Confessions Of An English Opium-Eater

By Thomas De Quincey

Nightmares, confessions, hallucinations, and laudanum-induced fears—Thomas De Quincey’s Confessions of an English Opium-Eater remains an influential autobiography studied by psychologists, addiction specialists, historians and sociologists alike. Published in 1821, De Quincey’s debut work on his own addiction and the effects of drugs on creativity set a unique tone for modern literature.

Revealing the power of the subconscious and freedom of artistic self-expression, De Quincey shares the pleasures of opium, along with the struggles of addiction and the ability of the human imagination. Confessions of an English Opium-Eater’s overwhelming success influenced writers such as Charles Baudelaire, Edgar Allan Poe and William S. Burroughs.

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• Language: English
• Publisher: HarperCollins
• Release date: Jan 21, 2014
• ISBN: 9781443432740

Thomas De Quincey

Thomas De Quincey was born in Manchester in 1785. Highly intelligent but with a rebellious spirit, he was offered a place at Oxford University while still a student at Manchester Grammar School. But unwilling to complete his studies, he ran away and lived on the streets, first in Wales and then in London. Eventually he returned home and took up his place at Oxford, but quit before completing his degree. A friend of Coleridge and Wordsworth, he eventually settled in Grasmere in the Lake District and worked as a journalist. He first wrote about his opium experiences in essays for The London Magazine, and these were printed in book form in 1822. De Quincey died in 1859.

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Reviews for Confessions Of An English Opium-Eater

[edwinbcn · Rating: 4 out of 5 stars]

