Best Loved Hymns and Readings

By Martin Manser

An indispensable combination of 200 best loved hymns, poems and readings for every occasion, and ideal for personal reflection.

Complete with a brief introduction to each piece and its author, this book is a wonderful personal reference and devotional guide. From Away in a Manger to God Save the Queen, and the famous Bible passage on love, 1 Corinthians 13, to Tennyson’s Crossing the Bar, it has passages suitable for every occasion, and has all you need to plan a baptism, a wedding or, should the need arise, a funeral.

• Language: English
• Publisher: HarperCollins UK
• Release date: May 6, 2010
• ISBN: 9780007375424

Martin Manser

Martin Manser is a professional writer and researcher. He is responsible for ‘The Penguin Wordmaster’ and ‘The Guinness Book of Words’.

Book preview

Adonais

Percy Bysshe Shelley’s lament for fellow-poet John Keats ranks among his most celebrated poetic works. Written in 1821 in response to the news of Keats’s premature death from consumption in Rome, it is often quoted in part or in full at funerals (the extracts below comprise the more famous passages).

Many have commented upon the melancholy prescience of the final stanza in which Shelley describes how his own spirit is ‘driven far from the shore’: the following year he was himself drowned in a sudden storm while sailing in the bay of Lerici.

Peace, peace! he is not dead, he doth not sleep;

He hath awakened from the dream of life.

‘Tis we, who lost in stormy visions, keep

With phantoms an unprofitable strife,

And in mad trance, strike with out spirit’s knife

Invulnerable nothings. We decay

Like corpses in a charnel; fear and grief

Convulse us and consume day by day,

And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;

Envy and calumny and hate and pain,

And that unrest which men miscall delight,

Can touch him not and torture not again;

From the contagion of the world’s slow stain

He is secure, and now can never mourn

A heart grown cold, a head grown grey in vain;

Nor, when the spirit’s self has ceased to burn,

With sparkles ashes load an unlamented urn.

He is made one with Nature; there is heard

His voice in all her music, from the moan

Of thunder to the song of night’s sweet bird;

He is a presence to be felt and known

In darkness and in light, from herb and stone,

Spreading itself where’er that Power may move

Which has withdrawn his being to its own;

Which wields the world with never-wearied love,

Sustains it from beneath, and kindles it above.

He is a portion of the loveliness

Which once he made more lovely: he doth bear

His part, while the one Spirit’s plastic stress

Sweeps through the dull, dense world, compelling there

All new successions to the forms they wear,

Torturing th’ unwilling dross that checks its flight

To its own likeness, as each mass may bear,

And bursting in its beauty and its might

From trees and beasts and men into the Heaven’s light.

The One remains, the many change and pass;

Heaven’s light for ever shines, Earth’s shadows fly;

Life, like a dome of many-coloured glass,

Stains the white radiance of Eternity,

Until Death tramples it to fragments. Die,

If thou wouldst be with that which thou dost seek!

Follow where all is fled! Rome’s azure sky,

Flowers, ruins, statues, music, words, are weak

The glory they transfuse with fitting truth to speak.

That Light whose smile kindles the Universe,

That Beauty in which all things work and move,

That Benediction which the eclipsing Curse

Of birth can quench not, that sustaining Love

Which, through the web of being blindly wove

By man and beast and earth and air and sea,

Burns bright or dim, as each are mirrors of

The fire for which all thirst, now beams on me,

Consuming the last clouds of cold mortality.

The breath whose might I have invoked in song

Descends on me; my spirit’s bark is driven

Far from the shore, far from the trembling throng

Whose sails were never to the tempest given;

The massy earth and sphered skies are riven!

I am borne darkly, fearfully, afar;

Whilst, burning through the inmost veil of Heaven,

The soul of Adonais, like a star,

Beacons from the abode where the Eternal are.

Percy Bysshe Shelley (1792-1822)

Afterwards

This meditation by the poet and novelist Thomas Hardy upon the way a person might be remembered after they have died remains one of his most popular poetic works. It is sometimes recited at funerals.

