After-Music
()
About this ebook
Conrad Hilberry
Conrad Hilberry is emeritus professor of English at Kalamazoo College and author of several books of poetry, including The Fingernail of Luck, Player Piano, and Sorting the Smoke, and co-editor of Contemporary Michigan Poetry: Poems from the Third Coast (Wayne State University Press, 1988).
Related to After-Music
Related ebooks
Ari Figue's Cat Rating: 3 out of 5 stars3/5Shadow of a Cloud but No Cloud Rating: 3 out of 5 stars3/5Paddling the Canoe Rating: 0 out of 5 stars0 ratingsFigures Crossing the Field Towards the Group Rating: 0 out of 5 stars0 ratingsOne Thing Stolen Rating: 0 out of 5 stars0 ratingsIn The Shadow Of The Hill Rating: 0 out of 5 stars0 ratingsThe Gates of Matter Rating: 0 out of 5 stars0 ratingsSycamore: A Novel Rating: 4 out of 5 stars4/5Bread of the Moment: Poems Rating: 0 out of 5 stars0 ratingsReflection Rating: 0 out of 5 stars0 ratingsSeahorse: A Novel Rating: 0 out of 5 stars0 ratingsFrom There to Here: Selected Poems and Translations Rating: 0 out of 5 stars0 ratingsSoft Apocalypse Rating: 0 out of 5 stars0 ratingsAftermath Rating: 0 out of 5 stars0 ratingsThe Middle Ground: Stories Rating: 0 out of 5 stars0 ratingsFinding Soul Rating: 0 out of 5 stars0 ratingsEvery Atom Rating: 0 out of 5 stars0 ratingsThe Lowercase God Rating: 0 out of 5 stars0 ratingsDark Moon Digest: Issue Number 1 Rating: 4 out of 5 stars4/5One of Us Is Sleeping Rating: 4 out of 5 stars4/5Catching the Light Rating: 0 out of 5 stars0 ratingsThe Dictionary of Animal Languages Rating: 3 out of 5 stars3/5The Strange Life of Brandon Chambers Rating: 3 out of 5 stars3/5Into the Wilderness Rating: 0 out of 5 stars0 ratingsMidwinter at Walden Pond Rating: 0 out of 5 stars0 ratingsIn Light of Stars Rating: 0 out of 5 stars0 ratingsSecure the Shadow: A Novel Rating: 0 out of 5 stars0 ratingsDixie Autumn Rating: 0 out of 5 stars0 ratingsA Necessary Explosion: Collected Poems Rating: 0 out of 5 stars0 ratingsThe Island Rating: 0 out of 5 stars0 ratings
Poetry For You
The Iliad: The Fitzgerald Translation Rating: 4 out of 5 stars4/5The Odyssey: (The Stephen Mitchell Translation) Rating: 4 out of 5 stars4/5The Divine Comedy: Inferno, Purgatory, and Paradise Rating: 5 out of 5 stars5/5Inward Rating: 4 out of 5 stars4/5The Prophet Rating: 5 out of 5 stars5/5Edgar Allan Poe: The Complete Collection Rating: 5 out of 5 stars5/5Dante's Inferno: The Divine Comedy, Book One Rating: 4 out of 5 stars4/5The Iliad of Homer Rating: 4 out of 5 stars4/5Twenty love poems and a song of despair Rating: 4 out of 5 stars4/5Dante's Divine Comedy: Inferno Rating: 4 out of 5 stars4/5For colored girls who have considered suicide/When the rainbow is enuf Rating: 4 out of 5 stars4/5The Way Forward Rating: 5 out of 5 stars5/5Love Her Wild: Poems Rating: 4 out of 5 stars4/5The Canterbury Tales Rating: 4 out of 5 stars4/5The Odyssey Rating: 4 out of 5 stars4/5Daily Stoic: A Daily Journal On Meditation, Stoicism, Wisdom and Philosophy to Improve Your Life Rating: 5 out of 5 stars5/5Selected Poems Rating: 4 out of 5 stars4/5Letters to a Young Poet (Rediscovered Books): With linked Table of Contents Rating: 4 out of 5 stars4/5Beyond Thoughts: An Exploration Of Who We Are Beyond Our Minds Rating: 5 out of 5 stars5/5Leaves of Grass: 1855 Edition Rating: 4 out of 5 stars4/5The Complete Poems Rating: 4 out of 5 stars4/5You Better Be Lightning Rating: 5 out of 5 stars5/5The Complete Poems of Emily Dickinson Rating: 4 out of 5 stars4/5Tao Te Ching: A New English Version Rating: 5 out of 5 stars5/5Bedtime Stories for Grown-ups Rating: 5 out of 5 stars5/5Beowulf Rating: 4 out of 5 stars4/5The Complete Poems of Emily Dickinson (ReadOn Classics) Rating: 4 out of 5 stars4/5Pillow Thoughts II: Healing the Heart Rating: 4 out of 5 stars4/5The Divine Comedy: Inferno Rating: 4 out of 5 stars4/5Gilgamesh: A New English Version Rating: 4 out of 5 stars4/5
Related categories
Reviews for After-Music
0 ratings0 reviews
Book preview
After-Music - Conrad Hilberry
wsupress.wayne.edu
After Music
POEMS BY CONRAD HILBERRY
© 2008 by Wayne State University Press, Detroit, Michigan 48201. All rights reserved. No part of this book may be reproduced without formal permission. Manufactured in the United States of America.
