Kwan-yin
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Stella Benson
Stella Benson (1892-1933) was an English feminist poet, travel writer, and novelist. Born into a wealthy Shropshire family, Benson was the niece of bestselling novelist Mary Cholmondeley. Educated from a young age, she lived in London, Germany, and Switzerland in her youth, which was marked by her parents’ acrimonious separation. As a young woman in London, she became active in the women’s suffrage movement, which informed her novels This Is the End (1917) and Living Alone (1919). In 1918, Benson traveled to the United States, settling in Berkley for a year and joining the local Bohemian community. In 1920, she met her husband in China and began focusing on travel writing with such essay collections and memoirs as The Little World (1925) and World Within Worlds (1928). Benson, whose work was admired by Virginia Woolf, continued publishing novels, stories, and poems until her death from pneumonia in the Vietnamese province of Tonkin.
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Kwan-yin - Stella Benson
The Project Gutenberg EBook of Kwan-yin, by Stella Benson
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org/license
Title: Kwan-yin
Author: Stella Benson
Release Date: January 20, 2013 [EBook #41885]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK KWAN-YIN ***
Produced by Dianna Adair, Paul Clark and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)
Kwan-yin
BY STELLA BENSON
❦
⁌ THE TEMPLE OF KWAN-YIN, GODDESS OF MERCY. A wide altar occupies the whole of the back of the stage; a long fringe of strips of yellow brocade hangs from the ceiling to within 3 feet of the floor at either end of the altar. In the centre of the altar the seated figure of the goddess is vaguely visible in the dimness; only the face is definitely seen—a golden face; the expression is passionless and aloof. A long table about 12 inches lower than the altar stands in front of it, right across the stage. On the table,