William Wilson

Written by Edgar Allan Poe

Narrated by Cathy Dobson

Poe's eerie story of a strange doppelganger, with a classic twist at the end.

William Wilson, from his early schooldays, is dogged and taunted by another boy of similar height and appearance, who bears the same name as himself. Although as young boys they manage to tolerate each other, over time, as Wilson moves through Eton and Oxford and out into the world, his alter ego frequently turns up to thwart him at critical moments in his life.

• Language: English
• Publisher: Red Door Consulting
• Release date: Jul 20, 2013
• ISBN: 9781467669238

Edgar Allan Poe

Edgar Allan Poe (1809-1849) was an American poet, short story writer, and editor. Born in Boston to a family of actors, Poe was abandoned by his father in 1810 before being made an orphan with the death of his mother the following year. Raised in Richmond, Virginia by the Allan family of merchants, Poe struggled with gambling addiction and frequently fought with his foster parents over debts. He attended the University of Virginia for a year before withdrawing due to a lack of funds, enlisting in the U.S. Army in 1827. That same year, Poe anonymously published Tamerlane and Other Poems, his first collection. After failing to graduate from West Point, Poe began working for several literary journals as a critic and editor, moving from Richmond to Baltimore, Philadelphia, and New York. In 1836, he obtained a special license to marry Virginia Clemm, his 13-year-old cousin, who moved with him as he pursued his career in publishing. In 1838, Poe published The Narrative of Arthur Gordon Pym of Nantucket, a tale of a stowaway on a whaling ship and his only novel. In 1842, Virginia began showing signs of consumption, and her progressively worsening illness drove Poe into deep depression and alcohol addiction. “The Raven” (1845) appeared in the Evening Mirror on January 29th. It was an instant success, propelling Poe to the forefront of the American literary scene and earning him a reputation as a leading Romantic. Following Virginia’s death in 1847, Poe became despondent, overwhelmed with grief and burdened with insurmountable debt. Suffering from worsening mental and physical illnesses, Poe was found on the streets of Baltimore in 1849 and died only days later. He is now recognized as a literary pioneer who made important strides in developing techniques essential to horror, detective, and science fiction.

Reviews for William Wilson

[Nikki Campbell · Rating: 5 out of 5 stars]

Great read, but I'm a huge Poe fan. So I'm biased

[jwhenderson_1 · Rating: 5 out of 5 stars]

The use of the doppelganger in this tale portrays better than any other the divided personality of Edgar Allan Poe. The sharp inward division between the strength of Poe's rational mind, he possessed enormous erudition, and the force of his irrational apprehension was reflected not only in his poems and stories but also in his conflict with authority, his anxious welcome of personal disaster and his compulsion to destroy his own life. In this autobiographical tale the narrator, like Poe himself in certain moods, has an "imaginative and easily excitable temperament" and is "self-willed, addicted to the wildest caprices, and a prey to the most ungovernable passions." He is tormented and pursued by his double--an inseparable companion in Dr. Bransby's school, at Eton and Oxford, and on the Continent--who mimics all his actions. Finally, unable to escape his tiresome other self, he stabs him to death. Only then does he realize that he has destroyed his conscience, or the finer part of himself. He has become dead to the moral world and no longer has a meaningful existence. The story demonstrates Poe's dual impulses: to act destructively and to censure his own irrational behavior.Beyond that it contains signature aspects of Poe's writing, the building of atmosphere, suspense, and delineation of character through subtle and always important details.This is one of Poe's finest tales, and has been recognized as such as can be seen through its influence on subsequent writers from Dostoevsky in The Double to Stevenson's Dr. Jekyll and Mr. Hyde and in Chesterton's The Man Who was Thursday. In the cinema Alfred Hitchcock's use of the doppelganger was magnificent. Poe's tale, like so many of his other works, may be the epitome of this type of tale.