Miami Midnight

By Maggie Davis

From the award-winning author: An enigmatic millionaire leads one unsuspecting woman into an underworld of pleasure and passion.

The elegant and classy Gabriel Collier returns home from Europe to find her mother drowning her sorrows in vodka, having squandered the family fortune. Determined to repair her family’s honor and save her mother’s health, Gaby begins the seemingly impossible task of mending the damage. When she meets the mysterious and exotic millionaire James Santo Milion, her troubles seem to melt away. But those dark, enchanting eyes hide secrets that threaten to destroy the security Gaby has worked so hard for. When the family pet is murdered, her home is violated, and the occult show up on her doorstep, Gaby begins to suspect polo is not James’s only hobby.   Underneath the glitter of glamorous Miami resides a dark world of superstition and pleasure. As Gaby becomes engulfed in the depths of sin, her love burns ever brighter under the stars of the mysterious Miami midnight.

• Language: English
• Publisher: Open Road Media
• Release date: Apr 1, 2014
• ISBN: 9781497614154

Maggie Davis

Maggie Davis, who also writes under the pen names of Katherine Deauxville and Maggie Daniels, is the author of over twenty-five published novels, including A Christmas Romance (as Maggie Daniels) and the bestselling romances Blood Red Roses, Daggers of Gold, The Amethyst Crown, The Crystal Heart, and Eyes of Love, all written as Katherine Deauxville. Ms. Davis is a former feature writer for the Atlanta Journal‑Constitution, copywriter for Young & Rubicam in New York, and assistant in research to the chairman of the department of psychology at Yale University. She taught three writing courses at Yale, and was a two‑time guest writer/artist at the International Cultural center in Hammamet, Tunisia. She has written for the Georgia Review, Cosmopolitan, Ladies’ Home Journal, Good Housekeeping, Holiday, and Venture magazines. She is the winner of four Reviewer’s Choice Awards and one Lifetime Achievement Award for romantic comedy from Romantic Times Magazine and received the Silver Pen Award from Affaire de Coeur Magazine. She is also listed in Who’s Who 2000. Ms. Davis’s Civil War novel The Far Side of Home was rereleased and published in 1992. Her romantic comedy Enraptured, set in the Regency Era, was published in June of 1999, and the following September, Leisure/Dorchester Books published her historical romance "The Sun God" in the Leisure romance anthology Masquerade. Her novella All or Nothing at All is included in the August 2000 anthology Strangers in the Night. Further information for Maggie Davis can be found at www.maggiedavis.com.

Book preview

Prologue

A full subtropical moon rose over the neon glitter of Miami Beach and the dark waters of Biscayne Bay, catching in its silver light the sleek white shape of a power cruiser anchored just offshore. The night was sweltering, the bay’s surface unruffled by even the smallest breath of a sultry breeze, but on the yacht’s decks noisy party-goers gyrated to earsplitting Latin salsa music. On the shore a slender woman in a glimmering white satin evening dress stood under a thick canopy of banyan and palm trees. She tried to shut out the noise as she bent over a row of guttering candles set on a stone slab.

The body under the woman’s hands twitched at the touch of the point of a knife.

Lady of lightning and thunder, come to me. Her red-painted mouth twisted cruelly. Hear what I ask for! Give me what I desire!

A sudden wind whistled in the sabal palms and the woman bowed low, her long dark hair falling forward. With a quick movement she moved a small statue into the ring of lighted candles. The brightly painted plaster image was that of a woman draped in medieval robes of red and white, holding a sword in one hand, the other hand resting on a miniature crenellated tower. Fingers trembling, the woman caressed the statue’s expressionless face and the painted folds of its gown. I give you this blood, oh, dark lady, she whispered hoarsely. I sacrifice for you, Chango—now give me my revenge!

At that moment someone dove, or fell, from the anchored yacht into the bay. There was a sudden silence. The blaring music died, followed seconds later by piercing shrieks. Voices shouted confused orders in English and Spanish, mixed with drunken bursts of laughter.

The woman under the trees paused and shut her eyes, her concentration broken. Then she shook herself slightly and bent to the warm, fettered flesh under her hands.

Come, Lady Santa Barbara! She spoke loudly over the raucous voices drifting shoreward. Goddess of the fire and the lightning, who is also Chango, come to me!

The knife blade poised over the body on the stone slab.

Someone was coming down the path from the house. Under the thick cover of jungle canopy, the footsteps were muffled but determined. A man called out.

Chango, Chango, hear me! the woman pleaded hurriedly. I give you this life, and blood! Now give me what I desire!