When it comes to reading Confessions of an English Opium Eater the choice of edition is of considerable interest. Short of money and in need to sustain his habit De Quincey wrote it is a frenzy in 1821. More than 30 years later, in 1856, he revised it, and it is widely agreed that in doing so he spoilt it. That is why in most modern editions the text will be that of the 1821 version.While nowadays there are many books describing first-hand experience with drugs, either describing experimenting with drugs or a life-destroying habit, Confessions of an English Opium Eater was the first of its kind. It set an example to Beaudelaire, Aldous Huxley and Burroughs & Ginsberg to name just a few of the early writers, although they are mainly experimenters who did not suffer a life-long, destructive addiction, with the exception of William Burroughs. The 1970s saw the publication of long-term heroine addicts, often held up to frighten. While the Twentieth century was the age of marihuana, heroine and cocaine, the Nineteenth century was the age of opium.Thomas de Quincey was not an outlier or exception in his drug habit. The use of opium in the form of laudanum was widespread, and many prominent figures, including Samuel Coleridge struggled with a life-long addiction and had to kick-off to become clean. But Thomas de Quincey was the first to write about it from his own experience. De Quincey also mentions Coleridge in his book, as they were contemporaries and knew each other well.One of the main tenets of De Quincey about the effects of opium and the kind of hallucinatory effects it brings about is that the user's past is the substrate for their hallucinatory experience. Most of the revisions of 1856 are in adding more biographical detail, to describe the foundations of his life, and thus the foundations of the effects that sprang up into his mind under the influence of the drug.In the first part, De Quincey sets out to give a short autobiographical sketch. This is followed by a short description entitled "The Pleasures of Opium in which he describes the beginning of his addiction, namely as a relief for a tooth ache and how the prescription opened the doors to "the Paradise of Opium-eaters" (p. 70). In this part he provides some basic facts about the usage and the way laudanum was used, the cost, and he debunks some myths about drug addiction held in his time.Like Samuel Johnson, De Quincey rose from the state of a tramp to a man at the centre of the literary world. De Quincey had had a good education, but had run away from home. In his later life he became a member of the circle around Wordsworth and Coleridge. The passage about the pleasures of opium has some delightful descriptions of society and cultural life in the late 18th and early 19th century.De Quincey first started using opium in 1804, and between 1804 and 1812 used is unencumbered and occasionally. However, from 1813 he started taking it daily and developed an unbreakable addiction. He describes this in the next section entitled "Introduction to the pains of opium".his then, let me repeat, I postulate - that, at the time I began to take opium daily, I could not have done otherwise. Whether, indeed, afterwards I might not have succeeded in breaking off the habit, even when it seemed to me that all efforts would be unavailing, and whether many of the innumerable efforts which I did make, might not have been carried much further, and my gradual reconquests of ground lost might not have been followed up much more energetically - these are questions which I must decline. Perhaps I might make out a case of palliation; but, shall I speak ingenuously? I confess it, as a besetting infirmity of mine, that I am too much of an Eudaemonist: I hanker too much after a state of happiness, both for myself and others: I cannot face misery, whether my own or not, with an eye of sufficient firmness: and am little capable of encountering present pain for the sake of any reversionary benefit.Like Coleridge, De Quincey was a very erudite man, and it is perhaps not well known that both English writers shared a profound interest in German metaphysics, reading Kant, Fichte, Schelling etc and translated some of their works in English. The prose of De Quincey reflects his broad knowledge of the scholarly side but also the contemporary scene, and good notes as provided by an annotated edition are indispensible.The final part "The pains of opium" describes how he became fully dependent on opium, taking ever larger doses. It also vividly describes some of his hallucinations, however, this is not the main point of the book as whole. Readers who are specifically hoping to find these descriptions may be underwhelmed by the book. Confessions of an English Opium Eater is a classic because of its masterly prose, describing all aspects of De Quincey's experience with opium, of which the hallucinatory state is a part.I read two editions of Confessions of an English Opium Eater, as Penguin Books re-issued the book in its Penguin Classics series in a new, and very different edition. Although cataloguing on LT suggests some division, it seems editions are also mixed up quite considerable.The two Penguin Classics editions are complementary, and it is worth reading both of them. Both editions are based on the 1821 version of De Quincey's Confessions of an English Opium Eater.The 1971 edition (reprinted in 1986) was edited by Alethea Hayter. This edition has an introduction of about 25 pages, followed by the 1821 text of Confessions of an English Opium Eater taking about 90 pages, which is followed by two interesting appendices and a short section of notes, including notes on both appendices. Appendix A consists of notes, letters and articles commenting on the 'confessions' between 1821 and 1855. They include comments by other writers who mentioned the work or comments by De Quincey. Appendix B consists of a selection of substantial revisions that De Quincey made in the 1856 revision. As mentioned above, it is widely considered that the revisions had a spoiling effect. They are seen as distractions and dilutions of the original text. They mainly consist in adding more biographical detail, sometimes of a rather sentimental nature.In 2003, Penguin Books published a new edition in its Penguin Classics series. The new edition is entirely different from the 1971 edition. The 2003 edition was edited by Barry Milligan. Like the 1971 edition it takes the 1821 version of Confessions of an English Opium Eater as its basics text (88 pages). This is preceded by a much longer introduction by the editor, in 44 pages.Obviously, his opium addiction was a life-long obsession to Thomas De Quincey. The Penguin Classics 2003 edition is an extended edition, and the extension is reflected in the title of the edition, namely Confessions of an English Opium Eater and Other Writings. The other writings consist of two sequels that De Quincey wrote, namely Suspira de Profundis and The English Mail-Coach. It seems a wry biographical detail that De Quincey’s son Horace De Quincey died in military service in China in 1842 during the Opium War.As mentioned above, one of the main tenets of De Quincey about the effects of opium and the kind of hallucinatory effects it brings about is that the user's past is the substrate for their hallucinatory experience. Suspira de Profundis is an unfinished fragment of about 100 pages, intended as a sequel to the ‘Confessions’. It consists of two parts, the most substantive of which is Part 1 “The affliction of childhood”. Although unfinished, it was published in Blackwood’s in 1845.Although Thomas de Quincey was not a Victorian writer, some of his later works appeared during the Victorian period. The English Mail-Coach, or The Glory of Motion is a kind of long essay of 55 pages about transportation in the 18th and early 19th centuries. It is of interest to readers of early Victorian fiction because it describes the experience of travelling by mail-coach. During the first quarter of the 19th century this mode of transportation was soon replaced by the rail roads. Both the mail-coach and the rail roads as an up-coming phenomenon played an important part in early Victorian writing, particularly as the rail roads enabled characters in Victorian fiction to swiftly travel between London and the countryside. De Quincey wrote this as a sequel to Confessions of an English Opium Eater because it illustrates a further element of his autobiographical experience underlying his hallucinations.The 2003 edition of Confessions of an English Opium Eater and Other Writings is concluded with a short appendix of some short sections on “Opium in the Nineteenth Century”, “Opium and the medical professions” and “Opium and the orient” followed by notes.