When the Present has latched its postern behind my tremulous

  stay,

And the May month flaps its glad green leaves like wings,

Delicate-filmed as new-spun silk, will the neighbours say

‘He was a man who used to notice such things’?

If it be in the dusk when, like an eyelid’s soundless blink,

The dewfall-hawk comes crossing the shades to alight

Upon the wind-warped upland thorn, a gazer may think,

‘To him this must have been a familiar sight’.

If I pass during some nocturnal blackness, mothy and warm,

When the hedgehog travels furtively over the lawn,

One may say, ‘He strove that such innocent creatures should

  come to no harm,

But he could do little for them; and now he is gone’.

If, when hearing that I have been stilled at last, they stand at the door,

Watching the full-starred heavens that winter sees,

Will this thought rise on those who will meet my face no more,

‘He was one who had an eye for such mysteries’?

And will any say when my bell of quittance is heard in the gloom,

And a crossing breeze cuts a pause in its outrollings,

Till they rise again, as they were a new bell’s boom,

‘He hears it not now, but used to notice such things’?

Thomas Hardy (1840-1928)

All creatures of our God and King

The words for this famous hymn were based upon lines written by St Francis of Assisi (1182-1226). Legend has it that the first four verses were inspired by the saint’s experiences after spending forty nights in a rat-infested hut at San Damiano. The fifth verse supposedly resulted from a quarrel between the church and civil authorities of Assisi, while the sixth stanza was written as the saint endured great suffering on his deathbed.

William Henry Draper, rector of a parish in Yorkshire, subsequently produced his celebrated translation of St Francis’s words for a Whitsuntide festival for school children in Leeds. The music was the work of Ralph Vaughan Williams, who based it upon a seventeenth-century tune from Cologne.

All creatures of our God and King,

Lift up your voice and with us sing,

Alleluia, alleluia!

Thou burning sun with golden beam,

Thou silver moon with softer gleam:

0 praise Him, 0 praise Him,

Alleluia, alleluia, alleluia!

Thou rushing wind that art so strong,

Ye clouds that sail in heaven along,

O praise Him, alleluia!

Thou rising morn, in praise rejoice;

Ye lights of evening, find a voice:

Thou flowing water, pure and clear,

Make music for thy Lord to hear,

Alleluia, alleluia!

Thou fire, so masterful and bright,

That givest us both warmth and light:

Dear mother earth, who day by day

Unfoldest blessings on our way,

O praise Him, alleluia!

The flowers and fruits that in thee grow,

Let them His glory also show:

And ye that are of tender heart,

Forgiving others, take your part,

O sing ye, alleluia!

Ye who long pain and sorrow bear,

Praise God, and on Him cast your care:

And thou, most kind and gentle death,

Waiting to hush our latest breath,

O praise Him, alleluia!

Thou leadest home the child of God,

And Christ our Lord the way has trod:

Let all things their creator bless,

And worship Him in humbleness;

O praise Him, alleluia!

Praise, praise the Father, praise the Son,

And praise the Spirit, Three in One:

William Henry Draper (1855-1933)

All people that on earth do dwell

This hymn, published in 1561, is based on Psalm 100 and has therefore come to be popularly dubbed ‘The Old Hundredth’. Its author was a Scottish-born minister in the Church of England who fled the country after the accession of the Catholic Queen Mary.

All people that on earth do dwell,

Sing to the Lord with cheerful voice:

Him serve with fear, His praise forth tell;

Come ye before Him and rejoice.

The Lord, ye know, is God indeed;

Without our aid He did us make;

We are His flock, He doth us feed,

And for His sheep He doth us take.

O, enter then His gates with praise,

Approach with joy His courts unto;

Praise, laud, and bless His name always,

For it is seemly so to do.

For why? the Lord our God is good,

His mercy is for ever sure;

His truth at all times firmly stood,

And shall from age to age endure.

William Kethe (d.1594)

All things bright and beautiful

Cecil Frances Alexander was an Irish hymn writer and poet who married William Alexander, Protestant bishop of Derry, in 1850. She bore her husband four children and, among other good deeds, helped her family to establish a school for ‘deaf and dumb’ children. She wrote some 400 hymns, among them such classics as ‘There is a green hill far away’ and ‘Once in royal David’s city’. The original third verse of this hymn, running ‘The rich man in his castle, / The poor man at his gate, / God made them, high or lowly, / And ordered their estate’, has long since been omitted.

