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    Rivers and Mountains: Poems
    Rivers and Mountains: Poems
    Rivers and Mountains: Poems
    Ebook90 pages59 minutes

    Rivers and Mountains: Poems

    By John Ashbery

    3.5/5

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    From one of our most important modern poets comes an essential early collection, including the famous long poems “The Skaters” and “Clepsydra”

    When Rivers and Mountains was published in 1966, American poetry was in a state of radical redefinition, with John Ashbery recognized as one of the leading voices in the New York School of poets. Ashbery himself had just returned to America from ten years abroad working as an art critic in France, and Rivers and Mountains, his third published collection of poems, is now considered by many critics to represent a pivotal transition point in his artistic career. The poet who would gain widespread acclaim with his multiple-award-winning Self-Portrait in a Convex Mirror (1975) is, in this collection, still very much engaged in the intimate, personal project of taking his poetry apart and putting it back together again, interrogating not just the act of writing but poetry itself—its purpose, its composition, its fundamental parts.
     
    Nominated for a National Book Award by a panel of judges that included W. H. Auden and James Dickey, Rivers and Mountains includes two of Ashbery’s most studied and admired works. “Clepsydra,” which takes its name from an ancient device for measuring the passage of time, echoes both the physical form and the philosophical weight of a water clock in its contemplation of the experience of time as it passes. “The Skaters,” the long poem that closes the collection, was immediately praised as a masterpiece of modern American poetry, and is the work that perhaps most clearly introduces the voice for which Ashbery is now well known and loved: generous, restless, wide-ranging, and human. 
    LanguageEnglish
    PublisherOpen Road Media
    Release dateSep 9, 2014
    ISBN9781480459199
    Rivers and Mountains: Poems
    Author

    John Ashbery

    <p><strong>John Ashbery </strong>was born in Rochester, New York, in 1927. He wrote more than twenty books of poetry, including <em>Quick Question; Planisphere; Notes from the Air; A Worldly Country; Where Shall I Wander; </em>and <em>Self-Portrait in a Convex Mirror, </em>which received the Pulitzer Prize for Poetry, the National Book Critics Circle Award, and the National Book Award. The winner of many prizes and awards, both nationally and internationally, he received the Medal for Distinguished Contribution to American Letters from the National Book Foundation in 2011 and a National Humanities Medal, presented by President Obama at the White House, in 2012. Ashbery died in September 2017 at the age of ninety.</p>

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    • 4/5
      This early collection is my first exposure to John Ashbery, and after researching the mixed critical acceptance of his work throughout his career, I feel a little less overwhelmed by my initial reaction to some of the poems within. Ashbery is well known for his surrealist style, and this definitely comes across in poems such as The Recent Past, and A Blessing in Disguise. Most reviews of this collection heap a lot of praise on the long-form poem that takes up nearly half of this volume, The Skaters, but I personally found a resonance within the shorter pieces, two in particular. Into the Dusk-Charged Air, a playful list poem, barrels through a variety of different descriptions of rivers in what feels almost like a tongue-in-cheek celebration of the language. Then there is The Ecclesiast, a poem about embracing the impermanence and inconsequentiality of life, and which read as a direct response (or rebuttal) to Kind David from Ecclesiastes 1, who proclaimed “Utterly meaningless!/Everything is meaningless.” A great collection from the early part of a long and celebrated career, Rivers and Mountains has me looking forward to delving into more of Ashbery's work.

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    Rivers and Mountains - John Ashbery

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