A life preserver had been thrown to the people frolicking in the water. From the deck a more sober voice urged everybody to cool it or someone would call the police.

The man coming down the path shouted impatiently. At the sound of his voice the woman in the gleaming white gown shuddered. Quickly, she raised a bare arm high. The knife fell. The flesh on the stone slab quivered once, then was still.

The man burst through the trees. He was tall, wearing only swim trunks, impressively virile in his near-nakedness. An opened bottle of champagne dangled from one hand. If he was as drunk as the rest of the guests aboard the cruiser, he didn’t show it. Where the hell have you— he began.

He took in the woman’s blood-spattered dress and the knife, and he froze. The expression on his handsome face changed from disbelieving shock to slit-eyed fury as his gaze swept the stone altar, the small plaster statue within the ring of candles, and the torn, bleeding body next to it.

Jesus! The exclamation ripped from him. What have you done?

The woman turned. As if in a trance, she wiped her bloody fingers against the satin dress.

Behind them on the yacht, half hidden by the shoreline trees, the swimmers were being pulled from the water. Someone hailed the shore, yelling for the lone person in the water to hurry up, for God’s sake.

The tall man took a deep breath. Damn you. The words came out heavily. I could kill you for this!

The woman’s gaze dropped to the bright streams of red blood trickling over the stone and into the sand at her feet, and she smiled.

You promised me, he ground out. You promised me no more of this damned, murderous—filth!

For the first time she looked directly at the man. It’s too late. Her tone was indifferent. Don’t shout. You can do nothing about it.

With an abrupt movement he stepped forward, raising his hand. The woman held her ground, the curious smile still on her lips. No matter what you do, she murmured, "I have made my gift of blood. And Chango has accepted. Está terminado."

He stood frozen with anger, his black eyes glittering. We left all this shit behind, remember? Doesn’t that mean anything? Damn you! You promised!

He stepped toward her again, almost menacingly, but she raised one slender hand imperiously. He stopped. Whatever you say, whatever you do—the note of triumph in her voice warned him—it changes nothing.

She lifted her chin, giving him the full force of her dark luminous gaze. The tall man stepped back, unwillingly.

Her dreamy smile grew. Está terminado, she told him. You can do nothing. The spell is finished.

He visto vivir un hombre

Con el punal al costado.

I’ve seen a man who lives

With a dagger at his side.

JOSÉ MARTÍ

Chapter 1

The annual champagne brunch and charity fashion show of the Coral Gables Hispanic Cultural Society was going smoothly until the redheaded model lost her balance. She teetered wildly on the makeshift runway that spanned the lily pond, then fell into the water with a resounding splash.

For a long moment, no one moved or made a sound. Then a concerted gasp rose from the fashionable crowd at the lunch tables.

Gabrielle Collier was still struggling with the lead for her story, and had just written: Dark colors definitely usher in the fall season for fashion-conscious Floridians. As she bent over her yellow legal pad and scratched out the word usher and substituted bring, the model in the lily pond got to her knees, slipped on the algae-covered bottom, and sat back down again.

The crowd suddenly came alive. A loud, dismayed scream reverberated in all four corners of the vast blue-and-white striped tent that covered the back garden of one of Miami’s most elegant estates.

Gaby looked up, confused. She was aware, as the new fashion reporter for the Miami Times-Journal, that her writing was inept, a description her boss, the features editor, used almost daily. But shrieks of horror? she thought. When she’d hardly gotten the words down on the page?

The Times-Journal photographer had shot out of her chair at the first splash. Now Crissette Washington waded into the lily pond in her French jeans and strappy gold sandals, the szznick-szznick of the black woman’s camera going almost nonstop. The Miami Herald photographer, Gaby saw, was not far behind.

The redhead model, apparently too dazed to scream, was now sitting in four or five inches of water with fragments of torn green plants floating around her. Chic, alarmed society women were rushing down through the garden terraces to see what had happened. A group of busboys ran past, bumping the press table. Gaby clutched at her notes.

Across the way the fashion editor of the Herald shouted to her, Is that the Galanos suit she’s wearing? Or is it the Ted Lapidus?

Gaby couldn’t answer. She still didn’t know one designer from another without a program. She thought it was the Ted Lapidus, but the suit might have been a Galanos for all she could tell. She shrugged, and the Herald’s fashion editor gave her a look of ill-concealed disdain before she turned away.

Gaby stared down at the metal surface of the umbrella table, feeling slightly sick. The Herald and Times-Journal were competitors. Their employees were not expected to be friendly. On the other hand, Gaby suspected she’d just messed things up again. She wiped away a drop of sweat from her forehead with the back of her hand. It was relentlessly hot under the acre of blue-and-white striped canvas, despite the luxurious portable air conditioners. After five years in Europe, she still hadn’t readjusted to Miami’s blistering heat, even though she’d been born and raised in south Florida.

