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After-Music
After-Music
After-Music
Ebook129 pages41 minutes

After-Music

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A new collection by esteemed Michigan poet Conrad Hilberry, his sixth full-length book of poetry.
LanguageEnglish
Release dateJan 24, 2008
ISBN9780814335222
After-Music
Author

Conrad Hilberry

Conrad Hilberry is emeritus professor of English at Kalamazoo College and author of several books of poetry, including The Fingernail of Luck, Player Piano, and Sorting the Smoke, and co-editor of Contemporary Michigan Poetry: Poems from the Third Coast (Wayne State University Press, 1988).

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    Book preview

    After-Music - Conrad Hilberry

    wsupress.wayne.edu

    After Music

    POEMS BY CONRAD HILBERRY

    © 2008 by Wayne State University Press, Detroit, Michigan 48201. All rights reserved. No part of this book may be reproduced without formal permission. Manufactured in the United States of America.

    12 11 10 09 08      5 4 3 2 1

    Library of Congress Cataloging-in-Publication Data

    Hilberry, Conrad.

    After-music : poems / by Conrad Hilberry.

        p. cm. — (Made in Michigan writers series)

    ISBN-13: 978-0-8143-3352-5 (pbk. : alk. paper)

    ISBN-10: 0-8143-3352-4 (pbk. : alk. paper)

    I. Title.

    PS3558.I384A69 2008

    811’.54—dc22

    2007024010

    This book is supported by the Michigan Council for Arts and Cultural Affairs

    Grateful acknowledgment is made to the DeRoy Testamentary Foundation for the support of the Made in Michigan Writers Series.

    Designed by The DesignWorks Group

    Typeset by Maya Rhodes

    Composed in Mrs Eaves, Bee Three T, and Jefferson

    E-book ISBN: 978-0-8143-3522-2

    For Marion, Marilyn, Jane, and Ann

    CONTENTS

    1. SWEET GREASE

    Mario

    Moon

    A Bird

    Numbers

    Winter Solstice

    Variations on Antonio Machado’s Caminante

    Let’s Say I’m Sad

    Open

    Black Car Blues

    Blessing the Animals

    After-Music

    2. HOW THE JUICES LEAP

    Oboe

    Egg

    Poker

    Clue

    Passenger-Side Mirror

    Cherry Pie

    Quatrain

    Moustache

    Alarm Clock

    Runoff

    Hunch

    Negative Space

    Mousetrap

    Electric Collar

    Small Gray Box with Three Wires

    Deaf Ear

    Waning Moon

    3. STEERING BY PHEROMONES

    Early Storm

    A Clutch of Mammals

    Path to the Cabin

    Scramble Competition Polygyny

    Dust Mites

    The Fly

    Hippocampus

    Exits

    4. ONE MATCH FLARING

    Wise Man

    Joseph

    The Animals

    Adam’s Christmas

    The Woman from Chiapas

    Christmas, Mexico

    Script for a Cold Christmas

    Elevator Music

    Christmas Night

    Midnight

    December 26

    Shepherd

    5. BIRD WITH THE DOWNCAST BEAK

    Self-Portrait as Waterfall

    Finding the Way

    Crete: The Diktaean Cave

    Daughter in New York

    Blood Work

    Radiation

    The Visit

    Hurtle

    No Clocks

    Pelican

    A Dialogue between the Body and Soul

    Music

    Silence

    AUTHOR’S NOTE

    ACKNOWLEDGMENTS

    ONE Sweet Grease

    MARIO

    How did he get in Portuguese 202?

    He’s from Brazil, he speaks Portuguese—

    a Brazilian kind of Portuguese, folding in

    some rainy toucan calls. Do you object?

    Well, he makes the rest of us seem . . .

    But he charms us. The syllables run

    like vines in a baffling forest where

    we’ve never been. His eyes look down

    from the canopy. When he’s called

    to the blackboard, his letters have curious

    tails, like fibery strands of meaning

    coming loose. He sits at one side

    toward the back, looks out at the starlings

    bobbing and strutting on the grass.

    What birds is he imagining? His eyes

    settle on us, one by one, a tuft

    of jungle feathers landing on a branch.

    We come to class early, wanting to feel

    the humidity change when Mario walks in.

    Don’t listen to Mario, the professor says.

    But we do, his talk throatier, slurred,

    faint drums and hungry insects underneath

    the ornate Lisbon churches in the text,

    the situation at the travel desk,

    the doctor’s office. Mario

    is what we came for, we now believe.

    We lose verbs and pronouns somewhere

    in the underbrush. We may fail the course.

    Students. Students. The language

    has rules, conventions, idioms.

    Mario does not resist. He studies, takes

    the tests. But we can’t seem to hold on

    to the bank. We slip into some tributary

    of the Amazon, slow swirls and eddies,

    silt of a continent drifting toward

    the sea, and in our ears Mario’s dark

    Portuguese, snakes tangled in tree roots,

    bats dodging and dipping, now that it’s

    nightfall, out of the cave of his

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