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Flatland: A Romance of Many Dimensions
Flatland: A Romance of Many Dimensions
Flatland: A Romance of Many Dimensions
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Flatland: A Romance of Many Dimensions

Rating: 3.5 out of 5 stars

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The beloved science fiction classic

In Flatland, the more sides a man has, the more powerful he is. Triangles are laborers and soldiers. Squares and pentagons are middle-class doctors and lawyers. Hexagons are nobility. Women, however, are straight lines, incapable of advancement in a two-dimensional world. Everything in Flatland is clear-cut and orderly, until the day an average citizen—a Square—dreams of a land of three dimensions. If three dimensions are possible, why not four? Or one? Soon, the Square’s provocative imagination and corresponding adventures threaten to turn the whole of Flatland against him.
 
First published in 1884, two decades before Einstein’s theory of relativity defined time as the fourth dimension, Edwin Abbott’s Flatland is both a prescient exploration of the unseen and a delightful skewering of Victorian social strictures.
 
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LanguageEnglish
Release dateJul 1, 2014
ISBN9781453253939
Author

Edwin Abbott Abbott

Edwin Abbott (1838–1926) was an English educator and theologian best known for his 1884 novella Flatland: A Romance of Many Dimensions, a forerunner of modern science fiction. 

Read more from Edwin Abbott Abbott

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Reviews for Flatland

Rating: 3.6777777777777776 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    The life and times of a nobleman in 2d, a very interesting view of how dimensions work and how life could work out in a flat sheet
  • Rating: 5 out of 5 stars
    5/5
    As one interested in mathematics in sci-fi, this book has been on my to read list for some time. I’m glad I finally got around to reading it. It is unique and a bit difficult to describe. Partly it is a satire of English culture in 1884. Partly it is anthropomorphizing geometric figures, with surprisingly convincing results. That’s the sci-fi, Abbott’s imagined universe. But basically it is a very clever mathematical proof of the existence of God. Having recently read Frankenstein, I was delighted at the main character’s, A. Square, description of himself as “a second Prometheus.”
  • Rating: 3 out of 5 stars
    3/5
    Very strange, unique, and interesting.
  • Rating: 3 out of 5 stars
    3/5
    It was a fun re-read, I read it first about 100 years ago while in high school. Published in 1884, it usually gets categorized as Science Fiction, but it’s a social satire that skewers Victorian mores, especially how women were viewed by that society. And it examines dimensions. The main character is a 2 dimensional square who has a glimpse of the 3rd dimension, which sets him thinking in a new way.