All things bright and beautiful,

All creatures great and small,

All things wise and wonderful,

The Lord God made them all.

Each little flower that opens,

Each little bird that sings,

He made their glowing colours,

He made their tiny wings.

The purple-headed mountain,

The river running by,

The sunset, and the morning

That brightens up the sky:

The cold wind in the winter,

The pleasant summer sun,

The ripe fruits in the garden,

He made them every one.

The tall trees in the greenwood,

The meadows where we play,

The rushes by the water

We gather every day.

He gave us eyes to see them,

And lips that we might tell

How great is God Almighty,

Who has made all things well.

Cecil Frances Alexander (1818-95)

All we like sheep

Isaiah 53, perhaps more than anywhere else in the Old Testament, contains clear prophecy of the sufferings and coming to glory of Jesus Christ. This passage is seen as a description of the ‘Suffering Servant’, a role that, together with that of the conquering lordship of the expected Messiah, was uniquely fulfilled in Christ.

Handel used this passage in his oratorio, Messiah.

Who hath believed our report? and to whom is the arm of the LORD revealed?

For he shall grow up before him as a tender plant, and as a root out of a dry ground: he hath no form nor comeliness; and when we shall see him, there is no beauty that we should desire him.

He is despised and rejected of men; a man of sorrows, and acquainted with grief: and we hid as it were our faces from him; he was despised, and we esteemed him not.

Surely he hath borne our griefs, and carried our sorrows: yet we did esteem him stricken, smitten of God, and afflicted.

But he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him; and with his stripes we are healed.

All we like sheep have gone astray; we have turned every one to his own way; and the LORD hath laid on him the iniquity of us all.

He was oppressed, and he was afflicted, yet he opened not his mouth: he is brought as a lamb to the slaughter, and as a sheep before her shearers is dumb, so he openeth not his mouth.

He was taken from prison and from judgment: and who shall declare his generation? for he was cut off out of the land of the living: for the transgression of my people was he stricken.

And he made his grave with the wicked, and with the rich in his death; because he had done no violence, neither was any deceit in his mouth.

Yet it pleased the LORD to bruise him; he hath put him to grief: when thou shalt make his soul an offering for sin, he shall see his seed, he shall prolong his days, and the pleasure of the LORD shall prosper in his hand.

He shall see of the travail of his soul, and shall be satisfied: by his knowledge shall my righteous servant justify many; for he shall bear their iniquities.

Therefore will I divide him a portion with the great, and he shall divide the spoil with the strong; because he hath poured out his soul unto death: and he was numbered with the transgressors; and he bare the sin of many, and made intercession for the transgressors.

(Authorized [King James] Version)

Amazing grace

The first six verses of this hymn were the work of hymn writer John Newton; the last was a later addition by John P. Rees (1825-1900). Newton turned to the church after a dissolute life in which he had even operated as a slave-trader. As curate in the Northamptonshire village of Olney he dedicated himself to God’s work, refusing to retire due to ill-health even in his eighties, arguing ‘My memory is nearly gone, but I remember two things: that I am a great sinner, and that Christ is a great Saviour!’

This hymn is unique in having occupied the number one spot in the pop charts for a total of nine weeks in a version recorded by the pipes and drums of the Royal Scots Dragoon Guards in the early 1970s.

Amazing grace! how sweet the sound

That saved a wretch like me;

I once was lost, but now am found,

Was blind, but now I see.

‘Twas grace that taught my heart to fear,

And grace my fears relieved;

How precious did that grace appear,

The hour I first believed!

Through many dangers, toils and snares

I have already come:

‘Tis grace that brought me safe thus far,

And grace will lead me home.

The Lord has promised good to me,

His word my hope secures;

He will my shield and portion be

As long as life endures.

Yes, when this heart and flesh shall fail,

And mortal life shall cease,

I shall possess within the veil

A life of joy and peace.

