Amazing Performers: B1
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About this ebook
The inspiring stories of 6 people who changed history.
Contents:
Pablo Casals, the Catalan cello-player
Louis Armstrong, the American trumpet-player and singer
Frank Sinatra, the Italian-American singer and actor
Édith Piaf, France's famous singing star
Maria Callas, the Greek opera singer
Elvis Presley, the man who changed pop music
BRITISH ENGLISH
Word count: 14,723
Headword count: 1,121
Visit www.collinselt.com/readers for videos, teacher resources and self-study materials.
This book is Level 3 in the Collins ELT Readers series.
Level 3 is equivalent to CEF level B1.
About the Amazing People series:
A unique opportunity for learners of English to read about the exceptional lives and incredible abilities of some of the most insightful people the world has seen.
Each book contains six short stories, told by the characters themselves, as if in their own words. The stories explain the most significant parts of each character’s life, giving an insight into how they came to be such an important historic figure.
After each story, a timeline presents the most major events in their life in a clear and succinct fashion. The timeline is ideal for checking comprehension or as a basis for project work or further research.
Created in association with The Amazing People Club.
About Collins ELT Readers:
Collins ELT Readers are divided into four levels:
Level 1 - elementary (A2)
Level 2 - pre-intermediate (A2–B1)
Level 3 - intermediate (B1)
Level 4 - upper intermediate (B2)
Each level is carefully graded to ensure that the learner both enjoys and benefits from their reading experience.
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Book preview
Amazing Performers - HarperCollins UK
CONTENTS
Cover
Title Page
Introduction
The Grading Scheme
Pablo Casals
Louis Armstrong
Frank Sinatra
Edith Piaf
Maria Callas
Elvis Presley
Glossary
Keep Reading
Copyright
About the Publisher
INTRODUCTION
Collins Amazing People Readers are collections of short stories. Each book presents the life story of five or six people whose lives and achievements have made a difference to our world today. The stories are carefully graded to ensure that you, the reader, will both enjoy and benefit from your reading experience.
You can choose to enjoy the book from start to finish or to dip into your favourite story straight away. Each story is entirely independent.
After every story a short timeline brings together the most important events in each person’s life into one short report. The timeline is a useful tool for revision purposes.
Words which are above the required reading level are underlined the first time they appear in each story. All underlined words are defined in the glossary at the back of the book. Levels 1 and 2 take their definitions from the Collins COBUILD Essential English Dictionary and levels 3 and 4 from the Collins COBUILD Advanced English Dictionary.
To support both teachers and learners, additional materials are available online at www.collinselt.com/readers.
The Amazing People Club®
Collins Amazing People Readers are adaptations of original texts published by The Amazing People Club. The Amazing People Club is an educational publishing house. It was founded in 2006 by educational psychologist and management leader Dr Charles Margerison and publishes books, eBooks, audio books, iBooks and video content, which bring readers ‘face to face’ with many of the world’s most inspiring and influential characters from the fields of art, science, music, politics, medicine and business.
THE GRADING SCHEME
The Collins COBUILD Grading Scheme has been created using the most up-to-date language usage information available today. Each level is guided by a brand new comprehensive grammar and vocabulary framework, ensuring that the series will perfectly match readers’ abilities.
For more information on the Collins COBUILD Grading Scheme, including a full list of the grammar structures found at each level, go to www.collinselt.com/readers/gradingscheme.
Also available online: Make sure that you are reading
at the right level by checking your level on our website (www.collinselt.com/readers/levelcheck).
Pablo Casals
1876–1973
the Catalan cello-player
I had two loves in my life – music and Catalonia, the place where I was born. Music was always with me, but I had to leave Catalonia because of war. I was never able to return. So my life is a story of happiness and sadness.
I was born on 29th December 1876 in El Vendrell in Catalonia into a proud Catalan family. Although my mother was born in Puerto Rico, her parents were Catalan too. Let me explain. Catalonia is the north-east region of Spain, with Barcelona as its regional capital. The Catalan people are very independent, and they have their own language and culture. Although they are part of Spain, many of them would like Catalonia to be an independent country.
My family was very musical, and music was always my first language. My father played and sang music in our local church, and he often took me with him. He gave me lessons, too, and by the age of four I could play the piano. Father was a good teacher. I gave my first public performance on the violin when I was six. It was not a completely happy experience, however, as a group of boys laughed at me because I played with my eyes closed.
Some travelling musicians visited El Vendrell one year, and they played some wonderful music. Among their instruments was a cello, which I had never heard before. Although I was only 11 I decided then that the cello was the instrument for me. Now I needed a cello teacher, so my mother took me to the Escola Municipal de Música in Barcelona, about 70 kilometres north of El Vendrell. I studied hard, and in my free time after school and at weekends, I searched the city’s music shops for interesting music. I discovered a copy of ‘Six Suites for Solo Cello’ by J.S. Bach, which was like finding six bars of gold! Every day, I studied the music and played a little bit more, although I did not play Bach’s Suites in public until 13 years later.
There was no television at that time, or even radio. If people wanted to hear music, they had to go to a concert hall or a café. I played in cafés every evening, sometimes popular music and sometimes classical, and it was a very important part of my musical education. I earned money, too, which I used to pay for my teaching.
Five years later, I completed my studies at the Escola Municipal in Barcelona, but I didn’t know what kind of job I could get. I continued to play in cafés,