    It’s a pleasant little story.
  • Rating: 4 out of 5 stars
    4/5
    Many people, when discussing complicated issues like religion or god, do not understand what it means to observe an entity that exists in a space that has one dimension more than themselves. Conversely, they often do not consider what it means to understand how they might be seen by an entity that exists in a space with one dimension less than their own. While these points are not surprising on their own -- beings in other dimensions are not obvious things! -- what is surprising is the lack of use of this information by those who advocate the existence of such beings (ie. God). I think Flatland provides fodder for many deists but is, unfortunately, neglected by the same.
  • Rating: 4 out of 5 stars
    4/5
    A bit dry, but an excellent way to get interested in geometry. Goes well with Euclid.
  • Rating: 2 out of 5 stars
    2/5
    I heard the audio book of Flatland and I found it very basic in terms of Geometry. I did like the author's creativity in creating the 1- and 2-dimensional world.
  • Rating: 4 out of 5 stars
    4/5
    I started reading this book thinking that I was just going to get a quick humorous read on geometry. I didn't expect a short story told from the point of view of a square in a plane to hold so many interesting questions ranging in subject: from metaphysics and religion to discrimination.This short book is definitely worth reading.
  • Rating: 4 out of 5 stars
    4/5
    This is a short late 19th century concept novel, based on the imaginary thoughts of an inhabitant (a Square) of a land of two dimensions and the conversations he has with the Sphere, a being from Spaceland, a world of three dimensions. Lineland and Pointland also make appearances. I appreciated the author's intent in trying to show how the concept of dimension entirely governs one's notion of the universe; at the same time, I was amused by how the author's natural assumptions of nineteenth century middle class life governed even these other dimensional worlds; so, the Square's household (his wife is a line, his sons pentagons and his grandsons hexagons) has servants (triangles) and there is a criminal underclass of isosceles triangles. Even Lineland has a King. Pointland is (naturally) just a single being unaware of the existence of any other being. Simultaneously interesting and amusing little book.
  • Rating: 3 out of 5 stars
    3/5
    Interesting novella, a sort of mixture of science fiction/social commentary and a Dummy's guide to dimensions and relativity.Very , very clever.
  • Rating: 1 out of 5 stars
    1/5
    I suspect it's an effect of this book having been written in the 1880's with language having changed quite a bit in the intervening time, but I found this book completely impenetrable - I only made it through 17 pages before giving up. Quite disappointing, as I was looking forward to it and was expecting it to be interesting.
  • Rating: 4 out of 5 stars
    4/5
    Impressed with how the author uses fiction to explain a complex concept and provoke thought.
  • Rating: 2 out of 5 stars
    2/5
    The first half of this book appears to be an allegory of victorian class and gender discrimination, with some additional political things thrown in that went over my head but probably made sense to contemporary readers. For example, was the thing about colors and equality talking about the French revolution?The second half is a comparison of worlds of different dimensions from the viewpoint of someone living in a two-dimensional world. This part is easier to understand, but it's a bit overdone. I got the concept after a few pages, and after a while it felt repetitive.
  • Rating: 3 out of 5 stars
    3/5
    Flatland. A nice read. A nice suggestion from a friend. At one point early in the book, when the narrator describes the lot of women in Flatland (and the “obvious” reasons for that lot) I could not help but think back to time spent in Qatar and the points of reference historically, socially and religiously describing the view of women in Islamic and Arabic cultures.I thought the mathematic and geometric explanations were masterful. I was struck by the powerful description of the way in which the paradigm with which we view the world limits our ability to comprehend certain things, while for others with a different paradigm, it is a matter of course. The various passages related to this theme reminded me of two works which have affected me a great deal: George Engel’s description of the his biopsychosocial model for medicine in “Where You Think You Stand Determines What You Think You See” – and Thomas Kuhn’s Structure of Scientific Revolutions.I smiled and laughed at one point during the description of Lineland, when it was pointed out “once a neighbor, always a neighbor.” I immediately thought Lineland would necessarily have to be rampant with incest and homosexuality (or both simultaneously) until the author (or Lineland Monarch) anticipated my thoughts and described the marriage and mating rituals and processes. I breathed a sigh of relief and read on.A brief, but enjoyable book.
  • Rating: 2 out of 5 stars
    2/5

    Six out of ten.

    Flatland is a two-dimensional world with a strict hierarchy of shapes and rules. The first half of the book is 'A Square' explaining in detail how the world of Flatland works. However, in the second half of the book his understanding of the world is ripped apart by trips to Lineland, Pointland and a possible world of three-dimension.Amazingly innovative. The book is meant as a parody of Victorian society that believed it had reached the edge of all human knowledge.

  • Rating: 3 out of 5 stars
    3/5
    I expected this book to be about the mathematics and physics of life in a two dimensional universe. Although there is some (well quite a lot, I guess) of this, it is mainly a satire on life in Victorian England. Despite my initial expectations being confounded, I did enjoy the book, which is very thought provoocing: I had a few "hand on chin" moments while reading it.

