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    A Family Man : in three acts
    A Family Man : in three acts
    A Family Man : in three acts
    Ebook147 pages1 hour

    A Family Man : in three acts

    By John Galsworthy

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    LanguageEnglish
    PublisherArchive Classics
    Release dateNov 15, 2013
    A Family Man : in three acts
    Author

    John Galsworthy

    John Galsworthy was a Nobel-Prize (1932) winning English dramatist, novelist, and poet born to an upper-middle class family in Surrey, England. He attended Harrow and trained as a barrister at New College, Oxford. Although called to the bar in 1890, rather than practise law, Galsworthy travelled extensively and began to write. It was as a playwright Galsworthy had his first success. His plays—like his most famous work, the series of novels comprising The Forsyte Saga—dealt primarily with class and the social issues of the day, and he was especially harsh on the class from which he himself came.

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      Book preview

      A Family Man - John Galsworthy

      Project Gutenberg's A Family Man (Fifth Series Plays), by John Galsworthy

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever.  You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.net

      Title: A Family Man (From the Fifth Series Plays)

      Author: John Galsworthy

      Release Date: September 26, 2004 [EBook #4764]

      Last Updated: October 28, 2012

      Language: English

      Character set encoding: ASCII

      *** START OF THIS PROJECT GUTENBERG EBOOK A FAMILY MAN (FIFTH SERIES PLAYS) ***

      Produced by David Widger

      GALSWORTHY'S PLAYS

      Links to All Volumes

      FIFTH SERIES PLAYS OF GALSWORTHY

      A FAMILY MAN

      By John Galsworthy

      CHARACTERS

         JOHN BUILDER................ of the firm of Builder & Builder

         JULIA....................... His Wife

         ATHENE...................... His elder Daughter

         MAUD........................ His younger Daughter

         RALPH BUILDER............... His Brother, and Partner

         GUY HERRINGHAME............. A Flying Man

         ANNIE....................... A Young Person in Blue

         CAMILLE..................... Mrs Builder's French Maid

         TOPPING..................... Builder's Manservant

         THE MAYOR................... Of Breconridge

         HARRIS...................... His Secretary

         FRANCIS CHANTREY............ J.P.

         MOON........................ A Constable

         MARTIN...................... A Police Sergeant

         A JOURNALIST................ From The Comet

         THE FIGURE OF A POACHER

         THE VOICES AND FACES OF SMALL BOYS

      The action passes in the town of Breconridge, the Midlands.

      ACT I. SCENE I. BUILDER'S Study. After breakfast. SCENE II. A Studio. ACT II. BUILDER'S Study. Lunchtime. ACT III. SCENE I. THE MAYOR'S Study. 10am the following day. SCENE II. BUILDER'S Study. The same. Noon. SCENE III. BUILDER'S Study. The same. Evening.

      ACT I

      SCENE I

      The study of JOHN BUILDER in the provincial town of Breconridge. A panelled room wherein nothing is ever studied, except perhaps BUILDER'S face in the mirror over the fireplace. It is, however, comfortable, and has large leather chairs and a writing table in the centre, on which is a typewriter, and many papers. At the back is a large window with French outside shutters, overlooking the street, for the house is an old one, built in an age when the homes of doctors, lawyers and so forth were part of a provincial town, and not yet suburban. There are two or three fine old prints on the walls, Right and Left; and a fine, old fireplace, Left, with a fender on which one can sit. A door, Left back, leads into the dining-room, and a door, Right forward, into the hall. JOHN BUILDER is sitting in his after-breakfast chair before the fire with The Times in his hands. He has breakfasted well, and is in that condition of first-pipe serenity in which the affairs of the nation seem almost bearable. He is a tallish, square, personable man of forty-seven, with a well-coloured, jowly, fullish face, marked under the eyes, which have very small pupils and a good deal of light in them. His bearing has force and importance, as of a man accustomed to rising and ownerships, sure in his opinions, and not lacking in geniality when things go his way. Essentially a Midlander. His wife, a woman of forty-one, of ivory tint, with a thin, trim figure and a face so strangely composed as to be almost like a mask (essentially from Jersey) is putting a nib into a pen-holder, and filling an inkpot at the writing-table. As the curtain rises CAMILLE enters with a rather broken-down cardboard box containing flowers. She is a young woman with a good figure, a pale face, the warm brown eyes and complete poise of a Frenchwoman. She takes the box to MRS BUILDER. MRS BUILDER. The blue vase, please, Camille. CAMILLE fetches a vase. MRS BUILDER puts the flowers into the vase. CAMILLE gathers up the debris; and with a glance at BUILDER goes out.

      BUILDER. Glorious October! I ought to have a damned good day's shooting with Chantrey tomorrow.

      MRS BUILDER. [Arranging the flowers] Aren't you going to the office this morning?

      BUILDER. Well, no, I was going to take a couple of days off. If you feel at the top of your form, take a rest—then you go on feeling at the top. [He looks at her, as if calculating] What do you say to looking up Athene?

      MRS BUILDER. [Palpably astonished] Athene? But you said you'd done with her?

      BUILDER. [Smiling] Six weeks ago; but, dash it, one can't have done with one's own daughter. That's the weakness of an Englishman; he can't keep up his resentments. In a town like this it doesn't do to have her living by herself. One of these days it'll get out we've had a row. That wouldn't do me any good.

      MRS BUILDER. I see.

      BUILDER. Besides, I miss her. Maud's so self-absorbed. It makes a big hole in the family, Julia. You've got her address, haven't you?

      MRS BUILDER. Yes. [Very still] But do you think it's dignified, John?

      BUILDER. [Genially] Oh, hang dignity! I rather pride myself on knowing when to stand on my dignity and when to sit on it. If she's still crazy about Art, she can live at home, and go out to study.

      MRS BUILDER. Her craze was for liberty.

      BUILDER. A few weeks' discomfort soon cures that. She can't live on her pittance. She'll have found that out by now. Get your things on and come with me at twelve o'clock.

      MRS BUILDER. I think you'll regret it. She'll refuse.

      BUILDER. Not if I'm nice to her. A child could play with me to-day. Shall I tell you a secret, Julia?

      MRS BUILDER. It would be pleasant for a change.

      BUILDER. The Mayor's coming round at eleven, and I know perfectly well what he's coming for.

      MRS BUILDER. Well?

      BUILDER. I'm to be nominated for Mayor next month. Harris tipped me the wink at the last Council meeting. Not so bad at forty-seven—h'm? I can make a thundering good Mayor. I can do things for this town that nobody else can.

      MRS BUILDER. Now I understand about Athene.

      BUILDER. [Good-humouredly] Well, it's partly that. But [more seriously] it's more the feeling I get that I'm not doing my duty by her. Goodness knows whom she may be picking up with! Artists are a loose lot. And young people in these days are the limit. I quite believe in moving with the times, but one's either born a Conservative, or one isn't. So you be ready at twelve, see. By the way, that French maid of yours, Julia—

      MRS BUILDER. What about her?

      BUILDER. Is she—er—is she all right? We don't want any trouble with Topping.

      MRS BUILDER. There will be none with—Topping. [She opens the door

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