Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Shakespeare's Greatest Hits
Shakespeare's Greatest Hits
Shakespeare's Greatest Hits
Audiobook1 hour

Shakespeare's Greatest Hits

Rating: 3.5 out of 5 stars

3.5/5

()

About this audiobook

Shakespeare's Greatest Hits contains some of the most memorable scenes from 13 of the Bard’s greatest plays, including Romeo and Juliet, Hamlet, Othello and many more. Intertwined with the greatest hits of music, this highly engaging introduction to William Shakespeare is performed by the famous Chicago Shakespeare Theater.

An L.A. Theatre Works full-cast performance featuring Peter Aylward, Johnny Lee Davenport, Henry Godinez, Kevin Gudahl, Susan Hart, Amy Irving, Linda Kimbrough and Ross Lehman.
LanguageEnglish
Release dateFeb 1, 2009
ISBN9781580815604
Shakespeare's Greatest Hits
Author

William Shakespeare

William Shakespeare is the world's greatest ever playwright. Born in 1564, he split his time between Stratford-upon-Avon and London, where he worked as a playwright, poet and actor. In 1582 he married Anne Hathaway. Shakespeare died in 1616 at the age of fifty-two, leaving three children—Susanna, Hamnet and Judith. The rest is silence.

More audiobooks from William Shakespeare

Related to Shakespeare's Greatest Hits

Related audiobooks

Performing Arts For You

View More

Related articles

Reviews for Shakespeare's Greatest Hits

Rating: 3.6666666666666665 out of 5 stars
3.5/5

3 ratings1 review

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 4 out of 5 stars
    4/5
    This was short, fun, & very well read since many of the scenes were obviously recorded during the actual plays. It was interspersed with music clips that fit in well.

    If you're not familiar with Shakespeare, you'll likely be a bit lost, but it might not be a bad introduction. There are a lot of memorable quotes & scenes, but no attempt has been made to explain anything about them or to put them in context. I think they switched plays a couple of times without warning, too. At the end, they did a weird little bit with a woman reading a man's role & vice versa. It was still good. The Bard is meant to be listened to, not just read in cold words.