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Ebook1,055 pages16 hours
Chance and Circumstance: Twenty Years with Cage and Cunningham
Rating: 4.5 out of 5 stars
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About this ebook
The long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, and forward-thinking artists at its center—Merce Cunningham and John Cage.
From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration—and dire financial straits—of the company’s early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham’s technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage.
Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham’s extraordinary hallmark.
From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration—and dire financial straits—of the company’s early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham’s technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage.
Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham’s extraordinary hallmark.
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Author
Carolyn Brown
Carolyn Brown is a bestselling author who has received several awards for her writing. Her novels have been translated into nineteen foreign languages, and she specializes in women's fiction and cowboy romance. She currently resides with her husband in southern Oklahoma. For more information, visit carolynbrownbooks.com.
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Reviews for Chance and Circumstance
Rating: 4.666666666666667 out of 5 stars
4.5/5
6 ratings1 review
- Rating: 5 out of 5 stars5/5This extremely well-written, erudite, and professional memoir was an especially compelling read for me since I began my professional modern dance training "as an experiment", in a graduate level Cunningham technique class taught by Katherine Kerr, in the mid-70's-just a few short years after the author, Carolyn Brown, retired from her long career as a leading dancer in Merce Cunningham's dance company (and Merce's most frequent and important dance partner). Katherine Kerr was fast becoming known as "the new Carolyn Brown" during the time I trained with her, and was a major influence on my own decision to switch from ballet to modern dance, so it was interesting to read the whole "back story" leading up to that time. Carolyn Brown's account of her life in and out of class, and "on the road"-all over the world- with Merce, (and John Cage, Bob Rauschenburg, and Jasper Johns)-made clear many ideas that had been handed down to me through my teacher that I never really understood before, but had just accepted "on faith".