[juva_3 · Rating: 2 out of 5 stars]

This is what memoirs were like when people still valued privacy and human dignity: In a word, boring. Primed by many modern drug-fueled memoirs, I picked up this book with pleasurable anticipation. It's just so... drrrrryyyyy. The author basically started doing opium for fun, but later he had some health concerns and began taking it regularly for pain relief. This is a pretty bad idea guys, because it's hella habit-forming.Anyway, he eventually got off it after suffering a lot. The end.

[william345 · Rating: 3 out of 5 stars]

3.5 stars. One can see why Confessions was such a favorite among the drug-addled youngsters of the 60s and 70s. The title is catchy but--surprise!--its not primarily a book about drug experiences, only the last 20 or so pages plumb that. It's about suffering, homelessness, and penury. There were passages that reminded me of 1993's Travels With Lizbeth by Lars Eighner, a wonderfully written book about homelessness.

The class system of Britain, thank God it's dying, systemically prevented true eleemosynary activity. Anyone deemed to be a victim of their own excess was not considered worthy of care. As de Quincey states: The stream of London charity flows in a channel which, though deep and mighty, is yet noiseless and underground; not obvious or readily accessible to poor houseless wanderers; and it cannot be denied that the outside air and framework of London society is harsh, cruel, and repulsive. It took me ten pages to acclimate to the slightly archaic diction, but once I did the reading was enjoyable. There's a guardedness about certain episodes in the author's life which evoked wonder and curiosity in this reader. He focuses on opium addiction almost to the utter exclusion of everything else. The focus is laser-like. Recommended.

[wonderperson · Rating: 4 out of 5 stars]

A good attempt to write an honest account of what it is like to live as a Male Lifelong Opium Eater; that is in drops of Red Poison Tincture gotten from the Chemist, whose first use was to relieve the pain of toothache.
Da Quincey is less inclined to open his heart as to the negative effects of Opium which he defends to the end and even tries to take himself off it- a difficult exercise which leads to much suffering which he details in his book.
The Author is nomadic, homeless (what you would get today), independent, suffering the full effect of uninhibited memory release as a result of the Opium.
When he tries to come off it as if Memories buried beneath the fog of the drug come to the surface.
A very interesting book and one of many I am reading into the lives of those who are addicted.

[jhudsui_1 · Rating: 3 out of 5 stars]

Back in the 19th century Erowid trip reports featured a lot more orientalism and bragging about how much Ancient Greek you knew but were otherwise essentially as we know them now.

[jonpgorman · Rating: 1 out of 5 stars]

i found this book to be very dry and difficult to get through

[p_s_patrick · Rating: 4 out of 5 stars]

This is the autobiography of Thomas de Quincey, a 19th century intellectual who indulged in opium use for a large proportion of his life. The book only gets onto the opium after half way through, and spends a while detailing his childhood and younger years. Smaller sections toward the end give account of the pleasures and pains of opium, and are just as interesting to read as the earlier parts. What is distinctive of this book is the apparent candor with which the author writes, the details of his thoughts and feelings through the various times in his life, and his observations on human nature. This is as much a view onto life in the period as it is a view onto the life of Quincey, and as it also contains his views of literary contemporaries, it should be of interest to fans of literature of this time.