'James' revisits Huck Finn's traveling companion, giving rise to a new classic
An enslaved man debates John Locke. A Black man pretends to be a white man in blackface to sing in a new minstrel show. In a fever dream of a retelling, the new reigning king of satire, Percival Everett, has turned one of America's best loved classics, Adventures of Huckleberry Finn, upside down, placing Huck's enslaved companion Jim at the center and making him the narrator. The result is strangely new and familiar – an adrenaline-spiking adventure with absurdity and tragedy blended together.
Re-imaginings of classic literature are challenging, often unnecessary endeavors. This one is different, a startling homage and a new classic in its own right. Readers may be surprised by how much of the original scaffolding remains and how well the turnabout works, swapping a young man's moral awakening for something even more fraught. A kind of historical heist novel about human cargo, as in the original, James is an enslaved man in antebellum Missouri.
