Teens Speak Boys Ages 16 to 18: Sixty Original Character Monologues
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About this ebook
Are you a jock? A geek? A ladies' man? A slob? Doesn't matter. This book covers everything! To make your search for the right monologue easy, we've created this series of one- to two-minute monologues. Follow several very different characters through various scenarios (friends, family, school, strangers, siblings, and more) with both dramatic and hilarious results.
Kristen Dabrowski
KRISTEN DABROWSKI is a writer, actress, teacher, and director residing in New York City. Her books with Smith and Kraus include The Ultimate Monologue Book for Middle School Actors Volume I: 111 One-Minute Monologues, The Ultimate Audition Book for Teens Volume III: 111 One-Minute Monologues, Twenty 10-Minute Plays for Teens Volume 1 , the Teens Speak Series (four books), and the educational 10+Play Series (six books). She is a member of the Dramatists Guild and Actors Equity.
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Teens Speak Boys Ages 16 to 18 - Kristen Dabrowski
Dabrowski
ANDREW J. BAKER
Andrew is an upper-class kid at boarding school. His parents are technically together but rarely in the same state at the same time. He has an older sister.
FOUR POINT O
Andrew, semicomic
At school, talking to friends.
OK. One cough means true, two means false. If A is the correct answer, press one finger to your temple like so. (Demonstrates.) B is two fingers to your temple and so on. To indicate that we’re moving to the next question, stretch like you’re yawning. We’re always half asleep in Farber’s class anyway. And, for God’s sake, try to look casual. Like you’re thinking. Last time, you couldn’t be more obvious, Ryan. It’s a miracle we weren’t caught. We can’t take that chance again.
Once again, if I get an A average, in case anyone has forgotten, I will get a new car of my choice. That means beer runs, that means girls in the backseat. Get my drift? Do you need me to say it again? Now don’t mess this up. I’m counting on you. We have to work together if we’re going to pull this off. Let’s make this happen, men.
FOR THE RECORD
Andrew, dramatic
At school, talking to a teacher.
Listen, I didn’t want to point this out, Mr. Farber, but my parents pay your salary. They make twenty times what you make, I’m sorry to say. I point this out because they are not going to be happy about you reporting this so-called rule breaking. They expect me, fully expect me, to go to Princeton. This little situation could potentially change that. I’m sure the Dean would agree. I’d be happy to mention it to him next time he plays golf with my dad and me.
I’m sorry to be such a—well, you would call me a punk, wouldn’t you?—-but these things have to be said. The truth is an ugly thing. You always tell us, correctly, that life is unfair. It is, isn’t it, Mr. Farber? This is an ugly and unfair world. But one where my academic record has to remain absolutely clean. Immaculate.
I’m serious, sir. This is no joke. (Beat.) You can’t do this! You are going to be very, very sorry.
HOT NIGHT
Andrew, comic
At his dorm, talking to his friends.
I am so sick. That was an excellent party, Graves. Seriously excellent. You really came through for us, buddy. Why didn’t you tell us that your sister is hot? And her friends … You are a lucky man, Graves. I’m not going to be able to walk for a week. I can’t even remember getting home! Someone tell me if I had as good a time as I think!
No. Be serious. No, man, be serious! Don’t mess with my head. This is not a good day. Tell it like it happened.
I did not spend the night sleeping on the bathroom floor with your dog! No way! I remember a hot chick. A brunette bomb-shell.
Stop it now. I mean it. No way did it go down like that. I hate you guys. I really do. You’re full of it. Don’t even talk to me.
PLANS
Andrew, comic
At school, talking to a friend.
Politics. Definitely politics. Can’t you just see it? Kissing babies, shaking hands, some society girl who went to Vassar on my arm and a babe waiting at a hotel? That’s the life. You just smile and say speeches other people wrote for you. I could really enjoy being a figurehead.
Why do you ask