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Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
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Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print

Rating: 4 out of 5 stars

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Hundreds of books have been written on the art of writing. Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories.

In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manuscript. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited.

LanguageEnglish
PublisherHarperCollins
Release dateJun 15, 2010
ISBN9780062012906
Self-Editing for Fiction Writers, Second Edition: How to Edit Yourself Into Print
Author

Renni Browne

Renni Browne, once senior editor for William Morrow and other companies, left mainstream publishing in 1980 to found The Editorial Department, a national book-editing company.

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Rating: 4.241379310344827 out of 5 stars
4/5

29 ratings16 reviews

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  • Rating: 3 out of 5 stars
    3/5
    A great book about the very basics of self-editing. Some examples, however, are not-so-good...
  • Rating: 4 out of 5 stars
    4/5
    I think this will be a very practical book, a book from which I will take notes, a book I'll turn to for practice and reminders. It's an open door sort of book, the kind that welcomes you to come in and get comfortable while you listen to the information.

    This is NOT a read-once-know-all sort of book. No, this one should sit under the elbow while writing and editing. It should have post-it flags, highlighting, notes in the margin. It's a work book, a book that teaches by making you do.

    The hardest part of reading this book was in not rushing to my current manuscript to apply the thing I'd just read before I finished reading the whole book.
  • Rating: 4 out of 5 stars
    4/5
    This is an excellent resource when you are first learning to edit your own stuff. For a modest price, this book leads you through the most egregious errors and uses examples from popular fiction most people are aware of to show what is good and bad. The only thing which kept me from giving it a 5th star is this advice will only get your manuscript ready to put on a real editors desk. In this age of self-publishing, you will need to add another layer of editing if you can't afford to pay an outside editor to make your book ready for the reader. For the miniscule sum to purchase this book, it was money well spent.
  • Rating: 5 out of 5 stars
    5/5
    Writing fiction isn't hard, but writing good fiction is. Having a writing coach or teacher is the best way to go, but sometimes that's not possible. Self-editing is the best book on the market for those learning the craft. Read it as you as write. And then read it again. And again. The Show, Don't Tell aspect is critical to good fiction and probably one of the most difficult to apply on your own, but the chapter is easy to understand with great examples at the end of the book. Besides learning the nuances of good fiction, the book helps you understand the proper usage of beats, adverbs, dialog and such. It's well worth the effort.

    1 person found this helpful

  • Rating: 1 out of 5 stars
    1/5
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  • Rating: 5 out of 5 stars
    5/5
    There are lots of writing craft books around, but this one has an excellent reputation among writer groups. I can see why. It's a thorough, yet not overwhelming, primer on how to look at your own work with critical eyes and edit the living daylights out of it. The authors emphasize that you shouldn't follow their prescriptions too rigidly (as, so they say, people tended to do with the first edition of this book) and thus stay on the fine line between allowing writers the freedom they need to be creative, and preventing them from making the most obvious mistakes that all--ALL--writers make, especially in the formative years of their writing. A shortish book with exercises that I didn't feel obliged to do before I moved onto the next section, lots of humor, and some gently funny cartoons to break up the text. Nice
  • Rating: 4 out of 5 stars
    4/5
    A good reference with various techniques for refining your prose. Includes lucid discussions of showing vs. telling, and an excellent explanation of why adverbs don't help your fiction. I don't agree with every point the writers make about style, but all of the tactics they suggest are helpful. The book makes a lot of how helpful reading your work out loud can be, and it's quite right.
  • Rating: 5 out of 5 stars
    5/5
    Should be set next to Strunk & White in the library of useful writing books.
  • Rating: 5 out of 5 stars
    5/5
    Self-Editing for Fiction Writers is one of my top five favorite writing books. Full of writing examples, exercises and techniques. Will benefit most writers from beginner to advanced. A must-have for any writer's reference library.
  • Rating: 3 out of 5 stars
    3/5
    There was a lot of useful information in here, and the checklists will be great to keep on hand during revisions. I thought the examples throughout were helpful and there were only occasional statements that I didn’t quite agree with (e.g., their assertion that “only editors and reviewers really notice” things like dialogue that says one thing accompanied by explanation that says something different [p. 85:]—that was especially jarring, actually, because of all the emphasis they placed on not insulting your reader by underestimating his intelligence. I know what they meant, I think, but the assertion still bugged me. But obviously that’s just a tiny thing.). I wasn’t sure what to make of the illustrations throughout, though. I didn’t understand their purpose. They weren’t funny, and in most cases the art seemed to have little if anything to do with the captions. They seemed inserted purely to break up the text, and I think they would have been better left out or replaced with something more relevant.
  • Rating: 4 out of 5 stars
    4/5
    This is the book you're going to need by your side as you start to edit. This is not the book you want beside you when you write your first draft. If you did that, you'd soon end up in the corner curled up the fetal position.This writing reference will soon prove invaluable to you. You're not going to catch everything on the first read through, and you're certainly not going to end up using everything. At least, I know I probably won't.Be warned: This book will show you you are not as good as you thought, but helps you be as good as you should be.
  • Rating: 4 out of 5 stars
    4/5
    Having just finished another first draft of a novel, it was time to pull Self-Editing off the shelf for my third read of this trusty book.That I have it on my shelf and have reread it so many times is a testament to something, but what? it is truth of what we write. Through many examples, and exercises, which I will admit to passing on, the authors give us guidance in what we know to be on the lookout for. Things that we forget as we write and crank out that draft, letting our creativity spew before the other half of the mind takes over.They are not addressing our creative process, but our thinking process where we use our consciousness to refine what we first wrote. Here they talk to us about scenes, beats, dialogue. Tools that we as writers should look at it. Very often I have complex conversations between multiple characters and the authors address where I have problems, just as i know I have those problems.Its use is wihtout question. In this day of less editors of your work, you have to write a polished piece. This is a help.
  • Rating: 5 out of 5 stars
    5/5
    This was a highly rated editing book on Amazon, but even then, I was concerned that it would be dry or boring. I shouldn't have been. I can see why the ratings were so high - it is an excellent guide to honing technique, bit by bit. The thing that makes this book so compelling is that there are constant examples of mistakes or correct usage from both published and non-published stories. They covered a wide range of genres, too (I was happy to see an excerpt from a YA/sci-fi book I loved as a kid, Dogsbody). Those examples really made me actively think as I read; not just about the excerpts, but about how my own writing has improved and how I still make some of the common errors like having too many beats. The end of each chapters has checklists and exercises to further develop technique, such as re-spacing paragraphs or rewriting a few paragraphs of story from different points of view. The assignments are short and several can be done mentally; I fully intend to do some of these written exercises later.This was the perfect book to read while I'm doing my first round of edits on my latest Nanowrimo manuscript. I've found myself making a lot more deletions of excess words, and the result seems tighter already.
  • Rating: 5 out of 5 stars
    5/5
    Every new writer should own this book.
  • Rating: 4 out of 5 stars
    4/5
    Excellent; full of nuggets.
  • Rating: 4 out of 5 stars
    4/5
    Renni Browne and Dave King, both professional editors, clearly know what it takes to move a manuscript from "good" to "publishable." The checklists and exercises are helpful.

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Self-Editing for Fiction Writers, Second Edition - Renni Browne

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