    Enjoyable and recommended, but I still want to read a book more specifically about how life might evolve in two dimensions.
  • Rating: 5 out of 5 stars
    5/5
    Absolutely brilliant - a true masterpiece. The premise is so simple - just the basics of elementary school mathematics. Abbott makes characters out of basic shapes with such diversity and far reaching social commentaries that are as relevant today as it was in the time in which he wrote it.
  • Rating: 3 out of 5 stars
    3/5
    I had such high hopes for this book. I figured any speculative fiction that stood the test of time so well must be something really special. Instead, I got porn for math geeks. The whole first half of the book, a description of the inhabitants of Flatland, might have been more interesting if the details were revealed through narrative, but the explanations and diagrams would make a good cure for insomnia. The second half was more interesting, and indeed the last bits were exciting. But the cost to get there was too much.
  • Rating: 5 out of 5 stars
    5/5
    A short, surreal trip that makes me very curious and almost suspicious about life. Never before have I enjoyed geometry so much, and I'll probably never look at it the same way again.
  • Rating: 4 out of 5 stars
    4/5
    Very interesting concept...the world of two-dimensional shapes explained by a square (named, appropriately enough, A. Square) who visits other planes and dimensions (Pointland, Lineland, and Spaceland). While it makes some valid points about humanity's false sense of superiority and true ignorance of higher consciousnesses, I could not overlook the blatant sexism. Yes, yes, I know it's supposed to be a parody of Victorian society, where women were shamelessly repressed and thought of as inferior to men, but I could not help bristling when I read "...among Women, we use language implying the utmost deference for their Sex...but behind their backs they are both regarded and spoken of - by all except the very young - as being little better than 'mindless organisms.' " The women in Flatland are ruled by emotions such as love and morality, which are thought to be silly ideas by the men who abide solely by logic. Parody or not, I cannot forgive the author for this. So, Mr. Abbott, if you were alive I would have this to say to you: "Your mother was a hamster, and your father smelt of elderberries." So there.
  • Rating: 3 out of 5 stars
    3/5
    This was so weird! Very different... and a quick read. It's about a man who lives in a very strictly ordered society in a world of 2 dimensions. He visits worlds of other numbers of dimensions... Lots of details included about what life might be like... even illustrations!
  • Rating: 3 out of 5 stars
    3/5
    A two-dimensional being records his journeys throughout various dimensions.Given his experience with the line I would have thought he would be more open to the possibility of a 3rd dimension.
  • Rating: 4 out of 5 stars
    4/5
    This is a very original book, where you will think in geometric figures at every line. It also sounds quite modern even if it was written in 1884. Its satirical tone makes it a priceless reading jewel and I would certainly recommend it.
  • Rating: 4 out of 5 stars
    4/5
    It is difficult to imagine fourth spatial dimension, much less 11 that string theory suggests, but just because we cannot even conceive the idea doesn't mean it is not possible. After all, a being in flatlat finds our three dimensional world as unfathomabe as we find multi-dimensional world. Flatland is a short and simple read but opens mind to fantasy world of no dimension (pointland), one dimension (lineland) and two dimensions (flatland). Author's imaginations conjure up social hierarchy, ruling structure, culture and history of a fictional world forcing the reader to stretch his imaginations. An quick enjoyable stimulating read that will leave you smiling and thinking in the end.
  • Rating: 2 out of 5 stars
    2/5
    Meh. Not great, but it's a really short read and somewhat entertaining. The "flatland" society is actually rather horrific, full of eugenics and chauvinism, but the story is kind of fun. I wouldn't discourage you from reading it, but I'm not going to run around shouting that this is the best book ever.
  • Rating: 4 out of 5 stars
    4/5
    Flatland is a delightful book, the only that I know of that is narrarated by a two dimensional square. It provides a lesson in geometry and understanding dimensions. But it also operates, subtly, on another level, providing perhaps a tongue in cheek commentary on the British class system and social/sexual relations. It's politically incorrect at times, if taken seriously and not as a satire, but it's a lot of fun.
  • Rating: 5 out of 5 stars
    5/5
    In process:I read this book about 40 to 50 years ago.What a mind opener/expander!
  • Rating: 4 out of 5 stars
    4/5
    A wonderful philosophical novel which is a must read classic. This is basically the best book without real people that you are ever going to see. Abbott may be completely out of his mind, but he knows what he's talking about.
  • Rating: 3 out of 5 stars
    3/5
    Deservedly a classic of popular mathematics, Flatland makes the problem of multiple dimensions into a comprehensible adventure of sorts. It's a great concept and something everyone should read about at some point.