Gaby glanced at her pad. Perhaps, she thought, she should throw away what she had written and start another lead to her story. But she was practically certain you couldn’t open a fashion story with, When the model wearing Neiman-Marcus’s Lapidus suit missed her footing and fell into the lily pond...

She looked back down toward the runway. The other models had come to a stop on the steps leading up to it. A woman in a large black hat, the fashion show’s director, hurried up to the microphone. Whatever she tried to say was lost in the clamor of almost a hundred of Miami’s Latin social elite crowding around her.

Beyond them, on the little wooden platform erected in a grove of coconut palm trees, the salsa band struck up a frantic rendition of Guantanamera, effectively drowning out all conversation.

Gaby gazed past the fashion show’s temporary stage to Biscayne Bay, its aquamarine water glittering through a curtain of live oaks and palms. Their hosts’ yacht, a magnificent white power cruiser designed on space age lines, lay at anchor offshore. The Hispanic Cultural Society’s brunch and fashion show was one of the most prestigious social events of Miami’s summer season, a major story for the Miami Times-Journal’s Modern Living section and Gaby’s first big assignment after only three weeks on the job. Unfortunately, no one had told her what to do if one of the models fell off the runway and landed in a lily pond.

The salsa band ripped through the endless verses of Guantanamera but curiously enough, Gaby saw, with the exception of the photographers still snapping the floundering model in the pool, no one seemed to be doing anything. The fashion director from Neiman-Marcus’s Bal Harbour store was still trying to announce a short delay, but her words were lost in the uproar.

Crissette Washington climbed out of the pond and flopped down in the chair next to Gaby. I should have seen that coming, she said breathlessly. That chick was wired, flying so high when she came out on that runway, she needed an air traffic controller!

Gaby watched the sodden model try to get to her feet again. The girl’s wide green eyes were rather glassy. Isn’t anybody—she had to shout to make herself heard—going to do anything?

Crissette leaned close to Gaby’s ear. There’s only about four inches of water in there. She isn’t going to drown. The photographer paused, lifted a foot, and watched water drain from her high-heeled gold sandal. "Anyway, honey, that’s men’s work. They’re all waiting for some latino male authority figure to come pull her out."

As if on cue, three men in pastel business suits hurried down the garden terraces from the main house. The band promptly struck up a Julio Iglesias tune, and the Neiman-Marcus show director reappeared at a run carrying a tablecloth.

Gaby bent toward the photographer. Crissette, what’s ‘wired’? she shouted.

Crissette gave her an incredulous look. Lord, Gabrielle, you’ve been in Europe too long. She abruptly lifted her Nikon and focused it on the men arriving at the pool. Wired, snowed. What you get when you use nose candy. Crissette looked away from the viewfinder long enough to see if Gaby understood. "Cocaine, Gabrielle, cocaine."

Gaby felt an embarrassed rush of blood to her face. She knew it was stupid, but returning to Miami after five years working in Europe was like visiting another planet where the inhabitants spoke a baffling, unknown language. Wired. Snowed. Flying. Gaby wasn’t so out of touch that she hadn’t heard about the drug traffic in Miami, but she was still shocked. Surely, she told herself, not right out in public. Especially not a model taking part in something like a society fashion show.

From behind her camera Crissette murmured, Here come the marines to the rescue.

The three men had rapidly crossed the garden. The tallest, in a magnificent white linen Italian suit, strode unhesitatingly into the pond, grabbed the model under the arms, and hauled her to her feet.

Gaby frowned. "How can you tell that the model was ... uh, wired?"

The exquisitely dressed audience broke into a ripple of applause as the tall man wrapped the tablecloth, handed to him by the Neiman-Marcus director, around the dripping model. The redhead smiled fuzzily at him as he blotted the front of her black-and-red outfit with indifferent thoroughness.

The look, Crissette said, focusing her Nikon on the man in the white suit. Like crazy eyes. A friend of mine says crazy eyes are a sure sign. Nonstop talking, like wanting to do and say crazy things. Nobody flies higher than somebody on coke. Sheesh, what a tiger, the photographer murmured appreciatively as she watched the tall man hoist the model onto dry ground. He can pull me out of a lily pond any day.

Abruptly, she lowered her camera to stare at the two squat, copper-colored men wearing beige-and-pink suits and mirror sunglasses. Two Colombians, she muttered under her breath. What are those cats doing here?

