The American Scholar

It Happened One Day in June

Like many great works of art, James Joyce’s has an existence beyond the printed page, an artistic half-life that has endured now for 100 years. It is a novel to learn from and obsess about, and you can spend a lifetime immersed in its pages. Nevertheless, many uninitiated readers view Joyce’s epic with paralyzing fear, something the author didn’t exactly allay with this admission in the mid-1920s: “I’ve put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant, and that’s the only way of insuring one’s immortality.” The stance is flippant, though in many ways, Joyce intended for the novel to be intimidating. is not fast food. It discomfits conventional wisdom, challenges ossified beliefs, attacks commonplaces, jogs perceptual patterns. Many of the emotions and actions plumbed in

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