The Night Watch

Written by Sarah Waters

Narrated by Juanita McMahon

Moving back through the 1940s, through air raids, blacked-out streets, illicit liaisons, sexual adventure, to end with its beginning in 1941, this novel tells the story of four Londoners: three women and a young man with a past, drawn with absolute truth and intimacy.

• Language: English
• Publisher: Recorded Books Audio
• Release date: Jan 1, 2006
• ISBN: 9781449802509

Sarah Waters

Sarah Waters nació en Gales, Gran Bretaña, en 1966. Estudió literatura inglesa en las universidades de Kent y Lancaster, y ha publicado artículos sobre género, sexualidad e historia en revistas como Feminist Review, Journal of the History of Sexuality y Science as Culture. En enero de 2003 fue seleccionada por la revista Granta en su lista decenal de los Young British Novelists.

Reviews for The Night Watch

[chrisriesbeck · Rating: 4 out of 5 stars]

My third Sean Stewart novel and I've yet to be disappointed. Like Galveston, this is about a normal city (and perhaps a world though this is never discussed) where seriously disruptive magic took over in 2004 (7 years after the book's publication date). And it's not nice magic either. The city's gods, demons, and ghosts are specifically hostile but their powers are so overwhelming and the goals so inexplicable that things often go badly for poor humans. It's 2074 in a Vancouver that consists of three major regions as different as night and day: Chinatown, the Southside, and, most forbidding, the Northside where the dead from the Southside reside, and to whom sacrifices are occasionally made. Like Mockingbird, the female characters are the strongest, though they share the stage with a large number of interesting males. Almost everyone is flawed, and in conflict, but only the most tertiary are treated unsympathetically. Each is trying to do the best they can in a harsh world. What especially stood out for me were the large number of amazing setpieces -- a walk through a Forest that has its own agenda, a man in an abandoned hangar in pitch dark trying to avoid freezing to death, battles with goddesses, and more. Even more amazing was how this did not lead to a fragmentation. The narrative arc remains clear throughout, each character true to their core.Highly recommended.

[thedivineoomba · Rating: 3 out of 5 stars]

This book I almost didn't finish. I didn't really like the characters, I thought the story itself was flat. The writing, while clean, was boring. Some of the characters death was pointless.I like the idea of this series, magic returns, in the first book, in this one, magic is ebbing away. No one understands why, but a melding of advanced technology and magic can make for some interesting effects.

[dulac3_1 · Rating: 4 out of 5 stars]

Sean Stewart is one of those writers I used to buy sight unseen (before he unfortunately dropped out of writing novels and decided to devote his time to writing interactive online games). His books tend to be very character driven, something I personally like, and he has an individual writing style that manages to be 'writerly' without getting bogged down in stylistic tricks.

Basically it is the story of a future earth in the year 2074 after an inundation of magic has flooded the world (this flood started soon after WWII in Stewart's timeline) and only pockets of human civilization are left in the sea of wild and magical frontiers (in this the story can be seen as a member of the same universe as _Resurrection Man_ and _Galveston_). The novel concentrates on two
societies, the Southside, which is a relatively technological and militaristic state located where Edmonton used to be and Chinatown, located in the appropriate region of Vancouver. The former community has made a Faustian deal with the spirits that haunt the Northside in return for the opportunity to be left alone, while the latter lives in the midst of its spirits, especially the three godlike, and archetypal, beings the Dragon, the Lady and the Monkey and the beastlike barbarians (magically mutated humans from the initial magical explosion).

Following the lives of several intertwined groups of characters from each community, Stewart examines the dynamics of these two opposing points of view in an era where the high tide of magic is finally starting to recede and, as ever, human machinations and politics attempt to take advantage of the situation.


Stewart manages to populate his world with many interesting, and realistic, characters. None of them are painted in black-and-white terms and even the 'villians' have realistic motivations that point to a multi-faceted melding of both self-interest and even love of community. The real star of the book for me, though (even with Stewart's finely realized and well-drawn characters) was the world itself. It is a world we can recognize, and yet at the same time it is completely alien. The small enclaves of humanity fighting for survival in a world that can barely be understood in the rational terms humanity had been wont to apply to it before the 'Dream' overtook them are intriguing reflections of both humanity's ever-present willingness to fight against the odds, as well as an acknowledgment of the myriad of ways in which this can be done. In many ways I felt that Stewart had managed to capture the air of the medieval romance (in terms of world-building if not in style or content) with the minor 'kingdoms' of humanity placed in the midst of the ever encroaching 'wild wood'...a place where demons and ghosts walked and adventures or power might be bought, though at a very high price. The lure of the dream-world is always in contention with the obligations and comforts of human society.


I also like the way in which Stewart paints magic. It is a wild and largely uncontrollable force, though as mentioned certain deals can be made with it in exchange for ability or power. It seems to me to be an appropriate way to look at something that truly is the reverse of 'science' in that while magic does follow certain rules these are more along the lines of adhering to agreements and obligations than being a cookie-cutter 'physics of magic' where spells of fireball or lightning can be produced given the proper reagents and incantation. It is a force that is mysterious and wild, in that sense at least it mirrors nature, though it cannot be easily understood or defined by rules of cause and effect in any systematic way.


The story itself deals with the beginning, and dissolution, of relations between the Southside and Chinatown as we see the leaders from each community vieing for power and control. In the midst of this the heir to Southside's virtual king must make a choice that will determine not only her own future and safety, but that of her people and one of the 'heirs' to a great power of Chinatown must come to terms with her place in the world and her familial relationships as well. This book, like all of Stewart's, is primarily about human relationships. He examines how they grow, and end, in the midst of stress and change. He also looks at the price they exact upon us and the give-and-take that must be accepted in our attempts to balance our personal and individual desires with our public and communal responsibilites.


All in all _The Night Watch_ is a great book. It's a well-written story of human relationships set against a backdrop of conflict and magic in a world that could almost, but not quite, be our own.

[jedisluzer · Rating: 5 out of 5 stars]

Why oh why haven't more fantasy readers picked up Sean Stewart? The prose is far beyond standard fantasy fare, the magic is very personal and far from straightforward, and the story is told so well with an ensemble group.