What tiger? Gaby asked. There was still so much screaming she could hardly hear. She gazed back down at the pond as Crissette refocused her camera on the man in white. Oh, Gaby said, staring. Who is he, some movie actor? Is that why you keep taking his picture?

She was thinking she hadn’t seen such blatantly macho male beauty since she’d left Italy. Crissette’s tiger was more powerfully built than his Spanish forebears, yet was still fiercely black-browed, fluidly graceful. The mobile curve of his mouth was flattened, at the moment, rather irritably.

Crissette laughed. Eat your heart out, honey. What you’re looking at is one of south Florida’s great natural wonders. That’s the famous Prince of Coral Gables, James Santo Marin.

Gaby watched the tall man gingerly brush the soaked front of his expensive suit. Tiger? she thought. Tomcat was more like it. In Italy, men as good-looking as that one were bound to be monumentally spoiled. It was almost a tradition. And all of them wanted only one thing from American women, Gaby thought glumly. That, too, was traditional.

The man’s heavy gold wristwatch caught glints of the hot sun. Gaby would bet that under that expensive-looking white silk shirt was a big, flashy gold medallion on a flashy gold chain.

Coke goes with the scenery in Miami, Crissette was saying. You see a chick like that flying down a runway, not even looking where she’s putting her feet, and you know something just went up her nose. She pointed with her chin. You see those two Colombian cats in the mirror shades? You don’t think they’re out here just to see the fashion show, do you? They’re probably somebody’s cocaine suppliers.

Gaby watched the model allow herself to be led away by the fashion director. The Miami in which Gaby had grown up, a slightly seedy resort city in a long decline from its heyday in the forties and fifties, bore almost no resemblance to this baffling present-day megalopolis. But then, as the whole world knew, something had happened. In just a few years the city had become what Newsweek magazine called the new Casablanca, equated with Paris, London, and Rome. But for a native-born Miamian like Gaby, it was like being a stranger in a strange land.

Miami still had its crushing poverty, and refugees from South America and the Caribbean, including an influx of Haitians, mixed with the city’s own indigenous poor in seething downtown slums. But Miami was also a boomtown for the new Latin American banking industry, an exploding real estate market, and a port for cruise ships that brought a rush of European and American tourists. If Miami’s new glamour had begun with a television show, Miami Vice, the myth had quickly become a reality. And, as anyone could see, Miami was doing its best to live up to all of it.

The members and guests of the Coral Gables Hispanic Cultural Society were drifting back to their tables. The dripping redheaded model had disappeared. The handsome man in the white suit was directing the removal of the runway over the lily pond.

He’s not really a prince, Gaby said doubtfully.

The way the chicks act you’d think he was, Crissette drawled. Voted Miami’s ‘most eligible bachelor,’ filthy rich, drives a Lamborghini—Look, she said suddenly, here comes the Queen Mother, Señora Estancia Santo Marin. And the pale chick in the black dress is the younger sister. She took a series of grab shots of the women. Gabrielle, you were born and raised in Miami. Haven’t you ever heard of the Santo Marins?

Gaby supposed she had. But there were so many exiles in Miami, it was impossible to keep track of them, even the wealthy, socially important ones. Yet the name Santo Marin did ring a bell.

At that moment the man below looked up. His narrowed black gaze passed over the crowd and the press table, then stopped and backed up with a flicker of interest.

Hey, Crissette said excitedly, you should see this cat close up, through the viewfinder. He’s unbelievable! And Gabrielle, you should see him watching you.

But Gaby had turned away. The Miami Herald’s fashion editor, she saw with a sinking feeling, was interviewing the director from Neiman-Marcus. It was probably something she should have thought to do.

Suppose he comes up here? Crissette asked. You want me to try to introduce you?

Gaby wasn’t interested in James Santo Marin; the macho peacocks she’d known in Italy had been enough for one person’s lifetime. For goodness’ sake, Crissette, will you stop taking his picture? She tore her notes and the beginnings of her story off her yellow pad and stuffed them into her purse. Look, since the fashion show is stalled, why don’t I go look for the chairwoman of this event and do an interview?

Crissette flapped a thin, graceful black hand at her. Wait, don’t run off! These Latin dudes go mad for the Grace Kelly look. Gabrielle, he looks definitely interested!

Gaby knew her Grace Kelly look was, at the moment, a sweat-shiny face surrounded by long blond hair that had been exposed for too long to the furnacelike breeze sweeping across Biscayne Bay. Please, Crissette, I’m working! Now, she said, looking around, how do I find the chairwoman of this event?