12 11 10 09 08 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Hilberry, Conrad.
After-music : poems / by Conrad Hilberry.
p. cm. — (Made in Michigan writers series)
ISBN-13: 978-0-8143-3352-5 (pbk. : alk. paper)
ISBN-10: 0-8143-3352-4 (pbk. : alk. paper)
I. Title.
PS3558.I384A69 2008
811’.54—dc22
2007024010
This book is supported by the Michigan Council for Arts and Cultural Affairs
Grateful acknowledgment is made to the DeRoy Testamentary Foundation for the support of the Made in Michigan Writers Series.
Designed by The DesignWorks Group
Typeset by Maya Rhodes
Composed in Mrs Eaves, Bee Three T, and Jefferson
E-book ISBN: 978-0-8143-3522-2
For Marion, Marilyn, Jane, and Ann
CONTENTS
1. SWEET GREASE
Mario
Moon
A Bird
Numbers
Winter Solstice
Variations on Antonio Machado’s Caminante
Let’s Say I’m Sad
Open
Black Car Blues
Blessing the Animals
After-Music
2. HOW THE JUICES LEAP
Oboe
Egg
Poker
Clue
Passenger-Side Mirror
Cherry Pie
Quatrain
Moustache
Alarm Clock
Runoff
Hunch
Negative Space
Mousetrap
Electric Collar
Small Gray Box with Three Wires
Deaf Ear
Waning Moon
3. STEERING BY PHEROMONES
Early Storm
A Clutch of Mammals
Path to the Cabin
Scramble Competition Polygyny
Dust Mites
The Fly
Hippocampus
Exits
4. ONE MATCH FLARING
Wise Man
Joseph
The Animals
Adam’s Christmas
The Woman from Chiapas
Christmas, Mexico
Script for a Cold Christmas
Elevator Music
Christmas Night
Midnight
December 26
Shepherd
5. BIRD WITH THE DOWNCAST BEAK
Self-Portrait as Waterfall
Finding the Way
Crete: The Diktaean Cave
Daughter in New York
Blood Work
Radiation
The Visit
Hurtle
No Clocks
Pelican
A Dialogue between the Body and Soul
Music
Silence
AUTHOR’S NOTE
ACKNOWLEDGMENTS
ONE Sweet Grease
MARIO
How did he get in Portuguese 202?
He’s from Brazil, he speaks Portuguese—
a Brazilian kind of Portuguese, folding in
some rainy toucan calls. Do you object?
Well, he makes the rest of us seem . . .
But he charms us. The syllables run
like vines in a baffling forest where
we’ve never been. His eyes look down
from the canopy. When he’s called
to the blackboard, his letters have curious
tails, like fibery strands of meaning
coming loose. He sits at one side
toward the back, looks out at the starlings
bobbing and strutting on the grass.
What birds is he imagining? His eyes
settle on us, one by one, a tuft
of jungle feathers landing on a branch.
We come to class early, wanting to feel
the humidity change when Mario walks in.
Don’t listen to Mario, the professor says.
But we do, his talk throatier, slurred,
faint drums and hungry insects underneath
the ornate Lisbon churches in the text,
the situation at the travel desk,
the doctor’s office. Mario
is what we came for, we now believe.
We lose verbs and pronouns somewhere
in the underbrush. We may fail the course.
Students. Students. The language
has rules, conventions, idioms.
Mario does not resist. He studies, takes
the tests. But we can’t seem to hold on
to the bank. We slip into some tributary
of the Amazon, slow swirls and eddies,
silt of a continent drifting toward
the sea, and in our ears Mario’s dark
Portuguese, snakes tangled in tree roots,
bats dodging and dipping, now that it’s
nightfall, out of the cave of his