Jimmy says.
It’s in the fucking trash. And there are ten apartments in Ricky’s building.
Ricky shakes his head.
Jimmy drags the legs along the sidewalk and dumps them in back of the truck. Loud clanging.
Jimmy gets in the truck and takes a while, breathing.
Don’t get old,
he tells Ricky.
Then he tug, tug, tugs on the truck door until it pops with a screech and slams shut. And drives away.
You can waste a lot of time in the morning and this is what he does most days. Putters around the apartment, fusses with the coffeemaker and lingers over scrambled eggs and bacon, watching the morning news, taking a long crap and an even longer shower.
A few months back he was sick at home with the flu when they announced the planes had hit the towers. A horrible fucking thing happening just across the river from Ricky’s place. Ricky sat the whole time in front of the tube, disbelieving. He’d tried to call some of the guys he knew at Aldo’s security firm. Guys he drove for. Guys he was supposed to see today. But no luck—he couldn’t get a line out. When they announced one of the towers had fallen, Ricky didn’t believe it. He ran out the back door onto the fire escape and up to the roof. Stood there on the gray sheathing and watched the stinking smoke across the river. He could only make out one tower. And then, right before his eyes, no tower at all.
He’s been at a loss since. Now, sure, he can go to the library to use the computers, spend time surfing the web, work on his resume, and upload it to the various sites he learned about in the seminar last week about finding work in the digital age.