The Book of All Books
Written by Roberto Calasso
Narrated by Al Kessel
5/5
()
About this audiobook
The Book of All Books, the tenth part of a series, parallels in many ways the second part, The Marriage of Cadmus and Harmony. There, gods and heroes of the Greek myths revealed new physiognomies, whereas here many figures of the Bible and its whole outline emerge in a new light: one that is often astonishing and disquieting, as indeed is the book-more so than any other-from which they originate.
Roberto Calasso
Roberto Calasso (1941–2021) was born in Florence and lived in Milan. Begun in 1983 with The Ruin of Kasch, his landmark series now comprises The Marriage of Cadmus and Harmony, Ka, K., Tiepolo Pink, La Folie Baudelaire, Ardor, The Celestial Hunter, The Unnamable Present, The Book of All Books, and The Tablet of Destinies. Calasso also wrote the novel The Impure Fool and eight books of essays, the first three of which have been published in English: The Art of the Publisher, The Forty-Nine Steps, Literature and the Gods, The Madness That Comes from the Nymphs, One Hundred Letters to an Unknown Reader, The Hieroglyphs of Sir Thomas Browne, The Rule of the Good Neighbor; or, How to Find an Order for Your Books, and American Allucinations. He was the publisher of Adelphi Edizioni.
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Reviews for The Book of All Books
2 ratings2 reviews
- Rating: 5 out of 5 stars5/5This may be the greatest book I’ve ever experienced. Seriously.
- Rating: 5 out of 5 stars5/5Wonderful book that, as is Calasso’s way, makes all sorts of fascinating connections. As usual with Calasso, he treats “blood sacrifice” as a fundamental aspect of human cultural history. I confess I have never been sure of what to do with that particular line of Calasso’s. Calasso is neither anthropologist nor archaeologist nor sociologist, and he scrupulously avoids trying to “explain away” any belief or cultural practice collection of beliefs and practices. He is a bit like a non-skeptical Frazer (a sort of anti-Frazer, perhaps); whatever Calasso is, he is never dull and never less than provocative.
The reader for this audio edition leaves much to be desired, however.