The earth shall soon dissolve like snow,

The sun forbear to shine,

But God, who called me here below,

Will be for ever mine.

When we’ve been there a thousand years,

Bright shining as the sun,

We’ve no less days to sing God’s praise

Than when we first begun.

John Newton (1725-1807)

And can it be?

This hymn was among the very first of the 8000 or so hymns written by the great hymn writer Charles Wesley over the course of 50 years. It was probably conceived shortly after 21 May 1738, the day upon which Charles underwent a revelatory conversion to evangelicalism under the influence of the Moravian missionary Peter Boehler. It is also said to have been sung by Charles’ brother John on the evening of his own conversion some time later.

And can it be that I should gain

An interest in the Saviour’s blood?

Died He for me, who caused His pain?

For me, who Him to death pursued?

Amazing love! how can it be

That Thou, my Lord, shouldst die for me?

He left His Father’s throne above,

So free, so infinite His grace!

Emptied Himself of all but love,

And bled for Adam’s helpless race!

‘Tis mercy all, immense and free,

For, O my God, it found out me.

‘Tis mystery all! th’ Immortal dies!

Who can explore his strange design?

In vain the firstborn seraph tries

To sound the depths of love divine.

‘Tis mercy all! let earth adore;

Let angel minds inquire no more.

Long my imprisoned spirit lay

Fast bound in sin and nature’s night.

Thine eye diffused a quickening ray;

I woke – the dungeon flamed with light!

My chains fell off, my heart was free,

I rose, went forth, and followed Thee.

No condemnation now I dread;

Jesus, and all in Him is mine;

Alive in Him, my living Head,

And clothed in righteousness divine,

Bold I approach th’ eternal throne,

And claim the crown, through Christ my own.

Charles Wesley (1707-88)

Away in a manger

Extraordinarily, no one knows who wrote this hugely popular children’s Christmas carol, although the third verse is known to have been the work of John Thomas McFarland (1851-1913). Because it was first published in a Lutheran hymnal early in the nineteenth century it was assumed for many years that it was composed by Martin Luther himself, but this appears to be an erroneous attribution.

Away in a manger, no crib for a bed,

The little Lord Jesus laid down His sweet head;

The stars in the bright sky looked down where He lay –

The little Lord Jesus, asleep on the hay.

The cattle are lowing, the baby awakes,

But little Lord Jesus, no crying He makes.

I love Thee, Lord Jesus! Look down from the sky,

And stay by my side until morning is nigh.

Be near me, Lord Jesus: I ask Thee to stay

Close by me for ever, and love me, I pray;

Bless all the dear children in Thy tender care,

And fit us for heaven to live with Thee there.

Anonymous

Be baptized

This passage from Acts 2:38-42 contains the best-known call to discipleship from the early church. Peter, who had been fearful and timid, denying Christ three times, has been empowered by the Holy Spirit and is now proclaiming the good news boldly and fearlessly. The results are dramatic as many come to believe in Jesus Christ.

Peter said to them, ‘Repent, and be baptized every one of you in the name of Jesus Christ so that your sins may be forgiven; and you will receive the gift of the Holy Spirit. For the promise is for you, for your children, and for all who are far away, everyone whom the LORD our God calls to him.’ And he testified with many other arguments and exhorted them, saying, ‘Save yourselves from this corrupt generation.’ So those who welcomed his message were baptized, and that day about three thousand persons were added. They devoted themselves to the apostles’ teaching and fellowship, to the breaking of bread and the prayers.

Be still, my soul

Katharina Amalia von Schlegel was the canoness of a women’s seminary in post-Reformation Germany and a leading figure in the Pietist movement. This hymn became a great favourite among English speakers after being translated by Jane Laurie Borthwick (1813-97), a dedicated member of the Free Church of Scotland. It owes much of its success to its setting to Sibelius’ music Finlandia.

Be still, my soul: the Lord is on thy side;

Bear patiently the cross of grief or pain;

Leave to thy God to order and provide;

In every change He faithful will remain.

Be still, my soul: thy best, thy heavenly friend

Through thorny ways leads to a