He heads up the family import business, the other woman persisted, races a whole stable of power cruisers, wears great clothes—

I’ve got enough problems, Gaby interrupted her, trying to learn this newspaper job without gorgeous hunks with—she looked for the coppery men in sunglasses and pastel suits—sinister friends.

Hey, he likes it when you stand up, Crissette said, unperturbed. You’ve got a sexy figure, Gabrielle. You just don’t show it off in those clothes.

The man by the lily pond was standing perfectly still. Without looking in his direction Gaby could feel the impact of his darkly glittering look. She gathered up her purse and stuck her notebook under her elbow, feeling irritated. Just tell me where you think I can find the chairwoman.

Try the main house. I think half this crowd’s gone up to the ladies’ room. Who are you supposed to be looking for?

Gaby tried not to look in the direction of the lily pond as Crissette began taking the man’s picture again. Alicia Fernandez y Altamurez, she said, consulting a scrap of paper. At least that’s what it says on the press release.

The main house was nestled in a setting of sculpted lawns and palm trees, a multimillion dollar example of the new-old art deco style that was being publicized as Miami’s own historic look. Smooth white concrete walls and plate glass shone through the tropical greenery, surrounded by an untouched jungle of native palmetto. A decade ago, when Gaby was still in high school, all that had been down this way south of Miami were mangrove swamps and a few mullet fishermen.

A path led through royal and queen palms and flowering oleanders, ending at an asphalt parking lot. Two women in dark-colored silk dresses, wearing almost identical Givenchy toques with fancy nose veils, strolled around a turn of the white shell driveway. A uniformed chauffeur, who had been sitting in a black stretch Mercedes limousine reading a newspaper, immediately discarded the paper, jumped out, and opened the door for them.

Gaby stared at the slender, beautifully dressed women with as much curiosity as they stared back at her. Their large dark eyes, enormous in their heavily made-up, expressionless faces, looked over her rumpled linen jacket, khaki skirt, and low-heeled sandals with the avid, baffled intensity wealthy Latin women reserved for what they regarded as Anglos’ astonishingly ugly clothes.

Gaby was aware Coral Gables was now full of wealthy Latins, some of them multimillionaires, but she hadn’t forgotten the poverty-stricken Cuban exiles of her childhood. Then, one of Havana’s leading neurosurgeons had a job mowing the lawns at the Miami Beach Country Club. A university professor drove a Hialeah taxicab. And the convent-bred society women, once queens of sugar plantations and palatial town houses in Havana, worked as cleaning women or dressmakers. Times had certainly changed. Looking at the elegant women Gaby knew their diamonds were real by the shooting sparks of fire in the bright sunlight. So, apparently, was the heavy string of matched pearls the younger woman was wearing.

She gave them a tentative smile. I’m looking for Mrs. Fernandez y Altamurez. Could you tell me if this is the way to the main house?

One woman said something to the other in Spanish, then with a shrug stepped into the huge black limousine. The second woman followed her. The chauffeur slid into the front seat and started the engine.

Gaby realized she’d used the wrong language. "Donde está el enfrente de la casa?"

She was fluent in Italian, but her high school Spanish was not great. It was apparently understandable, though, for a hand, decorated with heavy gold rings set with rubies and emeralds, came out of the limousine’s back window and pointed. That way.

Before she could acknowledge the help—if it was help—the Mercedes slowly drove forward and disappeared under the trees.

Alicia Fernandez y Altamurez, the chairwoman of the Hispanic Cultural Society’s fashion show, was waiting in a long line of women outside one of the downstairs bathrooms. Gaby interviewed her on the spot as the queue inched forward to the accompaniment of toilets flushing. The hallway where they stood was enclosed on one side by a white stucco art deco cloister. The sun-drenched cactus garden featured a stainless steel abstract sculpture that had recently been photographed for Architectural Digest.

Alicia Fernandez was a member of Miami’s longtime pre-Castro Cuban community. The Fernandez family were sixth-generation Floridians. Mrs. Fernandez y Altamurez spoke English with a southern accent, had graduated from Smith College cum laude, and thought she knew Gaby.

Which Collier are you, dear? she asked interestedly. The Miami Shores Colliers or the William Colliers of old Pine View Avenue? A Collier girl went to Ransom Country Day School with my daughter Susan. Was that you?

Palm Island, Gaby murmured. She didn’t miss the quick, perceptive flicker in Mrs. Fernandez’s eyes. Most of Old Miami remembered the extravagant, high-living Palm Island Colliers very well. I did go to Ransom Country Day School, but only as far as the fifth grade. If Alicia Fernandez really knew her family, she also knew that would have been about the