    However, there are much better books today from which you could learn the basics of Flatland. Being a product of the late 19th century, the book is saddled with stuffy, annoying prose; outdated and distracting satire; and only a marginally interesting "plot".

    If you've heard about the book in the context of a work which covered the same ideas of how to think about dimensionality and other presumably unthinkable concepts, you can probably skip Flatland, as not much else about it is worthwhile.
  • Rating: 2 out of 5 stars
    2/5
    .I get it that this story of a two dimensional world is a metaphor for the superficiality and the divisiveness of the social structure of our three dimensional world. Did not like it at all.

Book preview

Flatland - Edwin Abbott Abbott

PART 1

THIS WORLD

SECTION 1

Of the Nature of Flatland

I CALL OUR WORLD Flatland, not because we call it so, but to make its nature clearer to you, my happy readers, who are privileged to live in Space.

Imagine a vast sheet of paper on which Straight Lines, Triangles, Squares, Pentagons, Hexagons, and other figures, instead of remaining fixed in their places, move freely about, on or in the surface, but without the power of rising above or sinking below it, very much like shadows—only hard with luminous edges—and you will then have a pretty correct notion of my country and countrymen. Alas, a few years ago, I should have said my universe, but now my mind has been opened to higher views of things.

In such a country, you will perceive at once that it is impossible that there should be anything of what you call a solid kind, but I dare say you will suppose that we could at least distinguish by sight the Triangles, Squares, and other figures, moving about as I have described them. On the contrary, we could see nothing of the kind, not at least so as to distinguish one figure from another. Nothing was visible, nor could be visible, to us, except Straight Lines; and the necessity of this I will speedily demonstrate.

Place a penny on the middle of one of your tables in Space, and leaning over it, look down upon it. It will appear a circle.

But now, drawing back to the edge of the table, gradually lower your eye (thus bringing yourself more and more into the condition of the inhabitants of Flatland), and you will find the penny becoming more and more oval to your view, and at last when you have placed your eye exactly on the edge of the table (so that you are, as it were, actually a Flatlander), the penny will then have ceased to appear oval at all and will have become, so far as you can see, a Straight Line.

The same thing would happen if you were to treat in the same way a Triangle, or a Square, or any other figure cut out from pasteboard. As soon as you look at it with your eye on the edge of the table, you will find that it ceases to appear to you as a figure, and that it becomes in appearance a Straight Line. Take, for example, an equilateral Triangle—who represents with us a Tradesman of the respectable class. Figure 1 represents the Tradesman as you would see him while you were bending over him from above; figures 2 and 3 represent the Tradesman as you would see him if your eye were close to the level or all but on the level of the table; and if your eye were quite on the level of the table (and that is how we see him in Flatland), you would see nothing but a Straight Line.

When I was in Spaceland, I heard that your sailors have very similar experiences while they traverse your seas and discern some distant island or coast lying on the horizon. The far-off land may have bays, forelands, angles in and out to any number and extent; yet at a distance you see none of these (unless, indeed, your sun shines bright upon them, revealing the projections and retirements by means of light and shade), nothing but a grey unbroken line upon the water.

Well, that is just what we see when one of our triangular or other acquaintances comes toward us in Flatland. As there is neither sun with us, nor any light of such a kind as to make shadows, we have none of the helps to the sight that you have in Spaceland. If our friend comes closer to us, we see his line becomes larger; if he leaves us, it becomes smaller; but still he looks like a Straight Line, be he a Triangle, Square, Pentagon, Hexagon, Circle, what you will—a straight line he looks and nothing else.

You may perhaps ask how under these disadvantageous circumstances we are able to distinguish our friends from one another, but the answer to this very natural question will be more fitly and easily given when I come to describe the inhabitants of Flatland. For the present, let me defer this subject and say a word or two about the climate and houses in our country.

SECTION 2

Of the Climate and Houses in Flatland

AS WITH YOU, SO also with us, there are four points of the compass: North, South, East, and West.

