Troubadour
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About this ebook
A tale of a troubadour's view of life and earth and its impending cataclysmic fall and a journey to find his lost second-self...
Obinna Mgbeahurike
A poet, Free Thinker, Administrator, Economics and Engineering Enthusiast. Obinna Holds a Bachelor of Arts in English & Literature and did his research work on African Poetry and Drama.He has a strong affinity for African oral poetry culture and borrows dense, surreal and sometimes, personal imagery from it. He is a firm believer in art without boundaries so his work in usually heavily infused with languages, esoteric imagery, alphabets, mythology, art, music, cosmology, cosmogonoy, theology and philosophy.He has been writing poetry for over 15 years.
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Troubadour - Obinna Mgbeahurike
Troubadour
Obinna Onyekachi Mgbeahurike
○ ○ ○ ○ ○
SMASHWORDS EDITION
○ ○ ○ ○ ○
ISBN 9781301535170
Copyright © 2013 Obinna Onyekachi Mgbeahurike
All rights reserved, including the right to reproduce this work, in whole or in part, in any form.
This is a work of fiction. All characters, events, organizations and products depicted herein are either a product of the author’s imagination, or are used fictitiously.
Dedication
To All voices in the eternal struggle…
Emma & Antee – Teacher and Mother
T
he first strophe of 24 movements (in which the tale is somber, ominous and tells of destruction)
I
(faint lights with The Requiem Mass in D minor (K. 626) in background)
Caller I: cursed chatter pelting-
words cascading in torrents
like rain on tin roofs
behind stages: organs
whispering requiem: dies irae
in soft faint notes…
death distils in the air as
insistent omens of once
lightened drama now
sinister bent…
behind the plot of the mask-
madmen money misery
before the plot of the mask-
habits princes innocence
tongue has tasted the broth
hand has pilfered the till
unsweetened waters now mead
drunkenness gives broom
to sweep the stages
as this tragic motions begin…
II
Caller II: without beak with
out tongue lame ducks have caa-ed
louder than a congress of bonobos
& the stench of rotten teeth rise
to the nose (who can doubt a smell
without hand covering the nose…)
and the conductor showeth:
Un manque d’énergie considérable
par rapport à celle de Toscanini.
Pourtant la prise de son
aurait du lui être favorable…
ping-ponging between
larghissimo e prestissimo…
as the bland audience leave
hurriedly before his grand chorus:
le travail de la