There being no sun nor other heavenly bodies, it is impossible for us to determine the North in the usual way, but we have a method of our own. By a Law of Nature with us, there is a constant attraction to the South; and, although in temperate climates this is very slight—so that even a Woman in reasonable health can journey several furlongs northward without much difficulty—yet the hampering effort of the southward attraction is quite sufficient to serve as a compass in most parts of our earth. Moreover, the rain (which falls at stated intervals) coming always from the North is an additional assistance; and in the towns, we have the guidance of the houses, which of course have their sidewalls running for the most part North and South so that the roofs may keep off the rain from the North. In the country, where there are no houses, the trunks of the trees serve as some sort of guide. Altogether, we have not so much difficulty as might be expected in determining our bearings.

Yet in our more temperate regions, in which the southward attraction is hardly felt, walking sometimes in a perfectly desolate plain, where there have been no houses nor trees to guide me, I have been occasionally compelled to remain stationary for hours together, waiting till the rain came before continuing my journey. On the weak and aged, and especially on delicate Females, the force of attraction tells much more heavily than on the robust of the Male Sex, so that it is a point of breeding; if you meet a lady on the street, always to give her the North side of the way—by no means an easy thing to do and always at short notice when you are in rude health and in a climate where it is difficult to tell your North from your South.

Windows there are none in our houses: for the light comes to us alike in our homes and out of them, by day and by night, equally at all times and in all places, whence we know not. It was in old days, with our learned men, an interesting and oft-investigated question, What is the origin of light? and the solution of it has been repeatedly attempted, with no other result than to crowd our lunatic asylums with the would-be solvers. Hence, after fruitless attempts to suppress such investigations indirectly by making them liable to a heavy tax, the Legislature, in comparatively recent times, absolutely prohibited them. I—alas, I alone in Flatland—know now only too well the true solution of this mysterious problem, but my knowledge cannot be made intelligible to a single one of my countrymen, and I am mocked—I, the sole possessor of the truths of Space and of the theory of the introduction of Light from the World of three Dimensions—as if I were the maddest of the mad! But a truce to these painful digressions: let me return to our homes.

The most common form for the construction of a house is five-sided or pentagonal, as in the annexed figure. The two Northern sides—RO, OF—constitute the roof, and for the most part have no doors; on the East is a small door for the Women; on the West a much larger one for the Men; the South side or floor is usually doorless.

Square and triangular houses are not allowed, and for this reason: The angles of a Square (and still more those of an equilateral Triangle), being much more pointed than those of a Pentagon, and the lines of inanimate objects (such as houses) being dimmer than the lines of Men and Women, it follows that there is no little danger lest the points of a square or triangular house residence might do serious injury to an inconsiderate or perhaps absentminded traveler suddenly running against them; therefore, as early as the eleventh century of our era, triangular houses were universally forbidden by Law, the only exceptions being fortifications, powder magazines, barracks, and other state buildings, which is not desirable that the general public should approach without circumspection.

At this period, square houses were still everywhere permitted, though discouraged by a special tax. But about three centuries afterward, the Law decided that in all towns containing a population larger than ten thousand, the angle of a Pentagon was the smallest house angle that could be allowed consistently with the public safety. The good sense of the community has seconded the efforts of the Legislature; and now, even in the country, the pentagonal construction has superseded every other. It is only now and then, in some very remote and backward agricultural district, that an antiquarian may still discover a square house.

SECTION 3

Concerning the Inhabitants of Flatland

THE GREATEST LENGTH OR breadth of a full-grown inhabitant of Flatland may be estimated at about eleven of your inches. Twelve inches may be regarded as a maximum.

Our Women are Straight Lines.

Our Soldiers and Lowest Class of Workmen are Triangles with two equal sides, each about eleven inches long, and a base or third side so short (often not exceeding half an inch) that they form at their vertices a very sharp and formidable angle. Indeed, when their bases are of the most degraded type (not more than the eighth part of an inch in size), they can hardly be distinguished from Straight Lines or Women; so extremely pointed are their vertices. With us, as with you, these Triangles are distinguished from others by being called Isosceles, and by this name I

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